Tchaikovsky's Symphony No. 5

The Utah Symphony performed an all Russian program last night so I was a very happy girl!  The orchestra, under the baton of guest conductor David Danzmayr (who was very dynamic), began with the Prelude to Khovanshchina by Modest Mussorgsky.  Even though this opera is about the struggle between Peter the Great, who wants to implement Western reforms in Russia, and the Old Believers, who want to overthrow him, the Prelude depicts the dawn over the Moskva River and it is actually quite beautiful and soothing.  I especially loved the melody played by the oboe and the variations that followed.  Next came Piano Concerto No. 3 by Sergei Prokofiev with Andrew Staupe as soloist.  I really loved the haunting opening theme played by the clarinet because it reminded me of Russian folk music and the themes played by the solo piano are exciting and dramatic.  Staupe's performance was amazing (I loved watching his fingers fly up and down the keyboard) and he was rewarded with a well-earned standing ovation!  After the intermission, the orchestra performed the piece I was waiting all night to hear, Symphony No. 5 by Piotr Ilyich Tchaikovsky.  I love Tchaikovsky's music because I think it is so emotional and that is especially true of this particular piece because it is his confrontation with fate.  I loved the plaintive theme played by the woodwinds in the first movement and the horn solo in the second movement was absolutely brilliant.  The final movement is incredibly stirring, particularly the themes played by the brass and the timpani, and, even though this piece is filled with melancholy and yearning, the ending is triumphant!  This concert was a wonderful way to spend an evening and, if you are a fan of Russian composers, I recommend getting a ticket for the same program tonight (go here).

The Goonies in Concert

Last night's Utah Symphony concert featured The Goonies on the big screen while the orchestra played the score by Dave Grusin live.  This movie is such a nostalgic favorite of mine so it was really fun!  The Walsh family is facing a foreclosure on their house so it can be bulldozed to make room for a golf course.  Mikey Walsh (Sean Astin) is spending a final night with his friends, a group of quirky misfits known as the Goonies, including Chunk (Jeff Cohen), Mouth (Corey Feldman), and Data (Ke Huy Quan).  They end up exploring in the attic and find a 1632 doubloon and a map which they believe will lead to a long lost treasure hidden by the pirate One-Eye Willy.  Mikey convinces his friends to use the map to find the treasure because that will enable his family to stop the foreclosure and they are eventually joined by Mikey's older brother Brand (Josh Brolin), Brand's crush Andy (Kerri Green), and Andy's friend Stef (Martha Plimpton).  The map takes them to a series of tunnels leading to a grotto where they find One-Eye Willy's ship, the Inferno.  All they have to do is elude all of the booby traps as well as the Fratelli crime family, made up of Ma (Anne Ramsey), Jake (Robert Davi), Francis (Joe Pantoliano), and Sloth (John Matuszak), who are in hot pursuit.  This movie features a lot of really exhilarating action sequences and the score complements them so well.  I loved the main theme, "Fratelli Chase," because it is so stirring and the brass is featured very heavily with a fun fanfare by the trumpets.  It is first heard during the police chase after the Fratellis break Jake out of jail and it is repeated throughout as the Goonies travel through the tunnels and when they fight the Fratellis on the Inferno.  I also enjoyed the use of the Bond theme and the Superman theme.  As always, hearing the score played live was such an immersive experience and I loved all of the audience participation!  People cheered enthusiastically for all of the iconic lines (especially "Hey You Guys!" and "Goonies Never Say Die!").  I had such a great time last night and, if you haven't attended a film in concert with the Utah Symphony, I highly recommend doing so.  Next in the series is Harry Potter and the Deathly Hallows Part One in October (go here for tickets).

Tchaikovsky's Violin Concerto

Many amazing musicians have graced the stage at Abravanel Hall over the years but I don't think I have ever felt such a palpable excitement in the audience as I did last night for soloist Nemanja Radulovic!  In fact, before the concert began a member of the orchestra told me that I was in for a treat and that ended up being an understatement!  Changes had to be made to the original program because of Covid so the orchestra, under the baton of guest conductor Alexandre Bloch (who was almost as charismatic as Radulovic), began with Pavane by Gabriel Faure and I loved it!  It is based on a Spanish court dance from the sixteenth century and it is very delicate and airy with beautiful themes by the flute.  Then Radulovic joined the orchestra for Tchaikovsky's Violin Concerto which is one of my favorite pieces by one of my favorite composers!  I love Tchaikovsky because, in my opinion, his music is very emotional and this piece is no exception because it is incredibly passionate.  I especially love the second movement because it is just a little bit mournful with a beautiful theme played by the solo clarinet.  But, honestly, it was hard to pay attention to any instrument other than the solo violin!  Radulovic gave such a dynamic performance that he was spellbinding!  I literally couldn't take my eyes off of him as he played faster and faster and with more and more intensity!  I don't think I have ever heard this piece played better (the audience agreed with me because Radulovic received a thunderous standing ovation after the first movement).  It was thrilling, to say the least, and I am positive that this performance will be a highlight of the 2022-2023 season!  After the intermission, the orchestra played Felix Mendelssohn's Symphony No. 4 "Italian."  This piece was written in response to the impressions Mendelssohn had while taking a ten month journey through Italy.  I particularly enjoyed the woodwinds in the first movement, the militaristic fanfare played by the horns in the second movement, and the energetic conclusion.  This is a Utah Symphony concert that is not to be missed and there are even $20 rush tickets available for tonight!

