Baby Driver

Tuesday night my plans unexpectedly fell through so I had the chance to see an early screening of Baby Driver.  This movie is an adrenaline rush from beginning to end and I absolutely loved it!  Baby (Ansel Elgort) is a getaway driver for a criminal mastermind named Doc (Kevin Spacey) who has a rotating crew of bank robbers (Jon Bernthal, Jamie Foxx, Jon Hamm, Eiza Gonzalez, Flea, and Lanny Joon).  Baby suffers from tinnitus and listens to music to drown out the ringing in his ears and to energize himself for driving.  All Baby wants to do is to get out of the game so he can go on the road with his girlfriend Debora (Lily James) but Doc wants him to drive for one more heist which eventually goes horribly wrong.  It is a sleek and stylish crime thriller with some of the best car chases I have ever seen and it has an amazing soundtrack, featuring the likes of Queen, Beck, Danger Mouse with Run the Jewels, Golden Earring, the Commodores, Martha and the Vandellas, and Simon & Garfunkel.  The action is exactly choreographed to the music and Baby even rewinds a song when a conversation with the crew runs longer than expected before a heist.  I found the sound design to be absolutely amazing because every sound, from the squealing of tires to the spitting of bullets from a machine gun, corresponds exactly to the beat of the music.  I also loved the scenes of Baby dancing and singing along with the music he is listening to.  I was extremely impressed with Elgort's performance.  Even though Baby is incredibly self-contained, you always know exactly what he is thinking and feeling with just an expression.  I think he is so charismatic, especially in his scenes with Debora.  He and Lily James have great chemistry and I loved their conversation about name songs (since I have a song with my name in it!)  All of the supporting actors are very well suited to their roles.  Jamie Foxx is a hoot and Jon Hamm gives a particularly nuanced performance. There is a fair amount of profanity and violence but I think it is wildly entertaining and I can't remember when I have had so much fun watching a movie.  I highly recommend this intoxicating thrill ride!

My Neighbor Totoro

I think my friend is trying to turn me into an anime fan because she invited me to see My Neighbor Totoro with her on Monday night (she also recommended Your Name which is quite possibly my favorite movie of the year).  Her plan may be working because I absolutely loved this adorable film, so much so that I am considering seeing the rest of the films in the Studio Ghibli Festival.  My Neighbor Totoro is an imaginative look at the childhood of two sisters who have moved from the city to the country to be nearer to their mother who is recovering in the hospital from a long illness.  The younger sister, Mei, is left to play on her own outside where she meets an otherworldly woodland creature that only she can see.  Eventually both of the girls have fantastical adventures with this creature and it ultimately rescues Mei when she gets lost.  The animation is beautiful with every frame reminding me of a watercolor painting; the characters are endearing and I especially loved the relationship between the sisters and the nanny reminded me of a neighbor I had when I was young; and the story is magical, portraying the innocence of childhood as it once was.  I had a smile on my face during the entire film and I especially loved the scene where the girls give Totoro their umbrella.  I loved literally everything about this film and I definitely recommend it for everyone, especially children.  Go here for more information about the Studio Ghibli Fest.

47 Meters Down

I have made some great new friends who really love movies.  Last Friday night I met one of them for dinner and a movie.  We had Indian food and then saw 47 Meters Down and it was such a fun night.  Two sisters, Lisa (Mandy Moore) and Kate (Claire Holt), are on vacation in Mexico when they decide to dive in a shark cage.  Lisa is extremely apprehensive because she doesn't have any diving experience, the boat is old and rusty, and the captain (Mathew Modine) illegally chums the water to attract the sharks but she ultimately decides to go because her ex-boyfriend accused her of being boring.  After a great experience interacting with the sharks, the winch on the boat holding the cage breaks and the girls plummet, you guessed it, 47 meters down.  They only have an hour's worth of air in their tanks, they are surrounded by sharks, and they can't ascend quickly or they will get the bends.  Will they survive?  It is a taut thriller filled with suspense and I think I jumped ten feet every time a shark appeared.  My friend had seen it before and even she jumped during certain scenes.  The sharks are all CGI but I, obviously, thought they were extremely realistic.  Mandy Moore and Claire Holt won't win any acting awards and some of the dialogue is a bit cringe-worthy ("Oh my God!  The shark almost got me!") but I think this movie is a lot of fun.  It is the perfect summer movie to see with friends on a Friday night!

