Temple Square 2015

Every year there are hundreds of thousands of visitors to Temple Square to see the lights.  I like to complain about this because the traffic downtown gets really crazy in December but, really, the lights are beautiful!

I decided to see the lights last night even though it was a Saturday night and I don't really enjoy crowds.  As predicted, it was very crowded but I actually didn't mind it so much.  All of the snow that we have had this week made the lights seem even more magical.

I had the best time I've ever had walking around Temple Square.  I didn't have an agenda and I didn't have any time constraints so I just wandered wherever I wanted to go.  It was a really stressful week at school, for various reasons, and I felt more peaceful than I've felt in a long time.  It was almost as if there weren't any people around me at all.

I ended up at the Assembly Hall for one of the many free concerts (go here for a schedule) there every evening, usually featuring community and high school choirs.  When I got there, a group had just started performing so I sat down and thoroughly enjoyed myself.  I didn't even know what school was performing (I found out later that it was Rigby High School) but I love hearing Christmas music performed live so much.

It was a lovely evening.

A Christmas Carol at HCT 2015

I can't think of a better way to start winter break than by seeing HCT's wonderful and magical production of the beloved holiday classic, A Christmas Carol. It is one of my most favorite traditions and I have been attending this show for years and years. I really love the tale of one man's redemption and its message of caring for the welfare of mankind is particularly salient right now during these troubling times. I love seeing familiar faces return year after year, such as David Weeks as Ebenezer Scrooge, but it is also fun to see new actors take on iconic roles.  I can't remember seeing anyone but Brad Charon play the role of Bob Cratchit or Adam Dietlein play the role of Fred so it was interesting to see Ryan J. Poole and Spencer Bean take on those parts, respectively, last night. Poole's characterization of Cratchit was very tender and I was particularly moved by a scene where Cratchit tearfully thanks Scrooge at the end of the play. I also really loved Ric Starnes as Fezziwig. Actually, all of the performances were great and, as ever, I was very impressed with the Victorian costumes and opulent sets.  I think my favorite part of Hale's production is the use of Christmas carols throughout the play.  I especially love it when the cast sings "Bring a Torch Jeanette, Isabella" which is one of my favorites. Even though I have seen this production countless times I always sit on the edge of my seat and anticipate every scene, every song, and every line of dialogue (I honestly think I could fill in for any part).  It never gets old and I always leave the theatre full of Christmas spirit.  I recommend that you experience it for yourself!  Go here for tickets.

The Force Awakens

I was nine years old when Star Wars: A New Hope was released and I distinctly remember watching it on the big screen.  I loved Princess Leia and I was terrified of Darth Vader.  I had the action figures and a model of the Millennium Falcon (which I foolishly removed from the box to play with) and I also spent most of my money buying packages of gum to collect all of the playing cards which, when pieced together, created the movie poster (I never actually finished it because I could never find a few of the more elusive cards).  I have such great memories of watching all of the movies in the franchise so, when I heard that the seventh film was in the works, I could hardly contain myself!  Christmas 2015 couldn't get here soon enough!  Tickets to the early screenings were a hot commodity in my neck of the woods but I managed to snag one seat in the middle of a row for the 10:35 show last night.  Star Wars: The Force Awakens could not be more aptly titled because I felt just like I remember feeling back in 1977 when I was first introduced to Luke Skywalker, Han Solo, Princess Leia, Chewbacca, R2-D2, and C-3P0.  You could say that my affection for these characters was reawakened and I clapped, as did the entire audience, when they each appeared.  I cheered when I heard that dramatic first note in the instantly recognizable fanfare by John Williams during the opening crawl and I was completely captivated by a new group of characters:  Finn (John Boyega), a stormtrooper with a conscience, Poe Dameron (Oscar Isaac), a daring Resistance pilot, Rey (Daisy Ridley), a scavenger who gets drawn into an adventure when she meets a droid carrying a secret, and Kylo Ren (Adam Driver), a former Jedi apprentice struggling between the forces of good and evil.  All of the mythology is there and the story of a new threat to the Galaxy by the evil First Order is a believable continuation of the plot.  I loved every second of this movie, which made me cheer, laugh, cry, and remember all of the magic felt by a nine year old girl.

