Emma

I love Jane Austen (I once took a class entirely devoted to the works of Austen in college and it was probably my favorite class) and I love her novel Emma.  I have literally been counting down the days until I could see this glorious new adaptation which I did yesterday.  After Emma Woodhouse (Anya Taylor-Joy), a wealthy young woman who has no desire to get married herself, is successful in matching her governess Miss Taylor (Gemma Whelan) with Mr. Weston (Rupert Graves), she decides to take Harriet Smith (Mia Goth), a young woman of unknown parentage, under her wing.  She encourages her to reject the proposal of Robert Martin (Connor Swindells) because he is a farmer and she deems him not worthy of her.  She first sets her sights on Mr. Elton (Josh O'Connor) as a suitor for Harriet but he mistakes her interest in him and declares his love for her.  Then she picks Frank Churchill (Callum Turner), whom everyone tries to match with her, but he is secretly engaged to another.  Then Harriet falls in love with Mr. Knightley (Johnny Flynn), a Woodhouse family friend, but chaos ensures when Emma realizes that she has loved Mr. Knightley all along!  Emma's village of Highbury is filled with many eccentric characters, such as her hypochondriac father Mr. Woodhouse (Bill Nighy), a chatty old maid named Miss Bates (Miranda Hart), her long-suffering niece Jane Fairfax (Amber Anderson), and Mr. Elton's snotty wife Augusta (Tanya Reynolds), who make this story absolutely delightful.  I loved Taylor-Joy's characterization of Emma because she doesn't try to make her likeable but you somehow care about her, nonetheless.  I also liked her chemistry with Flynn because in every one of their interactions you just know that they belong together, especially when they are sparring.  The ensemble cast is simply marvelous and I can't really decide who I enjoyed more:  Nighy as Mr. Woodhouse (the business with the screens absolutely killed me), Hart as Miss Bates (who steals every scene she is in), or O'Connor as Elton (it cracked me up when he opened one eye while he was praying).  Even the actors who play the household staff at Hartfield are absolutely brilliant!  I laughed and laughed at all of their antics.  The production design is sumptuous with beautiful interiors, bucolic exteriors, and period perfect costumes (those empire waists!).  The scene at the ball was my favorite (I wrote a paper about the ritual of dance in Austen's novels for the aforementioned class).  How can just the slightest touch of hands be so romantic?  I loved everything about this movie and I predict that I will watch it several more times (before I purchase it for my Jane Austen movie collection).  I highly recommend it!

Onward

Yesterday I took Sean to see the new Disney Pixar movie Onward.  I have been looking forward to this movie for months and I convinced a reluctant Sean to come with me.   Long ago the world was inhabited by mythological creatures and the use of magic was commonplace.  However, magic was difficult to master so many technological advances took its place until it was almost extinct.   In present day an elf named Ian Lightfoot (Tom Holland), who lost his father before he had a chance to know him, is given a posthumous birthday present from him.  It is a magical staff with a rare phoenix gem and a spell to bring his father back to life for just one day.  Ian is full of self-doubt so his attempt to use the spell only brings half of his father back.  His older brother Barley (Chris Pratt), a ne'er-do-well who is obsessed with a role-playing game called Quest of Yore (I loved all of the references to Dungeons & Dragons used in this game), suggests that they need to go on a quest to find another phoenix gem to complete the spell.  Their quest to discover if there is still magic left in the world turns into a journey of self-discovery that is so heartwarming it brought a tear in my eye.  I loved it!   I particularly enjoyed the world-building in this movie because it is filled with enough dragons, wizards, elves, fairies, unicorns, and centaurs to satisfy my fantasy-loving heart and the animation is dazzling.  I loved that all of the characters, not just Ian and Barley, have to discover the magic that is dormant within themselves in order to succeed in their quests.  My favorite character arc is that of the manticore (Octavia Spencer) because she has become so tame that her tavern is now a family-friendly themed restaurant used for birthdays and bachelorette parties and she must find her inner beast in order to reverse a curse.  I loved the relationship between Ian and Barley because they have a playful yet adversarial camaraderie that is fun to watch and it makes the resolution between them all the more impactful.  Holland and Pratt are endearingly believable as the insecure Ian and the doofus Barley, respectively.  Finally, I loved Guinevere, the Econoline van complete with a mural of a unicorn, and an important scene where it saves the day was Sean's favorite part of the movie!  If you are a fan of Pixar (or a fantasy-loving nerd like me) you are sure to love this movie and I highly recommend it!

Note:  I may or may not have had to bribe Sean to see this with me but I think he enjoyed it more than he said he did.