Cars 3

I have to admit that I am not a big fan of the Cars franchise and I definitely did not expect to love Cars 3, Pixar's latest installment, but I did.  I loved the story of redemption and the character of Cruz Ramirez (Cristela Alonzo) really resonated with me.  Lightning McQueen (Owen Wilson) continues racing on the Piston Cup circuit when a younger and more technologically advanced car named Jackson Storm (Armie Hammer) emerges on the scene and begins beating him.  In the final race of the season, Lightening tries to overtake Storm but he loses control and is involved in a devastating crash.  Many think his career is over and it is even suggested that he start endorsing products for his sponsor, Rust-eze.  But Lightning doesn't want to give up.  He is assigned a trainer, the aforementioned Cruz Ramirez, and uses a state of the art facility to get back in racing form.  When this doesn't help him get any faster, Lightening, along with Cruz, goes back to his roots and seeks out Smokey (Chris Cooper), who mentored Doc Hudson (Paul Newman), for some unconventional training.  I will not give away the ending of Lightning's race but I will say that it is brilliant.  I was not expecting the outcome and it literally had everyone in my screening cheering out loud!  The theme of youth vs. experience, while not especially original, is very well developed and I really loved the message that it is never too late to pursue your dreams.  Cruz is a wonderful role model for girls and I found myself willing to suspend my disbelief in not only an anthropomorphic car world (in a way I couldn't in the first two movies) but also one with gender stereotypes that need to be overcome.  Finally, I loved the dazzling animation, especially during the Piston Cup races.  I'm not often surprised by my response to a movie, but in this case, I was pleasantly surprised.  I enjoyed it and I recommend it!

Some Like It Hot

Sunday afternoon I got to see Some Like It Hot for the first time on the big screen and it was an absolute hoot!  This makes two Marilyn Monroe comedies this month!  Two musicians, Joe (Tony Curtis) and Jerry (Jack Lemmon), go on the run after witnessing a mob hit in Chicago.  They disguise themselves as women, Josephine and Daphne, to join and all-female band engaged for six weeks at a hotel in Miami.  Once they get there, they face a new set of problems:  Joe falls for the vocalist in the band, Sugar Kane (Marilyn Monroe), and Jerry becomes the object of affection of millionaire Osgood Fielding III (Joe E. Brown).  Chaos ensues, especially when the mobsters they are running from show up in Miami for a convention.  This is a typical Billy Wilder farce with lots of physical comedy and sharp and witty dialogue.  All three lead actors give fabulous performances and I was especially impressed, once again, with Marilyn Monroe.  I laughed out loud so many times and my favorite scenes were when Jerry as Daphne wonders why men like her because she isn't pretty, when Joe impersonates Cary Grant the heir to Shell Oil in order to woo Sugar, when Sugar sings "I Want to Be Loved by You," when Jerry as Daphne tells Joe that she is engaged, and when Jerry as Daphne does the tango with Osgood.  It is just so funny watching Tony Curtis and Jack Lemmon try to act like women!  Now I know why it is considered to be one of the best comedies of all time!  You have another chance to see this on the big screen June 14.  Go here for details.

My Cousin Rachel

Saturday night I met my friend Rachel to see My Cousin Rachel, the latest film adaptation of Daphne du Maurier's novel of the same name.  It is a psychological thriller which centers on Philip Ashley (Sam Claflin), an orphan who has been raised by his cousin Ambrose on a large estate in Cornwall.  After Ambrose dies mysteriously in Italy, his widow Rachel (Rachel Weisz) comes to visit the estate.  Philip blames Rachel for Ambrose's death because of some cryptic letters that Ambrose sent accusing Rachel of poisoning him but he eventually becomes completely infatuated with her.  Philip is impetuous and inexplicably gives away the estate to Rachel despite his earlier suspicions and the warnings of everyone around him.  Meanwhile, the special herbal tea that Rachel brews for Philip makes him tired and it seems obvious that she is poisoning him like she did Ambrose.  But did she poison Ambrose?  Is she poisoning Philip?  The audience is never entirely sure of Rachel's motivations which makes the film compelling right up to the ambiguous ending.  I was often infuriated by Philip as a character but Claflin does a good enough job at portraying his immaturity and naivete. Weisz, on the other hand, gives an absolutely brilliant performance as the enigmatic Rachel because she gives nothing away and always kept me guessing.  I love period dramas, especially ones based on Gothic novels, and this film definitely gets it right when it comes to mood.  The cinematography, production design, and costumes are beautiful!  I loved the sweeping shots of the Cornish coastline as well as the candle-lit scenes between Philip and Rachel.  This film is definitely not as intense or suspenseful as Rebecca, one of my favorite movies based on another du Maurier novel, but I really liked it and I recommend it.

