Rachmaninoff's Piano Concerto No. 2

I am now officially on spring break (such as it is) and I can think of no better way to begin the long weekend than by hearing Rachmaninoff performed by the Utah Symphony at Abravanel Hall.  The concert last night was an incredible experience and it took away all of the stresses of the preceding week (the end of the term is always difficult).  The orchestra began with a piece called Play by Andrew Norman.  The composer was there to introduce it and he called it a journey from chaos, where the instruments compete with each other rather jarringly, to peace in which the instruments cooperate with each other in harmony.  The percussion instruments control all of the other instruments and seem to turn them on and off at various times.  Norman also ascribed different moods and emotions to each instrument (my favorite was the "angry" clarinet) and has them make sounds in unusual and unexpected ways, such as having the horn players hit their mouthpieces and having the pianist strum the strings directly.  It was very unusual but I enjoyed it.  This piece required a high level of concentration and engagement to listen for all of the different emotions and moods so the next piece, Vocalise by Sergei Rachmaninoff, was a nice break.  It was lovely, with a beautiful theme performed by the strings, and I closed my eyes and let it envelope me.  After the intermission, the orchestra played Rachmaninoff's Piano Concerto No. 2, one of my favorite pieces, and they performed it brilliantly!  I love Rachmaninoff because he is so emotional and tempestuous and this piece is, at times, incredibly dramatic with themes that are repeated until they build to a swelling crescendo, and, at other times, it is poignant and filled with so much longing, especially the second movement with a theme played by the piano and then echoed throughout the orchestra.  Soloist Alexander Gavrylyuk, with fingers flying up and down the keyboard, interpreted this piece beautifully and was rewarded with a thundering ovation.  The Utah Symphony can always be counted on for a lovely evening!

Note:  A shortened version of this program will be performed tonight as part of a new series called Unwound.  You can dress casually, applaud whenever you want, participate in a variety of activities in the lobby, and purchase food and drinks before the concert.  Go here for more information and tickets.

Howard Jones at the Eccles Theater

I love Howard Jones and I have seen him in concert more times than I can count.  When I heard that he was coming back to SLC I decided that I probably didn't need to see him yet again.  Then my friend Cyndi mentioned that she had an extra ticket to the concert and asked me if I wanted to go.  Of course I said yes!  The show was last night and it was so much fun!  This time he performed at the Eccles Theater, which is a great venue for a concert, and he was joined by Nick Beggs and Robin Boult for an acoustic set.  He started things off with "Pearl in the Shell" and then proceeded to play all of the hits, including "No One is to Blame," "Like to Get to Know You Well," "You Know I Love You, Don't You," "Don't Always Look at the Rain," "Everlasting Love," "Things Can Only Get Better," "Life in One Day," "Hide and Seek," and "What Is Love?"  It was amazing to hear stripped down versions of these instantly recognizable songs and my favorite was a really bluesy rendition of "Don't Always Look at the Rain."  He also played a few Beatles covers, including "Oh, Darling," "Come Together," and "Twist and Shout" which were fabulous.  For the encore, he played a new song from his forthcoming album called "Hero in Your Eyes," which I really liked, and he ended the evening with "New Song," which is the song that turned me into a Howard Jones fan all those years ago!  In between songs he told lots of stories (he mentioned that we probably knew all of his stories because he's been to SLC so many times!).  He said that watching Bohemian Rhapsody made him really nostalgic for Live Aid before he sang "Hide and Seek" (which is the song he sang at Live Aid) for us and that made me love him even more.  I loved every minute of this concert because it brought back so many memories of my youth and I am so glad Cyndi asked me along!

Note:  I went with Cyndi the last time I saw Howard Jones at Red Butte Garden.  I decree that we must always see Howard Jones in concert together from now on!

