Bright Star at HCT

Last night I went to Hale Centre Theatre for the second time in a week (Monday night I saw Strictly Ballroom on the Main Stage again with my sisters and we had so much fun)! This time I was there to see Bright Star on the Jewel Box Stage. Several years ago I had the opportunity to see PTC's production of this incredibly moving musical and I absolutely loved it so I was really eager to see HCT's version! I loved it just as much! The story takes place in North Carolina in the 1920s and just after World War II and features incredible bluegrass music by Edie Brickell and Steve Martin. After the war, Billy Cane (Dallin Suman) briefly returns to his small town and his childhood friend Margot (Morgan Western) but he eventually decides to try writing for a magazine in Asheville where he meets the uptight editor, Alice Murphy (Donna Loudon), who once made Hemingway cry. When the magazine staff teases Alice about her boring existence, we see her (literally) transform into a wild and rebellious teenager who is in love with the Mayor's son, Jimmy Ray Dobbs (Adam Dietlein). The narrative goes back and forth between the two timelines as Alice learns about love, loss, and redemption. Since I already knew the major plot twist this time around, I found the story to be even more emotional and the ending to be even more triumphant! Loudon is simply amazing as Alice! I saw Carmen Cusack, who originated the role on Broadway, in PTC's production but Loudon (who understudied Cusack on the national tour) is able to make the role her own and I was very impressed with what she did with it (her voice reminded me a lot of Dolly Parton). Her renditions of "Please, Don't Take Him" and "I Had A Vision" are incredibly powerful and brought me to tears (I was not alone). The rest of the cast is also very strong and I enjoyed Western's version of "Asheville," Suman's version of "Bright Star," and Dietlein's version of "Heartbreaker." I particularly enjoyed the choreography in Hale's version, especially in "Way Back in the Day," "What Could Be Better," and "Another Round." The staging of this show is extremely clever with a set that looks like an old and weathered barn with various pieces, such as Margot's bookstore, Alice's office, the Mayor's office, and the cabin in the woods, moved on and off stage seamlessly by the ensemble. A key scene involving a train was the only disappointment for me because I couldn't tell that the Mayor was on a train (to be fair my seat was to the right of the stage so I couldn't see any of the projections) and the action seemed rather clumsy. The insanely talented bluegrass band (featuring Kelin Gibbons on banjo, Josh Ogden on cello, Becca Moench on violin, and Kelly DeHaan on piano) is located on stage in the rafters of the barn and they add so much to the overall feel of the show. I loved this production and I cannot recommend it highly enough!  It runs through May 2 on the Jewel Box Stage (go here for tickets).

Note:  One of my former students is in the ensemble and I was thrilled to be able to see him last night!  He is usually in the MWF cast but he had to go on for his double at the last minute!

The Color Purple

I have only seen the movie version of The Color Purple on cable TV so I was happy that it was a part of the TCM Big Screen Classics Series this year.  I had the opportunity to see it yesterday and I had forgotten how powerful this movie is!  Celie (played as young girl by Desreta Jackson and as an adult by Whoopi Goldberg), a young black girl living in the rural South in the early 1900s, has already had two children by her abusive father who have been taken away from her.  Eventually, she is forced to marry an older man known to her only as Mister (Danny Glover).  He beats her and forces her to cook, clean, and take care of his three children but, worse than that, he separates her from her beloved sister Nettie (Akosua Busia) and he hides all of Nettie's letters to her.  After several years of this treatment her spirit is entirely broken but it is her relationships with Sofia (Oprah Winfrey), the wife of Mister's son Harpo who teachers her that she can stand up for herself, and Shug Avery (Margaret Avery), Mister's mistress who teaches her to love herself, that give her the strength to overcome the adversity in her life.  The treatment that Celie endures is sometimes difficult to watch but it is worth it for the triumphant ending which always brings a tear to my eye.  There are so many scenes where Celie, almost wordlessly and almost without any change in facial expression, submits to the indignities of her life but Goldberg delivers an affecting performance that is both somehow sympathetic and compelling.  Her transformation is incredibly powerful, especially when she confronts Mister which, in turn, helps Sofia (a strong debut performance from Winfrey) find her voice again.  I wanted to cheer out loud during that scene.  I loved the message about the importance of female relationships and about finding the beauty in life when it seems so bleak.  I think the movie is more hopeful and inspiring than Alice Walker's Pulitzer Prize winning novel (mostly because it is so beautifully shot in a bucolic setting filled with wildflowers) and I highly recommend checking it out!

The Call of the Wild

Yesterday my Mom and I went to see The Call of the Wild, a heartwarming adaptation of Jack London's classic tale of adventure and friendship, and we both enjoyed it.  Buck is a large and high-spirited dog belonging to a prominent judge in Santa Clara, California when he is stolen and transported to the wilds of Alaska during the gold rush of the 1890s because dogs are needed and top dollar is paid.  He is sold to Perrault (Omar Sy) and Francoise (Cara Gee), French-Canadian mail carriers who use him as a sled dog on their route along the Yukon trail.  Buck is challenged by the lead dog Spitz and, after defeating him, he becomes the lead dog and makes the trip to Dawson in record time.  Eventually the Canadian government determines that the mail route is no longer needed and the dogs are sold to a cruel gold prospector named Hal (Dan Stevens), his sister Mercedes (Karen Gillan) and her husband Charles (Collin Woodell).  They are inexperienced in the wild and abuse the dogs.  Buck is eventually saved by John Thornton (Harrison Ford), a man trying to escape his tragic past by hiding out in the Yukon, but it is Buck who really saves John.  Together they go on the adventure of a lifetime where Buck finds his true place in the world.  I may be biased because I love dogs but I found this movie to be incredibly touching.  I loved the relationship between John and Buck and I really enjoyed Ford's earnest performance as a grief-stricken man brought back to life by a dog.  The Alaskan and Canadian scenery is breathtakingly beautiful and I loved all of the action sequences, especially an avalanche, an incident on a frozen lake, and a canoe going down a waterfall.  Much has been made about the CGI used in creating the dogs but I honestly didn't find it distracting at all (there were a few moments when Buck's size in comparison to John is a little bit inconsistent but that is the extent to which I noticed anything amiss).  While there are a few scenes involving animal cruelty, I think this is a thrilling action adventure with a great message that the whole family would enjoy.  I highly recommend it!