The Godfather

I have a confession.  Before last Sunday I had never seen The Godfather!  I know!  When I mentioned this to my movie buddies there was a stunned silence as if they couldn't believe it!  It is widely considered to be the greatest film in American cinema so when I found out that it was going to be screened as part of TCM's Big Screen Classics, I knew I had to get a ticket if for no other reason than to be able to say that I had finally seen it.  Now I know what I have been missing.  It is a masterpiece!  The plot centers on the Corleone family, particularly the relationship between Vito Corleone (Marlon Brando), the head of the family, and his youngest son Michael (Al Pacino).  Initially, Michael is a disinterested outsider but is drawn in after Vito is gunned down by a rival and eventually becomes the ruthless leader of the family.  I found the story to be utterly compelling and my attention never wavered during its three hour run time.  I was very impressed by the performances of Marlon Brando (who won the Oscar for the role), James Caan as the oldest son Santini, Robert Duvall as the consigliere to the Corleone family, and Diane Keaton as Michael's girlfriend and, later, wife.  However, it was a young (and extremely handsome) Al Pacino who absolutely captivated me by his intense portrayal of a man who becomes more and more hardened by events.  The scene in the restaurant, with a close-up shot on Michael's face as he decides to kill two of the family's rivals, is brilliant.  You can literally see the exact moment when Michael makes the decision.  I also found the christening scene to be fascinating with another close-up on Michael's face as he recites vows in a church while his associates assassinate the leaders of all of the rival crime families.  The juxtaposition is so jarring but effective!  I think what I appreciated most about this film is that, even though it is about organized crime and there are scenes of violence (there is that famous scene with a horse's head), it is not excessively gory and there is very little profanity.  I loved the use of light and shadow to convey a mood and the score is also incredibly atmospheric.  At the end of the film everyone in the packed theater applauaded enthusiastically because it is a masterpiece!  I am so glad that I got to see it on the big screen.

Note:  I found it amusing that Sofia Coppola played the baby being christened!  I am so looking forward to her film The Beguiled.

Wonder Woman

I am in full summer mode now and it is glorious!  I went to see the movie Wonder Woman in the afternoon on a weekday (with my Mom) just because I could!  To say that I was excited to see this movie would be an understatement!  After all, I have been eagerly anticipating its release since I saw Batman v Superman.  I tried to keep my expectations in check, so I wouldn't be too disappointed if it wasn't very good, but I have to admit that I didn't do a very good job of it!  Now that I have seen it I can report that it exceeded my expectations in every way!  In my opinion, it is the best superhero movie, ever!  I absolutely love the character of Diana (Gal Gadot) and the story of her journey is told extremely well.  We first meet her on the island of Themyscira as a warrior-in-training.  When a pilot crash lands near the island, Diana saves him and learns of the world war raging all around her.  She believes that the god Ares has returned and it is his influence that has caused mankind to slaughter each other.  She decides to leave with Steve Trevor (Chris Pine) to kill Ares and stop the conflict.  Even though there are Germans (Danny Huston and Elena Anaya) working to create an even deadlier form of mustard gas, I love the fact that the real villain of this movie is war itself and mankind's inclination to evil.  The ultimate lesson that Diana learns about mankind makes me feel more positive and hopeful than I have felt in a very long time and I love that she learns this lesson through her relationship with Steve Trevor.  I had a tear in my eye during a key moment between them.  In fact, I found this story to be incredibly emotional.  I love the fact that Diana is a strong woman but she needs the help of both Steve and the gang of misfits recruited for the mission in order to succeed.  There is a strong feminist message but it does not put men down in order to deliver it.  I think changing the source material from World War II to World War I was a brilliant decision because this conflict has often been called the war to end all wars and that is what Diana tries to do.  Gadot gives a wonderful performance highlighting both Diana's naivete and strength and I also enjoyed her chemistry with Pine.  This movie is very dark in tone, a oft-repeated criticism of the DCEU, and while I liked and even defended Batman v Superman because I feel like the subject matter warranted a dark and gritty treatment, I think Wonder Woman does a better job because there are also moments of levity, particularly Diana's fish-out-of-water scenes while trying on clothes, and moments of tenderness, especially after the group liberates a village from the Germans.  The special effects are amazing.  I could not look away from the screen during an epic battle scene where Diana takes the full brunt of Germany's fire.  I cannot say enough about this movie and how much I loved it.  I am especially thrilled that it is getting such glowing reviews because, in my opinion, it deserves them.  Definitely go see this movie!