Sketches of Spain

If you can’t go to Spain, the next best thing would be to go to Abravanel Hall for a Utah Symphony concert featuring several pieces inspired by Spain.  I was able to attend such a concert last night and it was absolutely exhilarating (almost like being there).  The first piece was Symphonie espagnole for Violin and Orchestra by Eduoard Lalo with guest soloist Benjamin Beilman.  It was fiery and passionate and I kept seeing flamenco dancers in my mind as I listened to it, especially during the final movement.  Beilman played it brilliantly and it looked like he was having so much fun.  I certainly had a lot of fun watching his bow fly across the strings of his violin (it was so fast)!  He received a thunderous standing ovation and then performed a beautiful encore (I didn't recognize the piece but I really liked it).  After the intermission the orchestra played Maurice Ravel’s Rapsodie espagnole.  It was really wild and boisterous and I pictured a bull fight in my mind.  Next came Habanera by Louis Aubert which was my favorite because it was so mysterious and seductive (I loved the theme played by the clarinet).  This time the music reminded me of a couple dancing a sultry tango.  The concert concluded with Iberia (from Images pour Orchestre) by Claude Debussy which was filled with beautiful melodies.  My favorite was the third movement because it is meant to represent a carnival.  I thought it was very playful and I especially enjoyed the chimes.  Music has the power to transport you to another time and place and, for a few hours, I was back in Spain with the Utah Symphony!  Even if your passport isn't up to date you can still get a ticket to tonight's performance (go here) and I highly recommend that you do.

Dear Evan Hansen at the Eccles

I really wanted to see Dear Evan Hansen so, even though I knew it was coming to the Eccles Theatre this season, I decided that I didn't want to wait that long and took a road trip to Las Vegas to see it at the Smith Center last year.  I thought the message that you are not alone was extremely powerful and I fell in love with the music.  I couldn't wait to see it again!  I had the chance last night and I loved it just as much!  Evan Hansen (Stephen Christopher Anthony) suffers from anxiety and feels insignificant and all alone ("Waving Through a Window").  Heidi (Jessica E. Sherman), his busy single mother, doesn't know what to do to help him ("Anybody Have a Map?").  His one friend, Jared (Alessandro Costantini), is only nice to him so his parents will pay for his car insurance and he is too scared to talk to Zoe (Stephanie La Rochelle), the girl he likes.  His therapist encourages him to write letters to himself to build his self confidence but Connor (Noah Kieserman), a deeply troubled young man, intercepts one of his letters from the printer because it mentions his sister Zoe.  When Connor takes his own life, his parents, Cynthia (Claire Rankin) and Larry (John Hemphill), find the letter and, assuming it is a suicide note written to Evan, reach out to him.  To comfort them, he pretends that he and Connor were friends ("For Forever").  When Cynthia and Larry press for more information, Evan asks Jared to create a history of emails between him and Connor ("Sincerely, Me").  Larry and Zoe struggle to reconcile Evan's version of Connor with the difficult son and brother they knew ("Requiem").  Zoe tells Evan that the only nice thing Connor ever said to her was in his suicide note, which Evan wrote ("If I Could Tell Her").  Alana (Ciara Alyse Harris), another lonely student at school, wants Evan to do more to keep Connor's memory alive ("Disappear") so they create The Connor Project.  Evan gives a heartfelt speech about loneliness ("You Will Be Found") at a memorial assembly for Connor and it goes viral.  He begins a relationship with Zoe ("Only Us") and bonds with her family ("To Break in a Glove") to the exclusion of Emily, Jared, and Alana ("Good For You").  When the truth is finally revealed ("Words Fail"), Evan realizes that he was never really alone ("So Big/ So Small").  Evan was played by the same actor that I saw in Las Vegas and I found him to be incredibly endearing.  His portrayal of a boy who doesn't feel like he fits in made me laugh and cry.  My favorite song from this show has always been "You Will Be Found" but last night I was particularly struck by "Waving through a Window" because I think we have all felt like outsiders at one time or another and the words to this song are so poignant.  I really like the use of social media, which is depicted on large moving panels, because, even though the world seems increasingly connected, so many people struggle to find a connection.  I love this musical so much and I highly recommend seeing it if you have the opportunity.  It runs at the Eccles Theatre through March 14 (go here for tickets).

Once on This Island at PTC

Last night I went to see PTC's production of Once on This Island and I absolutely loved it!  On an island in the French Antilles, a young girl is frightened by a storm so a group of storytellers tell her about another girl named Ti Moune (Ava Lyn Smith) who survived a storm to try and calm her.  Ti Moune (Tyla Collier as an adult) is a dark-skinned peasant girl who falls in love with Daniel Beauxhomme (Jordan Alexander), a light-skinned wealthy descendant of a French plantation owner, after she rescues him from a car accident.  This relationship is frowned upon because the peasants and the grand hommes do not interact due to racial and class divisions.  The four gods of the island, Asaka, Mother of the Earth (Galyana Castillo); Agwe, God of Water (Terance Reddick); Erzulie, Goddess of Love (Kristian Espiritu); and Papa Ge, Demon of Death (Paul Jordan Jansen); intercede on her behalf in both positive and negative ways until love triumphs to bring the different groups together and her story is told again and again through the generations.  This fairy tale might not end the way you think it should but it has a beautiful message about love, loss, forgiveness, redemption, prejudice, and the power of storytelling.  I loved all of the Caribbean-inspired music in this show but my favorite songs were "And the Gods Heard Her Prayer," "Rain," "Pray," "Forever Yours," "Mama Will Provide," and "Why We Tell the Story."  Each number involves the clever use of items found around the stage (I especially enjoyed how the gods appeared and disappeared), dazzling choreography, and colorful and vibrant costumes.  The entire cast, many of whom play multiple characters with just the addition of an accessory or prop, is wonderful.  However, I was blown away by Collier (who has a beautiful voice and is an exceptional dancer) because she embodies so many emotions in her portrayal of a woman who sacrifices herself for love.   This is a beautiful and powerful production that should not be missed (go here for tickets).