Kurt Bestor Christmas Concert

I am completely obsessed with listening to Christmas music performed live right now so I spontaneously decided to get a ticket to Kurt Bestor's Christmas concert last night.  Kurt Bestor is a Utah-based composer known for his beautiful arrangements of Christmas music and he has performed a series of Christmas concerts at Abravanel Hall for the past 28 years (next year he is moving to the new Eccles Theater).  I've gone to a few of his concerts in years past but I think last night's was his best one yet!  He began with "Carol of the Bells" with the Wesley Bell Ringers and continued with "Joy to the World," "What Child Is This," "Christmastime Is Here," and "I'll Be Home for Christmas."  He had an amazing vocalist named Lexie Walker perform a beautiful rendition of his most well-known song, "Prayer for the Children," and it brought tears to my eyes. One of Kurt Bestor's most beloved traditions is to write an original carol each year.  This year he was inspired by the tragedy in Paris and wrote "Carol of the Lights" because Paris is known as the City of Lights.  I loved it and the message of peace on earth and good will toward man.  He ended the first act with a "Christmas Concerto" featuring many different Christmas carols with dueling soloists on violin and electric guitar.  After the intermission, he brought back the Wesley Bell Ringers for "Let It Snow"  and performed his own version of "Twelve Days of Christmas" featuring all of the instruments on stage.  He brought back Lexie Walker for lovely renditions of "Toyland," "When a Child is Born," and "Angels We Have Heard on High."  Walker has such a beautiful and powerful voice!  Next, Bestor performed "While By My Sheep, I Watched at Night," which I had never heard before, and "I Wonder as I Wander."  It just isn't Christmas to me until I hear a live version of my very favorite Christmas song "O Holy Night" and it happened last night with a wonderful version featuring Bestor on flugelhorn.  It gave me goosebumps!  Continuing one of his long-standing traditions, Bestor selected an audience member to narrate 'Twas the Night Before Christmas to his original accompaniment.  Last night's narrator was Chad and he was an absolute hoot.  The concert ended with a beautiful rendition of "Silent Night" with audience participation.  For an encore, he performed a Celtic version of "Ding Dong Merrily" which I loved because I sang it in college!  I am so glad I got a ticket because I thoroughly enjoyed this concert.

Macbeth

If I had to pick a favorite Shakespeare play, Macbeth would definitely be at the top of the list (along with The Merchant of Venice) so I have been looking forward to Justin Kurzel's latest adaptation of the Scottish play for what seems like the longest time!  I got to see it last night and I was mesmerized by it.  When it comes to Shakespeare, I am definitely a purist (Hello, I am an English teacher!) and I do not like it when directors get too artistic and do things like set Julius Caesar during World War I or Romeo and Juliet during the 1950s.  While the filmmakers did take a few liberties with the source material (more about that later), I loved the fact that they remained unfailingly true to the time and place, medieval Scotland, with some of the most realistic medieval warfare I have ever seen (more about that later, too).  The bloody tale of ambition and guilt begins when Macbeth (Michael Fassbender), victorious in battle for King Duncan (David Thewlis), is confronted by three apparitions on the battlefield who reveal that Macbeth will be the Thane of Cawdor and then the King of Scotland.  When the King grants him the title of Cawdor, he is spurred on by his ambitious wife (Marion Cotillard) to kill the King and take the crown, thereby fulfilling the prophecy.  Eventually, they are both undone by their paranoia and guilt over their bloody deeds.  This adaptation focuses on the fact that Macbeth and Lady Macbeth are childless as motivation for many of their actions (which Shakespeare hints at but does not explicitly state), beginning the film with the burial of their dead child and having Lady Macbeth's "sleepwalking" soliloquy directed to the ghost of the child, and I found this to be highly effective.  The "weird sisters" are portrayed as spectral figures and much of their dialogue is omitted (no cauldrons with the eye of a newt, either) but they are terrifying, nonetheless.  Other changes include having Malcolm (Jack Reynor) witness the death of his father before fleeing in fear, having Lady Macbeth witness the deaths of Macduff's (Sean Harris) family, and having the Birnam Wood come to Dunsinane as ashes (which is absolutely brilliant).  Fassbender is astonishing in this role, giving an incredibly nuanced performance as Macbeth becomes more and more tortured by guilt.  I was especially impressed with the scene with Lady Macbeth after his coronation when he first mentions his guilt.  The one tear rolling down his face just about killed me.  Cotillard is also amazing as Lady Macbeth and I was particularly struck by her strength in the Ghost of Banquo scene (with her eerie blue eye paint) and her absolute vulnerability in the "sleepwalking" scene.  These two performances make this movie a must-see, in my opinion.  The cinematography is incredible, with many of the battle scenes suffused with a red glow which is quite unnerving.  In fact, much of the film's impact is visual, as quite a bit of Shakespeare's original text is condensed.  I loved the immediacy of the battle scenes, almost as if the audience is a part of the action.  It is gruesome, to say the least, but you cannot look away. The stark beauty of the Scottish highlands is used to full effect, the costumes are surprisingly sparse but very appropriate for the time period, and the score is atmospheric and intense.   I loved it!  To be sure, this adaptation does not follow the source material as much as I would have liked, but I was captivated by the performances and would highly recommend it.

Note:  One of the employees at the Broadway told me (yes, I go there so much that all of the employees know me and talk to me) that reactions were mixed on opening day.  People either loved it or hated it!