My Entire High School Sinking Into The Sea

Last night I met my new movie friends for dinner and a movie and it was such a fun night.  We saw My Entire High School Sinking Into The Sea, a quirky movie that all three of us really liked.  Dash (Jason Schwartzman) is a nerdy high school sophomore who writes for the school newspaper with his best friend Assaf (Reggie Watts) and Verti (Maya Rudolph), the editor.  He decides to write a story about the new addition of an auditorium and finds evidence that the school did not pass a safety inspection because it is located directly on a fault line.  No one listens to his warning but when the school actually begins to sink, he tries to evacuate everyone.  Only Assaf, Verti, a popular girl named Mary (Lena Dunham), and the lunch lady Lorraine (Susan Sarandon) join him in climbing to the top floor to be rescued.  As they climb each floor, which amusingly correspond to each grade level, they encounter new obstacles to their survival.  There is a great message about unlikely friendships and teamwork but what I loved most about this movie is that it is a spoof of the usual teen high school movie, with the requisite stereotypical characters such as the stoner and the jock (I loved the scene where the sports hero is sitting on a throne with the other athletes and cheerleaders paying homage to him), combined with a disaster movie with all of those usual tropes (my friend described it as if Napoleon Dynamite and The Poseidon Adventure had a baby).  The animation is innovative and psychedelic.  The characters look like they have been drawn with a sharpie but there are lots of wild and trippy colors swirling around everywhere.  This movie is what might happen if Wes Anderson were to drop acid and get his 64 pack of Crayola crayons out (Dash reminds me of Max Fischer and the school is an almost exact copy of the Grand Budapest Hotel).  It is out there but I highly recommend it!

The Lovers

Yesterday was the first official day of summer vacation and I spent it doing all of the things I love to do when I have free time:  I slept in scandalously late, I spent most of the afternoon reading, and I went to a late movie.  The movie I chose to see was an indie at my favorite art house theater called The Lovers.  It was an interesting exploration of marriage anchored by great performances by Debra Winger and Tracy Letts.  Mary (Winger) and Michael (Letts) are a middle-aged couple whose marriage has become stale.  They are both involved in long-term affairs, Mary with an uptight poet (Aidan Gillen) and Michael with a neurotic ballerina (Melora Walters), and both of their lovers are pushing them to end the marriage to be with them.  Just when they are on the verge of divorce, they suddenly become physically attracted to each other all over again and, ostensibly, cheat on their lovers.  They actually sneak around to be with each other and lie to their lovers about what they are doing in some highly amusing scenes.  I especially liked a scene when they are with their lovers but surreptitiously texting each other.  I really enjoyed this movie because it explored familiar themes about the break-up of a marriage in a new and interesting way and the ending surprised me.  Neither character is particularly likable but, somehow, I was drawn into their relationship without a lot of tedious exposition.  I haven't seen Debra Winger in a movie for a long time and it was good to see her in such a great role.  Both WInger and Letts have great chemistry (in some pretty steamy scenes) and I laughed out loud several times.  I recommend The Lovers to people who like intelligent movies about relationships.

Note:  I hope to repeat this day often this summer!