Portrait of a Lady on Fire

Yesterday I finally had the chance to see Portrait of a Lady on Fire and it is one of the best films I've seen recently!  Marianne (Noemie Merlant) is commissioned to paint the wedding portrait of a young aristocratic woman living on an isolated island in Brittany during the 18th century.  Heloise (Adele Haenel) has recently returned home from a convent and is uneasy about her forthcoming marriage to a man who was originally betrothed to her sister before she took her own life.  Heloise refuses to pose for this portrait so she has been told that Marianne has been employed as her companion.  Marianne must observe her furtively during their time together and then paint in secret at night.  When the portrait is finished Marianne, who feels guilty about the deception, insists that it be shown to Heloise who says that, while it is an accurate likeness, it does not capture the real her.  Marianne destroys the portrait but Heloise convinces her mother, the Countess (Valeria Golino), to let her paint another one by agreeing to pose.  When the Countess leaves, the two become close and bond over Vivaldi's The Four Seasons and the story of Orpheus and Eurydice.  When they eventually become lovers, Marianne is finally able to capture the real Heloise on canvas but the portrait becomes a symbol that Heloise will soon marry someone else and that they must part.  Their eventual parting mirrors the story of Orpheus and Eurydice and I found it to be incredibly poignant.  I loved everything about this film.  The story reminded me so much of Call Me By Your Name because it is about a forbidden affair where both of the lovers choose to cherish the memory of the relationship rather than regret the fact that it has ended.  I love that both Marianne and Heloise are profoundly affected by each other and I especially loved the scene where Heloise, shown years later, is overwhelmed by emotion when she hears a performance of The Four Seasons (which also mirrors Elio's response at the end of Call Me By Your Name).  I loved the depiction of their affair because their longing for each other is emphasized more than their physical relationship.  It is one of the most romantic films I have ever seen.  Both Merlant and Haenel give incredibly powerful performances and I was mesmerized by them throughout the whole film.  The two of them have amazing chemistry with each other and you can feel the tension between them almost from the moment they meet.  Finally, the images on the screen are absolutely luminous, especially the candlelit shots of Marianne painting.  I cannot recommend this film enough!  Go see it!

The Invisible Man

Horror movies are sometimes a hard sell for me because I like to be genuinely scared rather than shocked and it is very rare that a movie can really scare me (the exceptions are The Witch and Hereditary).  However, I really liked the trailer for The Invisible Man so I decided to see it last night.  If you are wondering if I was scared I will just say that I screamed out loud (and so did the majority of the people in my screening).  Cecilia Kass (Elisabeth Moss) flees from an abusive relationship with Adrian Griffin (Oliver Jackson-Cohen), a wealthy and powerful tech guru in the field of optics, with the help of her sister Emily (Harriet Dyer).  She stays with her childhood friend James (Aldis Hodge) and his daughter Sydney (Storm Reid).  Several weeks later she learns that Adrian has committed suicide and has left her a large bequest in his will.  After a series of disturbing incidents that alienate her from Emily and James, she comes to believe that Adrian has found a way to become invisible and that he faked his suicide so that he can terrorize her.  She appears more and more erratic but no one believes that an invisible man is behind her behavior.  She is forced to take matters into her own hands but how can you fight someone you can't see?  This is a psychological thriller that is entirely believable.  The monster from H.G. Wells' classic novel has been updated to a villain (a domestic abuser who takes gaslighting to a whole new level) that contemporary audiences can relate to and it is a terrifying premise.  It is sometimes almost unbearable watching Cecilia's fear and powerlessness.  The tension builds and builds, more because of what you can't see than for what you can, until there is a twist that I didn't see coming and an ending that made me want to stand up and cheer!  Moss gives a riveting performance (she is great at portraying women in the midst of a breakdown) and I was fully invested in her plight.  This movie is genuinely scary and I recommend it to fans of the genre.