Beethoven's Symphony No. 7

I love having a Utah Symphony concert to go to on a Friday night because, in my opinion, it makes the work week so much better to have something wonderful to look forward to at the end of it!  I have been looking forward to last night's concert for a long time because it featured Beethoven's Symphony No. 7, which is one of my favorites, and it didn't disappoint!  The orchestra also played two movements from Olivier Messiaen's epic piece, Des canyons aux etoiles, which he wrote after visiting Southern Utah.  The concert began with "Bryce Canyon and the Red-Orange Rocks" and the orchestra continued after the intermission with "Cedar Breaks and the Gift of Awe."  I enjoyed both of these pieces because I love the red rocks of Southern Utah and I imagined myself there as I listened.  They both featured a lot of percussion, including a few unusual instruments such as a large hoop filled with sand that was swirled around (does this "instrument" even have a proper name?).  Both pieces were often very discordant and jarring but these sounds evoked the powerful forces that created these formations and it was brilliant.  The orchestra was joined by pianist Francesco Piemontesi for Robert Schumann's Piano Concerto.  I really loved this piece because it was incredibly wild and dramatic.  It almost seemed as if Piemontesi was attacking the piano and it was very entertaining to watch!  I also really loved the long timpani roll at the end of the piece.  Piemontesi received a thunderous standing ovation and favored us with an encore (I didn't recognize the piece).  The concert concluded with Symphony No. 7 by Ludwig van Beethoven and this piece gave me goosebumps!  I especially love the second movement because of the repetition of the main theme by the various string sections followed by the woodwinds and the orchestra played it beautifully.  The rest of this symphony is incredibly exuberant and triumphant but I find this movement to be a bit more solemn and melancholy and it really appeals to my dark soul.  It was a wonderful evening and I highly recommend getting a ticket (go here) to tonight's concert featuring the same program.

Strictly Ballroom at HCT

I don't know if there is anyone out there who loves the movie Strictly Ballroom as much as my sisters and I do! We have probably watched it over one hundred times (not an exaggeration) and we can quote the whole movie to each other at will (and we often do). When HCT announced the 2020 season, the three of us could hardly contain our excitement over the U.S. premiere of the musical based on this cult classic. I was able to see it last night (I am seeing it again next week with both of my sisters and my Mom) and I thoroughly enjoyed every minute of the production. Scott Hastings (Noah Bradford) and his ballroom dancing partner Elizabeth Holt (Alexa Knutzen) are on their way to winning the Pan-Pacific Grand Prix Open Amateur Old Time, New Vogue, and Latin Championship but, after an incident on the dance floor with another couple, Scott resorts to his own flashy crowd-pleasing steps. The Australian Federation President Barry Fife (Zac Freeman) denounces them so Liz decides to dance with Ken Railings (Brandon Perry) instead.  His mother Shirley (Claire Kenny) and his coach Les (Bryan Dayley) try to find him another partner, including the Champion Tina Sparkle (Alexis Burton), but Fran (Serena Kozusko), a beginning student, tells him she wants to dance with him using his steps. They train in secret with her father Rico (John Graham), who teaches them a more authentic version of the Paso Doble.  However, Shirley, Les, and Barry Fife all try to convince him to dance Federation steps with Liz to win the Pan-Pacific Championship. His father Doug (Benjamin J. Henderson) ultimately convinces him that he will live his life in fear if he doesn't follow his heart and dance his own steps with Fran. The musical follows the movie pretty well, with the addition of a master of ceremonies named Wally Strand (Quinn Dietlein) who narrates the action and provides the music. All of the songs from the movie, including "Time After Time," "Perhaps, Perhaps, Perhaps," and "Love is in the Air," are included but I really enjoyed the dance-themed pop songs that are interspersed throughout, such as "Let's Dance" by David Bowie, "Dancing With Myself" by Billy Idol, "I Wanna Dance with Somebody" by Whitney Houston, and "Dancing in the Streets" by Martha & and the Vandellas. The ballroom dancing in this show is absolutely fabulous and so much fun to watch. Bradford and Kozusko, in particular, are amazing dancers and have so much chemistry with each other! I loved the costumes, especially Fran's Paso Doble dress which is incredible, but I have one tiny complaint and that is that Liz's dresses should be yellow. The set is mostly comprised of a large stage with spotlights and cabaret tables all around (patrons can sit at these tables during the show) with Kendall's Dance Studio coming down from the rafters and the Hastings's kitchen coming up from the pit. The disco balls hanging from the ceiling and the red metallic door curtains at every entrance provide the perfect atmosphere for a dance competition. This show is just so much fun and, if you are a fan of the movie, you are sure to love it!  Go here for tickets.

Note:  I can't wait to see it again with my sisters. I just hope that we can control ourselves (I apologize in advance to anyone sitting near us!).