Dead Men Tell No Tales

Last Thursday I went see Pirates of the Caribbean: Dead Men Tell No Tales and I thought it was a lot of fun.  I loved Curse of the Black Pearl but I liked each successive sequel less and less (I hated On Stranger Tides) so I was pleasantly surprised by how much I enjoyed this latest entry in the franchise.  Henry Turner (Brenton Thwaites) is searching for the Trident of Poseidon as a way to break the curse that binds his father Will Turner (Orlando Bloom) to The Flying Dutchman.  He is helped by Carina Smyth (Kaya Scodelario), an astronomer (who is periodically accused of being a witch) who has a map that can locate the Trident.  The two of them encounter Jack Sparrow (Johnny Depp), as he is trying to rob a bank, and the three join forces.  Meanwhile, Salazar (Javier Bardem), an undead captain in the Spanish Armada who was trapped in the Devil's Triangle by Jack Sparrow, vows revenge against him and enlists the help of Captain Barbossa (Geoffrey Rush) to find him.  They all meet up for an epic confrontation on the sea for control of the Trident.  The story is kind of all over the place and there are a lot of characters to keep track of (every captain has a large crew and the British Royal Navy makes an appearance) but it has a similar tone and feel as the first movie in the franchise.  I loved all of the swashbuckling action sequences on land, especially one involving Jack Sparrow and a guillotine, and the sea battles are also pretty spectacular (although the sequence involving the Trident of Poseidon drags on a bit).  Javier Bardem is a great villain (I loved his hair) and Johnny Depp is always highly amusing as Sparrow.  I also enjoyed the (very brief) return of Orlando Bloom and Keira Knightley as Will Turner and Elizabeth Swann and I squealed with delight at the cameo of Paul McCartney as Jack's uncle (I guess Keith Richards and Paul McCartney are brothers?).  This movie is definitely not a masterpiece but it is a great summer blockbuster and it was a fun way for me to start my summer vacation.  If you are a fan of the franchise, then I suspect you will enjoy it.

Norman

On Monday night I went to see the dark comedy Norman: The Moderate Rise and Tragic Fall of a New York Fixer.  Richard Gere gives an incredible performance (possibly the best of his career) as Norman Oppenheimer, a small-time hustler in New York City who does an enormous favor for Micha Eschel (Lior Ashkenazi), a low-level diplomat in the Israeli government, in order to get an invitation to a dinner thrown by Arthur Taub (Josh Charles), a high profile financier (the exchange between Norman and Taub is one of the most cringe-worthy scenes I've ever seen).  Norman's prospects change when, three years later, Eschel becomes the Prime Minister of Israel.  He does a few more favors for Eschel, such as getting his son into Harvard, and then attempts to use this connection to his advantage.  Will he pull off the biggest deals of his life or will it all come crashing down around him?   I enjoyed this often slow-moving film because of Richard Gere's sympathetic portrayal of a character who is pretty annoying, especially when he tries to hustle a woman on a train, but somehow you can't help rooting for him to succeed.  There is an especially poignant scene where Eschel essentially throws him under the bus to save his political career and it almost brought me to tears.  I liked how many of the phone conversations are portrayed as if the two people talking are side-by-side (there are many phone conversations because Norman is always hustling).  Finally, I also really liked the supporting cast:  Michael Sheen as Norman's much beleaguered nephew, Dan Stevens (who seems to be everywhere these days) as a financier, and Steve Buscemi as a rabbi.  This film is quite dark in tone so is not for everybody but I recommend it to those who like character-driven films about interesting people.