Singin' in the Rain in Concert

I am such a big fan of Utah Symphony's Films in Concert series and going to these concerts has become one of my favorite things to do!  Having the orchestra play the score while the movie is shown on the screen above them adds so much to the experience because it makes the music come alive!  I have especially enjoyed the movies in the Harry Potter and Star Wars series (they are continuing next season) but I have been giddy with anticipation ever since Singin' in the Rain was announced because I really love this movie and I think it is perfect for this format!  It is filled with big song and dance numbers, including "Fit as a Fiddle (And Ready for Love)," "Make 'Em Laugh," "You Were Meant for Me," "Beautiful Girl," "Moses Supposes," "Good Morning," "Singin' in the Rain," "Would You?," "Broadway Melody," and "You Are My Lucky Star," and hearing the orchestra play these songs live was amazing (I would sometimes catch myself watching the musicians instead of the action on the screen)!  The audience applauded after each number as if it was traditional concert and it was so much fun!  I had a huge smile on my face as soon as Gene Kelly, Donald O'Connor, and Debbie Reynolds appeared on the screen with rain coats and umbrellas.  That smile stayed on my face as silent film stars Don Lockwood (Kelly) and Lina Lamont (Jean Hagen) have a hard time transitioning to talking pictures and must use an aspiring actress named Kathy Seldon (Reynolds) to dub all of Lina's lines.  This movie is filled with comedy, romance, and wonderful performances from Hollywood legends (and the Utah Symphony).  It was just delightful and, whether you are a fan of the movie or a fan of the Utah Symphony (or both if you are like me), I highly recommend getting a ticket to tonight's concert (go here for tickets if there are any to be had).

Note:  I would sometimes see the musicians looking up at the screen to watch the movie when they weren’t playing.  This made me smile even wider!

Bright Star at HCT

Last night I went to Hale Centre Theatre for the second time in a week (Monday night I saw Strictly Ballroom on the Main Stage again with my sisters and we had so much fun)! This time I was there to see Bright Star on the Jewel Box Stage. Several years ago I had the opportunity to see PTC's production of this incredibly moving musical and I absolutely loved it so I was really eager to see HCT's version! I loved it just as much! The story takes place in North Carolina in the 1920s and just after World War II and features incredible bluegrass music by Edie Brickell and Steve Martin. After the war, Billy Cane (Dallin Suman) briefly returns to his small town and his childhood friend Margot (Morgan Western) but he eventually decides to try writing for a magazine in Asheville where he meets the uptight editor, Alice Murphy (Donna Loudon), who once made Hemingway cry. When the magazine staff teases Alice about her boring existence, we see her (literally) transform into a wild and rebellious teenager who is in love with the Mayor's son, Jimmy Ray Dobbs (Adam Dietlein). The narrative goes back and forth between the two timelines as Alice learns about love, loss, and redemption. Since I already knew the major plot twist this time around, I found the story to be even more emotional and the ending to be even more triumphant! Loudon is simply amazing as Alice! I saw Carmen Cusack, who originated the role on Broadway, in PTC's production but Loudon (who understudied Cusack on the national tour) is able to make the role her own and I was very impressed with what she did with it (her voice reminded me a lot of Dolly Parton). Her renditions of "Please, Don't Take Him" and "I Had A Vision" are incredibly powerful and brought me to tears (I was not alone). The rest of the cast is also very strong and I enjoyed Western's version of "Asheville," Suman's version of "Bright Star," and Dietlein's version of "Heartbreaker." I particularly enjoyed the choreography in Hale's version, especially in "Way Back in the Day," "What Could Be Better," and "Another Round." The staging of this show is extremely clever with a set that looks like an old and weathered barn with various pieces, such as Margot's bookstore, Alice's office, the Mayor's office, and the cabin in the woods, moved on and off stage seamlessly by the ensemble. A key scene involving a train was the only disappointment for me because I couldn't tell that the Mayor was on a train (to be fair my seat was to the right of the stage so I couldn't see any of the projections) and the action seemed rather clumsy. The insanely talented bluegrass band (featuring Kelin Gibbons on banjo, Josh Ogden on cello, Becca Moench on violin, and Kelly DeHaan on piano) is located on stage in the rafters of the barn and they add so much to the overall feel of the show. I loved this production and I cannot recommend it highly enough!  It runs through May 2 on the Jewel Box Stage (go here for tickets).

Note:  One of my former students is in the ensemble and I was thrilled to be able to see him last night!  He is usually in the MWF cast but he had to go on for his double at the last minute!