The Kid

Ever since I saw the remake of The Magnificent Seven I have been a fan of Western films.  As such I was very intrigued by the premise of The Kid (I am also a huge fan of Ethan Hawke who I think is very underrated as an actor) so I went to see it yesterday.  A young boy named Rio (Jake Schur) kills his father in self-defense after the latter beats his mother to death.  He and his sister Sara (Leila George) go on the run through the Southwest but he is tormented by what he has done.  They encounter the legendary Billy the Kid (Dane DeHaan) and his gang just before he is captured by Sheriff Pat Garrett (Hawke).  Rio and Sara decide to travel with Garrett as he takes Billy to justice in Santa Fe.  Both Garrett and Billy sense what Rio has done and they each have occasion to tell him about the first man they killed.  Each murder was committed under similar circumstances but each man chose to take a different path, one becoming a man of justice and the other an outlaw.  When Sara is kidnapped by her uncle (Chris Pratt) in retribution for his brother's murder, Rio must decide whether to enlist Garrett's help to bring him to justice or to join Billy the Kid and seek vengeance.  I found the story of a boy who must decide what kind of man he wants to become to be very compelling and both Hawke and DeHaan (who is hit or miss with me) give very strong performances.  It was also quite interesting to see Pratt play a villain and he was more than up for the challenge.  The action sequences are fantastic and the final shoot-out is one of the best I've seen.  I also really enjoyed the sepia toned cinematography with beautiful wide shots of the Southwest.  Because this movie was released opposite Captain Marvel it is very much under the radar but, if you are a fan of the genre, it is definitely worth seeking out.

La Cage aux Folles at PTC

Several years ago PTC created a series featuring rarely performed musicals in concert format.  The actors use scripts and there are minimal costumes, sets, and props to let the music take center stage.  They began with The Rocky Horror Show (which was so popular that PTC presented it two years in a row) and continued with Chess and In the Heights.  I am a huge fan of this concept and I was excited to learn that this year's show was La Cage aux Folles because I've never seen it before.  I saw it last night and it was so much fun!  Georges (James Patterson) is an impresario of a Saint-Tropez nightclub featuring performers in drag and Albin (Jamison Stern) is his partner and star attraction.  Chaos ensues when Georges's son Jean-Michel (Patrick Ryan Castle) announces that he is engaged to Anne (Barbara Camara), the daughter of a conservative politician (former Utah senator Jim Dabakis) who wants to meet his family.  This show is full of laughs and big song and dance numbers (this has the most extensive choreography I've seen in PTC's concert versions) but it is also very heartwarming because it is, ultimately, about the importance of family.  The entire cast is very strong but Patterson has an incredible voice, especially in "Song in the Sand," and Brandon Contreras steals every scene he is in as Albin's "maid."   Stern is also fantastic, especially when he performs as the drag queen Za Za with the Cagelles.  I thought the scene where Georges tries to teach Albin how to be more masculine was the funniest thing I had ever seen until Senator Jim Dabakis appeared in drag at the end of the show.  That alone was worth the price of admission!  I enjoyed this show so much and I can't wait to see what the concert production will be next year.

Note:  One of the characters in this show is named Phaedra!  I can't think of a better name for a drag queen!

Utah Opera's The Magic Flute

Even though The Magic Flute is not one of my favorite operas (I much prefer the tragedies to the comedies), I have seen it several times because the Utah Opera programs it often.  You might think, then, that I would have no interest in Utah Opera's current production but two things compelled me to attend a performance last night.  First, Thierry Fischer, Director of the Utah Symphony, is the conductor and, second, Celena Shafer, a Utah fan favorite, plays the Queen of the Night.  The story, essentially, is a simple one in which the main character goes on a journey of discovery but it does contain some very powerful themes including light vs. dark and good vs. evil.  The Queen of the Night (Shafer) persuades Prince Tamino (Andrew Stenson) to rescue her daughter Pamina (Zulimar Lopez-Hernandez) from the clutches of the high priest Sarastro (Matt Boehler) but she really just wants Sarastro's power.  The Queen's bird-catcher Papageno (Joo Wan Kang) accompanies Tamino and her three ladies (Abigail Rethwisch, Melanie Ashkar, and Anne Maguire) give them a magic flute, silver bells, and three spirits (Oliver Laughlin, Theodore Hyngstrom, and Liam Khor-Brogan from the Madeleine Choir School) to help and guide them.  Tamino has fallen in love with Pamina but Sarastro requires him to undergo trials of initiation involving fire and ice (which are dramatically staged) before he can be with her and, using the magic flute, he prevails which banishes the Queen of the Night.  Papageno fails his trials but, by using the silver bells, he is rewarded with his ideal match, Papagena (Grace Khal), anyway.  The libretto may be fantastical but the music is absolutely glorious.  Thierry Fischer has such a light touch so his interpretations of Mozart are always beautiful and last night was no exception.  I had goosebumps multiple times.  Shafer was brilliant as the Queen of the Night, especially in the famous aria "Der Holle Rache."  It was received with cheers and an extended round of applause from the audience.  In addition to Shafer, I was really impressed with the entire cast, particularly Lopez-Hernandez as Pamino and Boehler as Sarastro.  I also really enjoyed the physical comedy (more than I usually do) and the gorgeous costumes.  There is only one performance left but I would recommend getting a ticket (go here).