Smokey and the Bandit

Sunday afternoon I went to see the 1977 movie Smokey and the Bandit on the big screen thanks to the free tickets I won from Classic Movie Hub.  I actually remember watching it on the big screen when I was a kid, fueling an obsession with my Dad's CB radio (his handle was Grapevine) and warning fellow motorists about the smokeys on the highway.  It was so much fun to see it again!  The premise of this movie is that a wealthy Texas businessman (Pat McCormick) and his son (Paul Williams) want to serve Coors beer at one of their events in Georgia but it is illegal to sell it east of the Mississippi River.  They offer trucker Bo "Bandit" Darville (Burt Reynolds) $80,000 to haul 400 cases of Coors from Texas back to Georgia in 28 hours.  He accepts the challenge and recruits his partner Cledus "Snowman" Snow (Jerry Reid) to drive the truck while he drives the "blocker" (a sweet black Trans Am) to divert attention away from the truck.  On the way back to Georgia, Bandit stops to pick up a runaway bride (Sally Field) and, in doing so, he attracts the attention of Buford T. Justice (Jackie Gleason), a sheriff in Texas and the father of the groom, who pursues him all the way to Georgia.  There are epic car chases and crashes as Justice's police cruiser gets more and more banged up.  This movie is incredibly dated (with hilarious costumes and hairstyles from the 1970s) and the acting is a bit over-the-top, but I thought it was an absolute hoot and I enjoyed hearing all of the CB jargon from my youth.  I laughed out loud so many times (at just about everything Jackie Gleason said) as did everyone in the theater.  It is being screened for its 40th Anniversary in select theaters as part of the TCM Big Screen Classics series and I recommend it to anyone who remembers it fondly.

Alien: Covenant

I walked into the theater last night with a little bit of trepidation.  I love the 1979 classic Alien because it scared me (I actually screamed out loud while watching it on TV) but I didn't especially like the 2012 installment Prometheus because it confused me and left too many questions unanswered.  Alien: Covenant skillfully combines elements from both movies and it was better than I expected.   Ten years after the events of Prometheus (and eighteen years before the events of Alien) a spaceship is traveling to the remote planet Origae-6 with thousands of colonists in stasis when the ship is damaged by a flare.  A synthetic android named Walter (Michael Fassbender) wakes up the crew but the captain is killed in the incident.  After the ship is stabilized, the crew picks up a radio transmission from a planet compatible with life that is much closer than Origae-6.  Acting Captain Oram (Billy Crudup) makes the decision to make a detour to the planet to investigate against the objections of Daniels (Katherine Waterston).  As they explore the planet, two crewmembers are "infected" with a spore resulting in aliens exploding from their chests which attack the rest of the crew.  They are rescued by the android David (Michael Fassbender) who has been living on the planet since the events of Prometheus.  There are scenes which expand upon the mythology of Prometheus but it ultimately becomes an intense, exciting, and bloody chase as the expendable crewmembers succumb one by one to the aliens until an epic confrontation aboard the ship.  Fassbender gives a brilliant performance as both of the androids because he imbues each character with subtle differences and some of the best scenes in the movie feature interactions between the two.  I'm not a huge fan of Waterston but she also delivers in this role.  The scenery on the planet is incredible (It was filmed at Milford Sound in New Zealand just weeks before I visited).  I liked the special effects with the aliens and the score is very effective at conveying a mood of terror.  It has flaws (there are still a lot of unanswered questions) but I think it is the best movie since the original and I definitely recommend it to fans of the franchise.

Everything, Everything

Last night my friend invited me to an advance screening of the movie Everything, Everything.  Based on the best-selling novel of the same name by Nicola Yoon, it tells the story of Maddy Whittier (Amandla Stenberg), a 18-year-old girl with a disease called severe combined immunodeficiency (SCID) which means she is never allowed to leave the inside of her house.  She is resigned to her fate and passes her time reading and taking architecture classes online.  One day her life changes when Olly Bright (Nick Robinson) moves next door and tries to befriend her through her window.  They begin communicating and, suddenly, Maddy is no longer content with her confined life inside.  She convinces her nurse to let Olly inside and she learns that he is just as isolated as she is because of an alcoholic father.  They fall in love and Maddy decides to risk her life to be with Olly because love is everything.  Everything.  This movie really works because both of the lead actors are so charismatic and they have great chemistry with each other.  In fact, I found their entire relationship to be incredibly sweet and, more importantly, authentic.  Having the two of them actually speak to each other inside of Maddy's architectural models when they are texting is a very clever and effective device.   I also found the relationship between Maddy and her mother (Anika Noni Rose) to be very compelling and Rose gives an affecting performance as a woman so afraid to lose her daughter that she becomes obsessed with her care.  Sometimes movies about teens with illnesses can be very melodramatic but the filmmakers did everything right in this movie.  I never felt sorry for Maddy because she didn't wallow in self-pity and I loved the scenes of her exploring the outside world for the first time.  Finally, the soundtrack is just about perfect.  I loved this movie and I highly recommend seeing it when it hits theaters on Friday!