The Color Purple

I have only seen the movie version of The Color Purple on cable TV so I was happy that it was a part of the TCM Big Screen Classics Series this year.  I had the opportunity to see it yesterday and I had forgotten how powerful this movie is!  Celie (played as young girl by Desreta Jackson and as an adult by Whoopi Goldberg), a young black girl living in the rural South in the early 1900s, has already had two children by her abusive father who have been taken away from her.  Eventually, she is forced to marry an older man known to her only as Mister (Danny Glover).  He beats her and forces her to cook, clean, and take care of his three children but, worse than that, he separates her from her beloved sister Nettie (Akosua Busia) and he hides all of Nettie's letters to her.  After several years of this treatment her spirit is entirely broken but it is her relationships with Sofia (Oprah Winfrey), the wife of Mister's son Harpo who teachers her that she can stand up for herself, and Shug Avery (Margaret Avery), Mister's mistress who teaches her to love herself, that give her the strength to overcome the adversity in her life.  The treatment that Celie endures is sometimes difficult to watch but it is worth it for the triumphant ending which always brings a tear to my eye.  There are so many scenes where Celie, almost wordlessly and almost without any change in facial expression, submits to the indignities of her life but Goldberg delivers an affecting performance that is both somehow sympathetic and compelling.  Her transformation is incredibly powerful, especially when she confronts Mister which, in turn, helps Sofia (a strong debut performance from Winfrey) find her voice again.  I wanted to cheer out loud during that scene.  I loved the message about the importance of female relationships and about finding the beauty in life when it seems so bleak.  I think the movie is more hopeful and inspiring than Alice Walker's Pulitzer Prize winning novel (mostly because it is so beautifully shot in a bucolic setting filled with wildflowers) and I highly recommend checking it out!

The Call of the Wild

Yesterday my Mom and I went to see The Call of the Wild, a heartwarming adaptation of Jack London's classic tale of adventure and friendship, and we both enjoyed it.  Buck is a large and high-spirited dog belonging to a prominent judge in Santa Clara, California when he is stolen and transported to the wilds of Alaska during the gold rush of the 1890s because dogs are needed and top dollar is paid.  He is sold to Perrault (Omar Sy) and Francoise (Cara Gee), French-Canadian mail carriers who use him as a sled dog on their route along the Yukon trail.  Buck is challenged by the lead dog Spitz and, after defeating him, he becomes the lead dog and makes the trip to Dawson in record time.  Eventually the Canadian government determines that the mail route is no longer needed and the dogs are sold to a cruel gold prospector named Hal (Dan Stevens), his sister Mercedes (Karen Gillan) and her husband Charles (Collin Woodell).  They are inexperienced in the wild and abuse the dogs.  Buck is eventually saved by John Thornton (Harrison Ford), a man trying to escape his tragic past by hiding out in the Yukon, but it is Buck who really saves John.  Together they go on the adventure of a lifetime where Buck finds his true place in the world.  I may be biased because I love dogs but I found this movie to be incredibly touching.  I loved the relationship between John and Buck and I really enjoyed Ford's earnest performance as a grief-stricken man brought back to life by a dog.  The Alaskan and Canadian scenery is breathtakingly beautiful and I loved all of the action sequences, especially an avalanche, an incident on a frozen lake, and a canoe going down a waterfall.  Much has been made about the CGI used in creating the dogs but I honestly didn't find it distracting at all (there were a few moments when Buck's size in comparison to John is a little bit inconsistent but that is the extent to which I noticed anything amiss).  While there are a few scenes involving animal cruelty, I think this is a thrilling action adventure with a great message that the whole family would enjoy.  I highly recommend it!

Beethoven's Symphony No. 7

I love having a Utah Symphony concert to go to on a Friday night because, in my opinion, it makes the work week so much better to have something wonderful to look forward to at the end of it!  I have been looking forward to last night's concert for a long time because it featured Beethoven's Symphony No. 7, which is one of my favorites, and it didn't disappoint!  The orchestra also played two movements from Olivier Messiaen's epic piece, Des canyons aux etoiles, which he wrote after visiting Southern Utah.  The concert began with "Bryce Canyon and the Red-Orange Rocks" and the orchestra continued after the intermission with "Cedar Breaks and the Gift of Awe."  I enjoyed both of these pieces because I love the red rocks of Southern Utah and I imagined myself there as I listened.  They both featured a lot of percussion, including a few unusual instruments such as a large hoop filled with sand that was swirled around (does this "instrument" even have a proper name?).  Both pieces were often very discordant and jarring but these sounds evoked the powerful forces that created these formations and it was brilliant.  The orchestra was joined by pianist Francesco Piemontesi for Robert Schumann's Piano Concerto.  I really loved this piece because it was incredibly wild and dramatic.  It almost seemed as if Piemontesi was attacking the piano and it was very entertaining to watch!  I also really loved the long timpani roll at the end of the piece.  Piemontesi received a thunderous standing ovation and favored us with an encore (I didn't recognize the piece).  The concert concluded with Symphony No. 7 by Ludwig van Beethoven and this piece gave me goosebumps!  I especially love the second movement because of the repetition of the main theme by the various string sections followed by the woodwinds and the orchestra played it beautifully.  The rest of this symphony is incredibly exuberant and triumphant but I find this movement to be a bit more solemn and melancholy and it really appeals to my dark soul.  It was a wonderful evening and I highly recommend getting a ticket (go here) to tonight's concert featuring the same program.

