Rambo: Last Blood

My Dad is as much of a night owl as I am and we have decided that we like going to late movies on Saturday nights (we saw Ad Astra a few weeks ago) and now we want to go as often as we can.  Last night we decided to see Rambo: Last Blood and we had such a good time.  Vietnam veteran John Rambo (Sylvester Stallone) is suffering from PTSD but has found a measure of peace on his father's horse ranch in Arizona and has created a surrogate family with his housekeeper Maria (Adriana Barraza) and her granddaughter Gabriela (Yvette Monreal).  Gabriela has tracked down the father who abandoned her and her mother and, against Rambo's advice, she travels to Mexico to confront him.  After her father rejects her, she goes to a club where she is drugged and kidnapped by a sex-trafficking ring run by Hugo and Victor Martinez (Sergio Peris-Mencheta and Oscar Jaenada, respectively).  Rambo travels to Mexico to save her but is unsuccessful.  He ultimately kills Victor forcing an epic confrontation with Hugo and a large group of his hitmen back at his ranch where he has booby trapped a series of elaborate underground tunnels.  This confrontation, which is the entire third act of the movie, is violent, graphic, and intense but it is strangely satisfying.  Even though they are violent, the action sequences are amazing because Rambo uses a variety of different weapons in very innovative ways and I actually wanted to cheer when a particularly despicable character meets a grisly end.  I really liked Rambo's character arc in this movie because this time around he is exacting revenge for the brutal death of a loved one and there are scenes that are filled with genuine emotion.  I also liked the fact that Rambo isn't entirely invincible in this movie.  He willingly puts himself in harm's way, and gets beaten very badly, for the sake of someone he loves and that is what makes this a fitting conclusion his story.  All of the critics hated this movie but I think fans of the franchise will enjoy it.

The Hunchback of Notre Dame at CPT

The first time I saw The Hunchback of Notre Dame, I fell in love with both the story about a group of outcasts who take refuge in Notre Dame Cathedral and the beautiful music!  I was very impressed with HCT's production so I was really looking forward to CPT's version. I got to see it last night and, once again, I loved everything about it! Quasimodo (Christian Lackman) has been hidden by his master Frollo (Daniel Frederickson) in the bell tower of Notre Dame Cathedral all of his life because of his deformity. He wonders what it would be like to leave the cathedral and decides that he will be safe on the streets of Paris during the Feast of Fools. He is eventually crowned the King of the Fools but when the crowd turns on him the gypsy Esmeralda (Becca Burdick) rescues him. She also catches the eye of the captain of the cathedral guard Phoebus de Martin (Spencer McCoy) who falls in love with her and she bewitches Frollo who becomes obsessed with possessing her. When Esmeralda rejects Frollo, he orders Phoebus to arrest her.  When Phoebus refuses they both become fugitives who are aided by Quasimodo until the final confrontation in the bell tower. The four main leads are outstanding! My favorite song in the show is "God Help the Outcasts" and Burdick sings it so beautifully; Frederickson's version of "Hellfire" is incredibly dramatic and powerful (it is also staged brilliantly);  Lackman's rendition of "Heaven's Light" brought tears to my eyes; and McCoy is so romantic when he sings "Someday" with Burdick.  The talented ensemble also does an excellent job narrating the story in "The Bells of Notre Dame" and its multiple reprises.  One of my favorite aspects of this show is the use of gargoyles (Jacob Grossenbach, Loren Atwater, Kylee Turner, and Azia Moeai) as characters who help and inspire Quasimodo, especially in "Made of Stone."  The choreography is very energetic and engaging, particularly when the gypsies dance in "Rhythm of the Tambourine" and "Topsy Turvy."  The set is spectacular with large moving pieces that instantly transform the stage into the bell tower of the cathedral, the town square in front of the cathedral, and the Court of Miracles.  I especially loved the rose window of the cathedral and the the giant bells above the stage that would "ring" when needed.  Everything about this production is fabulous;  in fact, it is one of the best productions I've seen at CPT.  I highly recommend seeing this beautiful story come to life for yourself (go here for tickets).