King Arthur: Legend of the Sword

Guy Ritchie is a very idiosyncratic director.  All of his movies feature frenetic action sequences with pulse-pounding music underneath them and his protagonists are street-smart wise-cracking hoodlums with a crew of sidekicks.  This worked for me in both of his Sherlock Holmes movies and these elements are what worked for me in his new movie, King Arthur: Legend of the Sword.  However, instead of his usual formula which would have made the story of Arthur into an entertaining movie, Ritchie added some strange elements of fantasy which made it into a convoluted and bloated mess.  The movie opens with a bewildering CGI battle sequence featuring giant elephants, under the control of the wizard Mordred, attacking King Uther Pendragon (Eric Bana).  We learn that the King's brother Vortigen (Jude Law) is in league with Mordred and when the wizard is ultimately killed, Vortigen takes matters into his own hands and kills Uther himself to seize the throne (gaining power by a blood sacrifice to a strange octopus-like creature).  Uther's young son escapes to Londinium where he is raised in a brothel, becoming the aforementioned wise-cracking thug with his crew of misfits.  Arthur (Charlie Hunnam) is eventually reunited with Uther's sword Excalibur, captured by Vortigen, and rescued by a witch who can control animals (Astrid Berges-Frisbey).  Arthur must learn to control Excalibur, in a strange sequence featuring rodent-like creatures, and then face Vortigen (who has made another blood sacrifice to the strange octopus) in an ultimate show-down involving a giant snake.  I really liked the music, the fun interactions between Arthur and his crew (who eventually become the Knights of the Round Table at the end of the movie), the stylized fight sequences between the crew and Vortigen's soldiers (known as blacklegs), and Jude Law's portrayal of Vortigen.  But it seems like Ritchie didn't know what kind of movie he was making with the inclusion of these ridiculous CGI fantasy sequences filled with monsters.  This movie is incredibly disjointed and confusing and I definitely recommend giving it a miss.

Note:  I am 0-2 in my movie selections this weekend.  I find it interesting that aside from Logan and Guardians of the Galaxy Vol. 2, I have been very underwhelmed by Hollywood blockbusters this year.  My favorites so far have all been independent films.

The Circle

I am so glad it is the weekend!  It has been a rough couple of weeks because I've been trying to tie up some loose ends with student government before I turn everything over to the new advisor and I've been trying to motivate seniors who have completely shut down.  I need a weekend to recharge my batteries!  What I love most about the weekend is sleeping in late, reading until the wee hours of the morning, and seeing as many movies as I can.  This weekend started off with a late night screening of The Circle with my sister.  We both really wanted to see this movie because the premise seemed really intriguing.  Mae Holland (Emma Watson) is hired by an internet company called The Circle through a recommendation by a college friend (Karen Gillan) and soon catches the eye of founder Eamon Bailey (Tom Hanks) who recruits her for a new project called SeeChange.  Basically, Mae must wear a camera at all times and be transparent to the world about everything she sees and does.  She is warned by Ty Lafitte (John Boyega), the creator of SeeChange who now has reservations about how the data gleaned from the constant monitoring will be used.  At first I was completely engrossed in this movie and I enjoyed watching Mae get sucked in by the charismatic leader.  But then the message about privacy and limiting freedom got completely muddled by some giant plot holes and a bewildering ending.  What was Bailey's motivation for what he was doing in the Circle?  What was he hiding while forcing everyone around him to be transparent?  What was it that Mae exposed when she forced him to become transparent?  What happened to Bailey and the company after Mae exposed him?  What were her true feelings about transparency?  Why did her friend suddenly become disillusioned with the company?  Why did Ty lurk about in the shadows of the campus waiting for someone else to blow the whistle when he had all of the evidence needed to expose Bailey?  There is almost no character development in this movie and neither my sister nor I even understood what happened at the end.  Watson is fine in the role and Hanks gives a great performance as the cult-like leader but most of the other actors are terrible, especially Glenne Headly as Mae's mother.  This is not a very good movie and we were both pretty disappointed because it had so much potential but it was just what I needed to decompress after a long week.