Strictly Ballroom at HCT

I don't know if there is anyone out there who loves the movie Strictly Ballroom as much as my sisters and I do! We have probably watched it over one hundred times (not an exaggeration) and we can quote the whole movie to each other at will (and we often do). When HCT announced the 2020 season, the three of us could hardly contain our excitement over the U.S. premiere of the musical based on this cult classic. I was able to see it last night (I am seeing it again next week with both of my sisters and my Mom) and I thoroughly enjoyed every minute of the production. Scott Hastings (Noah Bradford) and his ballroom dancing partner Elizabeth Holt (Alexa Knutzen) are on their way to winning the Pan-Pacific Grand Prix Open Amateur Old Time, New Vogue, and Latin Championship but, after an incident on the dance floor with another couple, Scott resorts to his own flashy crowd-pleasing steps. The Australian Federation President Barry Fife (Zac Freeman) denounces them so Liz decides to dance with Ken Railings (Brandon Perry) instead.  His mother Shirley (Claire Kenny) and his coach Les (Bryan Dayley) try to find him another partner, including the Champion Tina Sparkle (Alexis Burton), but Fran (Serena Kozusko), a beginning student, tells him she wants to dance with him using his steps. They train in secret with her father Rico (John Graham), who teaches them a more authentic version of the Paso Doble.  However, Shirley, Les, and Barry Fife all try to convince him to dance Federation steps with Liz to win the Pan-Pacific Championship. His father Doug (Benjamin J. Henderson) ultimately convinces him that he will live his life in fear if he doesn't follow his heart and dance his own steps with Fran. The musical follows the movie pretty well, with the addition of a master of ceremonies named Wally Strand (Quinn Dietlein) who narrates the action and provides the music. All of the songs from the movie, including "Time After Time," "Perhaps, Perhaps, Perhaps," and "Love is in the Air," are included but I really enjoyed the dance-themed pop songs that are interspersed throughout, such as "Let's Dance" by David Bowie, "Dancing With Myself" by Billy Idol, "I Wanna Dance with Somebody" by Whitney Houston, and "Dancing in the Streets" by Martha & and the Vandellas. The ballroom dancing in this show is absolutely fabulous and so much fun to watch. Bradford and Kozusko, in particular, are amazing dancers and have so much chemistry with each other! I loved the costumes, especially Fran's Paso Doble dress which is incredible, but I have one tiny complaint and that is that Liz's dresses should be yellow. The set is mostly comprised of a large stage with spotlights and cabaret tables all around (patrons can sit at these tables during the show) with Kendall's Dance Studio coming down from the rafters and the Hastings's kitchen coming up from the pit. The disco balls hanging from the ceiling and the red metallic door curtains at every entrance provide the perfect atmosphere for a dance competition. This show is just so much fun and, if you are a fan of the movie, you are sure to love it!  Go here for tickets.

Note:  I can't wait to see it again with my sisters. I just hope that we can control ourselves (I apologize in advance to anyone sitting near us!).

Downhill

The movie Downhill was screened at Sundance this year but I didn't have a chance to see it.  I was very intrigued by the premise so I decided to check it out yesterday now that it is in wide release.  Pete (Will Ferrell) and Billie (Julia Louis-Dreyfus) Staunton are on a ski holiday in the Austrian Alps with their two sons.  After they are caught in a controlled avalanche, the two of them have different reactions which puts them at odds with each other.  This incident hangs over them for the rest of their trip and the tension builds and builds until the two of them must decide what they want from their marriage.  I am always up for a good dark comedy but I didn't like this movie as much as I thought I would.  Despite a relatively short 85 minute runtime, I found this movie to be incredibly boring at times.  There are many long and sustained shots of the family riding the ski lift and skiing down the mountain and the skiing sequences are not even that exciting.  The avalanche sequence is even pretty anticlimactic.  As much as I like Louis-Dreyfus, I really disliked the character of Billie.  I found her to be incredibly bossy and overbearing before the incident happened and, in my opinion, her reaction to what happened was just an excuse to treat Pete badly.  I honestly didn't understand why he was working so hard to gain her forgiveness because he seemed pretty checked out of their marriage before the incident happened.  Also, the resolution seemed very abrupt and not at all earned.  This movie either needed to be more dramatic with a real emotional connection between the characters or it needed to be funnier (the talents of both Ferrell and Louis-Dreyfus are squandered here).  I recommend giving this one a miss.

Note:  Downhill is based on the Swedish film Force Majeure and many believe that it is an inferior remake.  I haven't seen Force Majeure (I missed it when it screened at the Broadway) but now I really want to!