Joker

Last night I went to a Thursday preview of Joker and I thought it was as brilliant as it was disturbing.  Arthur Fleck (Joaquin Phoenix) is a mentally ill young man who suffers from a condition where he laughs uncontrollably in inappropriate situations.  He is a clown for hire during the day and an aspiring comedian at night who feels alienated from everyone around him.  He feels that he has been rejected by his mother, his colleagues, a would-be girlfriend, his social worker, and a society that values the wealthy over the less fortunate.  After he is attacked on the subway by a group of wealthy young men who are provoked by his clown costume and his laughter, he brutally kills them.  This starts a series of riots where people dressed as clowns attack the wealthy and it also awakens something inside Arthur who begins taking revenge against everyone who has hurt him.  His killing spree culminates on a TV talk show hosted by Murray Franklin (Robert DeNiro, in a nod to The King of Comedy), a comedian who ridicules him by playing footage of his disastrous routine at a comedy club.  Arthur eventually becomes a cult hero for the less fortunate of Gotham City with unforeseen consequences involving the wealthy Wayne family.  This is a thought-provoking condemnation of a society that fails to protect the vulnerable and it is upsetting to watch, particularly because of the tension that builds and builds as Arthur descends into a madness that feels inevitable.  Phoenix is absolutely brilliant in this physically and emotionally demanding role.  As much as I was repulsed by the violence of Arthur's actions, Phoenix actually made me empathize with the character and that left me feeling incredibly unnerved.  It is a performance that I will definitely not soon forget.  The cinematography is striking with an incredibly dark and gritty tone that calls to mind Martin Scorsese's best films of the 1970s and the score by Hildur Gudnadottir is haunting.  I don't know if I can recommend something that left me feeling so traumatized but it is one of the best movies of the year.

Hustlers

I didn’t initially have a lot of interest in seeing Hustlers but several people whose opinions I value recommended it very highly to me so I decided to see it last night.  I'm glad that I took a chance on this movie because it is much better than I was expecting.  Dorothy (Constance Wu), who takes the stage name Destiny, is working at a strip club to support her infirm grandmother but she is barely getting by.  She turns to veteran stripper Ramona (Jennifer Lopez) who coaches her on how to get better tips.  She begins making a lot more money but, more importantly, she and Ramona become close friends.  Everything changes when the financial crisis of 2008 happens and both Destiny and Ramona become desperate to make money.  Ramona comes up with the idea of luring wealthy Wall Street traders into the club, drugging them with a mixture of ketamine and ecstasy, and running up their credit cards to the limit.  Destiny and strippers Mercedes (Keke Palmer) and Annabelle (Lili Reinhart) join her and they all become fabulously wealthy until it all falls apart.  This movie is a true story based on a 2015 New York Times article called "The Hustlers at Scores" so there is a framing device of having a reporter (Julia Stiles) interview the strippers in 2014 with flashbacks to the past.   What I really loved about this movie is that it has a powerful message about friendship and female empowerment.  While there are a few fun shopping montages, both Ramona and Destiny are ultimately trying to improve the lives of their daughters so that they will have more choices than they did.  I also found the biting social commentary to be very interesting (it reminded me a lot of The Big Short).  The women justify what they are doing by saying that these corrupt Wall Street bigwigs have fleeced Americans for years with their unscrupulous policies so they are just trying to get some of the money back.  It's hard not to root for them to succeed!  Finally, the performances are great!  Wu is incredibly affecting, especially when her conscience begins to bother her, but Lopez gives a tour-de-force performance that is definitely one of her best (it has already generated some Oscar buzz).  Cardi B and Lizzo have some fun cameos as strippers as does Usher who plays himself.  I would recommend this movie with the proviso that it does earn its R rating with quite a bit of nudity, sexuality, (the characters are strippers who dance provocatively) drug use, and language.

Judy

There has already been a lot of Oscar buzz about Renee Zellweger's performance as the legendary Judy Garland in the new biopic, Judy, so I was very eager to see it yesterday.  It is 1969 and the former star is homeless, in debt, addicted to pills and alcohol, and reduced to performing in second rate clubs for payment under the table.  She is in the middle of a bitter custody battle for her children with ex-husband Sidney Luft (Rufus Sewell).  She reluctantly takes a five-week gig singing in a club in London hoping to make a substantial amount of money and rehabilitate her tarnished reputation.  She gives her all on stage, singing such hits as "Somewhere Over the Rainbow," "The Trolley Song," and "Come Rain or Come Shine" to standing ovations, but eventually the turmoil of her life, including an ill-advised marriage to a younger man who takes advantage of her neediness, takes a toll on her performances.  There are flashbacks to a young Judy (Darci Shaw) who is belittled by Louis B. Mayer, denied food, and plied with drugs to keep her working an impossible schedule.  As a young girl and as the tragic figure she becomes, it is always the audiences who love her that keep her going.  This movie is your standard cautionary tale about the destructive nature of fame that we have all seen time and again but what elevates it is the absolutely brilliant performance of Zellweger.  She performs Garland's iconic songs live with a full band behind her and an actual audience in front of her.  It is incredibly impressive.  Even though she doesn't sound exactly like the singer, she is able to inhabit her with all of her idiosyncrasies as a performer.  She also gives Garland a sort of humanity amidst all of her bad diva-esque behavior.  I was especially impressed by a scene where she calls her children from a payphone to see if they really want to live with their father.  She is trying to control her voice so her daughter feels comfortable enough to tell her the truth but her face shows all of her pain.  It is so powerful.  Ultimately, it is an average movie but I highly recommend it for Zellweger's Oscar worthy performance