The Dinner

Another film on my never-ending list is The Dinner and I was able to cross it off last night.  Paul (Steve Coogan), a former history teacher with a history of mental illness, his long-suffering wife Claire (Laura Linney), his brother Stan (Richard Gere), a successful congressman currently running for governor, and Stan's second wife Katelyn (Rebecca Hall) meet each other at an exclusive and unbelievably pretentious restaurant to talk about a family crisis involving their teenage sons.  The dinner is fraught with tension and as each course is elaborately served (and labeled with on-screen titles), a layer is removed revealing their incredibly dysfunctional family dynamic and we learn that their boys have committed a horrific crime and that each of them have differing opinions about how to deal with the situation.  Much of the film involves the characters hashing it out at the dinner table and in various locations within the restaurant but there are also quite a few flashbacks which, for the most part, effectively illustrate how the relationships have become so combative (Chloe Sevigny appears in flashbacks at Stan's first wife).  One of them, however, involving a visit by the two brothers to Gettysburg seemed to go on and on, belaboring the point that a house divided against itself cannot stand.  All of these characters are pretty unlikable, even the one character who advocates that they do the right thing ultimately wavers, but all four actors give incredibly nuanced performances (I was especially impressed by Hall).  The Dinner is not an easy film to watch (at one point I had to turn away while one person in my screening left at that same moment) and the ambiguous ending left me a bit unsettled but, since I haven't been able to stop thinking about it, I highly recommend it as a thought-provoking morality play.

Their Finest

Yesterday I spent the afternoon watching the charming and delightful film, Their Finest.  I saw this at the Sundance Film Festival this year and I enjoyed it so much I wanted to see it again in wide release.   In 1940 the Ministry of Information, Film Division, is trying to boost morale at home and convince America to enter the war during the London Blitz.  They hear of an inspiring story about two young girls who took their father's boat to rescue soldiers stranded at Dunkirk and decide to make a film about their heroism.  An advertising copywriter named Catrin Cole (Gemma Arterton) is hired to write the "slop," or women's perspective, in the screenplay.  At first the other screenwriters Tom Buckley (Sam Claflin) and Raymond Parfitt (Paul Ritter) are resentful of her involvement but they come to rely on her more and more and, of course, Catrin and Tom eventually develop feelings for each other.  There are some really somber scenes as almost every character deals with the effects of the nightly bombing during the Blitz (I don't know how people lived through the terror and uncertainty of the Blitz) but there are also some hilarious scenes when they begin filming on location, especially with the pompous actor Ambrose Hilliard (Bill Nighy).  I have always been a big fan of Nighy but here he is at his most overwrought best.  He pretty much steals every scene he is in.  Both Arterton and Claflin give solid performances and I was very engaged with their romance, even upon a second viewing.  I recommend this film as a pleasant afternoon diversion.

A Quiet Passion

Last night I went to see A Quiet Passion, an exquisite biopic about the life and work of Emily Dickinson.  We meet Emily as a young girl (played by Emma Bell) rebelling against the strict confines of her school, Mt. Holyoke Female Seminary.  Then she (played hereafter by Cynthia Nixon) returns to her home and family in Amherst, Massachusetts where she lives quietly and channels her overwhelming emotions into her poetry.  The story is told through a series of vignettes, mostly consisting of conversations with her stern father (Keith Carradine), her melancholy mother (Joanna Bacon), her brother Austin (Duncan Duff), her beloved sister Lavinia (Jennifer Ehle), her unconventional friend Vryling Buffum (Catherine Bailey), and her long-suffering sister-in-law Susan (Jodhi May), and a voice-over of Nixon reading Dickinson's poetry.  Because her life was so circumscribed, director Terence Davies imbues every single scene, even the most mundane shot of Emily sitting at her desk, with importance through beautiful composition and lighting.  My favorite moment in the whole film is a 360 degree shot which begins with Emily silently reading then circles the room showing members of her family spending a quiet evening in the drawing room and then returns to Emily in despair.  Nothing much is happening but it is beautifully shot and shows so much emotion.  Most of the film can be described in this way but it is incredibly moving and engrossing because of Nixon's astonishing performance.  She is able to convey all of Dickinson's innermost feelings with just an expression.  I loved this film because I am a fan of Emily Dickinson's poetry and I love character-driven biographies about complicated people but it is definitely not for everyone.