The Gentlemen

Last night I finally had the chance to see The Gentlemen and I had an absolute blast watching this movie!  American ex-patriot Mickey Pearson (Matthew McConaughey) has amassed a multi-million dollar business growing marijuana on the estates of cash poor aristocrats in England but now wants to retire with his wife Rosalind (Michelle Dockery).  He decides to sell the business to Matthew Berger (Jeremy Strong), a fellow American, for $400 million.  However, Dry Eye (Henry Golding), the underboss for a Chinese gangster, offers to buy it instead and doesn't take kindly to being refused, a group of amateur MMA fighters trained by the Coach (Colin Farrell) raid one of his farms and film the escapade, some of his henchmen accidentally kill the son of Russian gangsters while doing a favor for one of the aristocrats, and a newspaper editor (Eddie Marson) who has been snubbed by Mickey hires a private investigator named Fletcher (Hugh Grant) to get the dirt on him and he, in turn, attempts to blackmail his right hand man Raymond (Charlie Hunnam).  Chaos ensues as Mickey tries to take back control of his empire.  This movie is wildly entertaining because Guy Ritchie is back to doing what Guy Ritchie does best.  He has created a group of eccentric characters, assembled an all-star ensemble cast who look like they are having the time of their lives, especially Grant (this is a side of him that I have never seen before and he is hilarious), and devised a plot with enough twists and turns to keep audiences guessing until the final scene.  Ritchie is known for his fast cuts and stylized action sequences and there are some great ones here!  I especially loved the raid on one of Mickey's farms and the scene where a group of henchmen must track down all of the phones used to film the incident with the Russian boy.  I laughed out loud through the whole movie and, if you like Ritchie's previous gangster movies, I highly recommend this!

Ballet West's Giselle

Last night I went to see the ballet Giselle at Capitol Theatre.  It is one of my favorites and Ballet West's production was absolutely beautiful!  Giselle is a young peasant girl who meets a handsome man named Loys (who is really Albrecht, the Duke of Silesia, in disguise).  She falls in love with him much to the dismay of Hilarion, a peasant boy who loves her.  Loys leaves when he hears the horns of a hunting party coming near and Hilarion discovers his identity when he finds his sword.  The hunting party is comprised of the Duke of Courland and his daughter Bathilde, who becomes fond of Giselle.  The two of them speak of love and confess that they are both engaged (it turns out that they are engaged to the same man).  Later, Loys returns and Hilarion confronts him with his sword.  Giselle, upon learning the truth, goes mad and takes her own life.  When Albrecht visits Giselle's grave, he is confronted by the Willis, the spirits of young maidens who were betrayed before their wedding day and seek revenge against those who deceived them.  The Willis force Albrecht to dance until he dies but Giselle forgives him which frees him from the spell.  The main roles, Beckanne Sisk as Giselle, Chase O'Connell as Albrecht, and Allison DeBona as Myrthe the Queen of the Willis, are danced beautifully.  I especially loved the scene where Loys woos Giselle because the business with the flower to determine if he really loves her is very sweet.  The Pas de Deux between Albrecht and Giselle's ghost is incredibly tender and beautiful and I really loved the music, especially the harp.  The dance between Myrthe and the rest of the Willis is otherworldly and ethereal and DeBona is very powerful in the role.  I loved their costumes of white, with just a touch of green, because they are so striking against the backdrop of the almost sinister woods.  I love this ballet because the story of forgiveness is so poignant and I enjoyed this production so much!  Unfortunately, last night was the final performance but go here for the rest of Ballet West's season.

Women Rock

Abravanel Hall was rocking last night as the Utah Symphony was joined by vocalists Cassidy Catanzaro, Katrina Rose, and Shayna Steele to pay tribute to the powerful female singers and songwriters who influenced rock and roll.  I have been looking forward to this concert for a long time and it was even better than I hoped it would be!  Katrina Rose come on stage first to perform the Janis Joplin classic "Piece of My Heart" and she set the tone for the rest of the concert with an exuberant performance that got the crowd going!  Next on stage was Shayna Steele who performed "Dancing in the Streets" by Martha & The Vandellas with a lot of soul.  Then Cassidy Catanzaro performed a lovely rendition of Carole King's "So Far Away" and she sounded so much like her.  Rose continued with "What a Feeling" from the movie Flashdance, followed by Catanzaro singing "Both Sides Now" by Joni Mitchell, and then Steele singing her version of Aretha Franklin's "Freeway of Love."  One of my favorite songs by James Taylor is "Up on the Roof," which was written by Carole King, and Catanzaro's version rivaled his!  A highlight of this concert came next.  When I got to Abravanel Hall and looked at the program I just about lost my mind because I saw that they would be performing "Love is a Battlefield" by Pat Benatar!  I absolutely loved that song back in the day and I would watch MTV for hours just hoping to see the music video.  Rose performed it as a ballad and just about blew the roof off Abravanel Hall.  It gave me goosebumps!  All three vocalists took the stage to end the first act with a powerful version of King's "(You Make Me Feel Like) A Natural Woman."  After the intermission, the orchestra played "Pick Up the Pieces" by Average White Band and the horn section was fantastic!  All three vocalists performed Joan Jett's classic "I Love Rock 'n Roll" which was a big hit with the audience.  Next came another highlight for me when Rose sang "These Dreams," which is one of my favorite Heart songs.  Steele sang a fantastic version of Tina Turner's "The Best" and then Catanzaro sang two more classics by Carole King:  "I Feel the Earth Move" and "You've Got a Friend."  Rose continued with "Hit Me With Your Best Shot" by Pat Benatar which featured another incredibly exuberant performance (I loved her).  Steele performed a sultry version of Tina Turner's "What's Love Got to Do With It" and then she was joined by Rose and Catanzaro for "Proud Mary" which was an epic way to end an amazing concert!  I loved every minute of it and I highly recommend getting a ticket to see this program tonight (go here).

Sarah McLachlan at the Eccles

Last night I went to my first concert of 2020 and it was such a good one!  I have been a fan of Sarah McLachlan ever since I heard the song "Possession" and bought the album Fumbling Towards Ecstasy (which I played almost continuously in the early 1990s).  I was so excited when I heard that she was coming to the Eccles Theatre because it is an amazing venue for concerts.  I bought a ticket as soon as they went on sale and I've been looking forward to it ever since (it is what got me through two nights of parent teacher conferences).  The concert was billed as an intimate evening of songs and storytelling and that is exactly what it was.  It was just her on piano and guitar with Vanessa Freebairn-Smith accompanying her on cello and backing vocals.  This resulted in some lovely arrangements of her best songs.  She included a few songs from the albums Shine On and Laws of Illusion, which I am not as familiar with, such as "In Your Shoes," "Monster," "Song For My Father," "Beautiful Girl," "Loving You Is Easy," and "The Sound That Love Makes."  However, she spent most of the evening singing all of my favorite songs, including "Possession," "I Will Remember You," "Adia," "Good Enough," "Building a Mystery," "Drifting," "World on Fire," "Fallen," "Sweet Surrender," "Hold On," and "Ice Cream," and hearing them took me back to some really great times and some really dark times in my life.  It was pretty emotional, especially her rendition of "Hold On" with a new arrangement on piano.  She also sang a cover of Peter Gabriels's "Mercy Street" after talking about how much he inspired her as a young girl.  In between each song she would tell various anecdotes about them.  My favorite story was when people tell her that they played "Possession" at their wedding she always wants to laugh because it is about a stalker.  For the encore she sang a new song from a forthcoming album called "Wilderness" and I really liked it (she seems to have had a lot of relationships with narcissists that have ended badly).  Then she played a beautiful version of "Angel" to end the evening.  I really enjoyed this concert so much!  McLachlan is incredibly talented and she was so engaging with the crowd last night.  It was the perfect way to end a long and difficult week!

Note:  As many of you know, there is always one song (usually an obscure song from the artist's back catalogue) that I hope will be played whenever I go to a concert.  Last night I hoped that McLachlan would play "Push" but I wasn't too disappointed because I have heard her play it live before (and I kind of understand why she didn't play it because it is a beautiful love song about her now ex-husband).

Love Story

Yesterday I had the chance to see the movie Love Story for the first time on the big screen and I thoroughly enjoyed it!  Oliver Barrett IV (Ryan O'Neal), the son of a wealthy and prominent family, is a pre-law student at Harvard and Jenny Cavalleri (Ali MacGraw), a working class girl from Rhode Island, is a classical music student at Radcliffe when they meet and fall in love despite their differences.  When he finds out that she has a scholarship to study in Paris, he asks her to give it up and marry him.  She agrees but his father (Ray Milland) threatens to cut him off financially if he goes through with the marriage.  Despite his family's objections they get married and she struggles to put him through law school.  After Oliver graduates and gets a job with a top law firm in New York, he promises to give Jenny the life she deserves but, when fate intervenes, she tells him that she doesn't regret anything.  I was really excited to finally get a chance to see this movie because it is such a classic but I was surprised to see so many negative comments on social media about how cheesy and overly sentimental it is.  I have to admit that the line, "Love means never having to say you're sorry," is pretty lame but Oliver and Jenny are very appealing characters and I was definitely invested in their relationship.  I enjoyed the fact that Oliver is a hockey player but I especially liked Jenny as a character because she gives as good as she gets and isn't intimidated by Oliver's wealth.  I also liked the fact that she wants Oliver to reconcile with his father, not for the money, but because it is an important relationship that needs to be mended.  O'Neal and MacGraw have so much chemistry with each other and they give very affecting performances. The clothes in this movie are so timeless and I particularly liked all of Jenny's plaid skirts and tights.  Finally, I absolutely loved the main orchestral theme!  When I was a little girl I had a jewelry box that played this theme but I never knew what it was from!  Whether you saw this when it was first released 50 years ago or are experiencing it for the first time, I highly recommend seeing it on the big screen.  You have one more chance on Wednesday (go here for more information).