Mozart's Horn Concerto No. 3

It is opening weekend for the Utah Symphony 2022-2023 season and I was absolutely thrilled to be back at Abravanel Hall!  If last night's concert is any indication this season is going to be spectacular!  It has been a tradition for as long as I have been attending Utah Symphony concerts for the orchestra to begin the season by performing The Star Spangled Banner.  For some reason, I always find it to be very exciting so I always try to attend the opening concert in order to hear it.  After the national anthem we heard "Ride of the Valkyries" from the opera Die Walkure by Richard Wagner.  This piece depicts a group of Valkyries flying over a battlefield in order to escort fallen heroes to Valhalla and it is incredibly stirring.  I especially enjoyed the iconic themes played by the horns and brass.  Next came Short Ride in a Fast Machine by John Adams and I really loved this piece.  Of course I enjoyed the thrilling fanfare by the horns and brass meant to mimic riding in a fast Italian sports car but I was quite impressed by the percussion section because every member played multiple instruments (I loved the woodblock) and it was so much fun to watch them.  For Mozart's Horn Concerto No. 3, the orchestra was joined by soloist Stefan Dohr.  I am a huge fan of Mozart because his music is light, airy, and beautiful and this piece is no exception.  Mozart wrote it for his good friend Joseph Leutgeb, an accomplished horn player, and Dohr performed it brilliantly.  I found the solo in first movement to be a bit whimsical and amusing and the one in the third to be very energetic.  Next Dohr was joined by Utah Symphony horn players Edmund Rollett, Jessica Danz, and Stephen Proser as soloists for Konzertstuck for Four Horns and Orchestra by Robert Schumann.  The opening notes played by the soloists are very dramatic and I loved the interplay between the horns and the woodwinds.  After the intermission, the concert concluded with Ein Heldenleben (A Hero's Life) by Richard Strauss.  This piece is incredibly lush and I loved hearing the violin solos performed by Concertmaster Madeline Adkins and the fanfare performed by the trumpets off stage.  This concert was an amazing way to start the season and I enjoyed it immensely!  The same program will be performed again tonight and tickets may be purchased here.

Note:  Last season I sat by the most adorable little ladies and I have the same seat again this season.  Last night they greeted me warmly, asked me about my summer, and informed me that they would not be attending the concert next weekend so that I won't worry.  I love them!

Jurassic World in Concert

Watching a movie on the big screen while a symphony orchestra plays the score live is so much fun because it is such an immersive experience.  It is one of my favorite activities because it combines my love of film and my love of symphonic music!  Last night I was so happy to be back at Abravanel Hall for Jurassic World while the Utah Symphony played the score by Michael Giacchino (who is becoming one of my favorite movie composers).  This is my favorite movie in the Jurassic World trilogy and my second favorite in the franchise (after Jurassic Park) so I really enjoyed seeing it again.  Twenty years after the incident on Isla Nublar, the new and improved Jurassic World theme park is a success but profits are slowing down because the public is no longer awe-struck by the dinosaurs.  The owner of the park (Irrfan Khan) wants a dinosaur that is bigger, faster, and scarier to impress the public so Dr. Wu (BD Wong) genetically engineers the Indominus Rex.  Claire Dearing (Bryce Dallas Howard), the director of operations at the park, invites her nephews Zach (Nick Robinson) and Gray (Ty Simkins) for a weekend at the park but doesn't have time for them and they eventually take off on their own.  The owner of the park is concerned about the safety of the Indominus Rex enclosure and asks Owen Grady (Chris Pratt), a Velociraptor expert, to inspect it.  Grady is horrified because the genetically modified dinosaur is an unknown factor and its behavior cannot be predicted.  Eventually, the Indominus Rex escapes from its enclosure and threatens Zach and Gray.  The head of security (Vincent D'Onofrio), who wants to weaponize the Velociraptors, releases them into the park to attack the Indominus Rex and an epic battle ensues.  The themes played by the percussion (I loved the timpani and the gong) and the horns are ominous and menacing during the many chase scenes and there is a particularly affecting theme played by the piano and strings when Claire and Grady watch one of the dinosaurs die.  I also really enjoyed the callbacks to the original score by John Williams when Zach and Gray discover the abandoned remains of the visitor's center from the old Jurassic Park.  The entire score is incredibly thrilling and, as if often the case, I found myself watching the orchestra rather than the screen (especially all of the percussion).  I loved it!  This concert is being performed again tonight (go here for tickets) and I recommend it for the whole family (it is a great way to introduce kids to the symphony).

Note:  The Films in Concert for the 2022-2023 season are The Goonies, Harry Potter and the Deathly Hallows Part 1, The Nightmare Before Christmas, An American in Paris, and Star Wars: The Force Awakens (squeal).  They all sound like so much fun (go here for tickets).

Mozart's Violin Concerto No. 5 at St. Mary's Church

Last night I went back to St. Mary's Church in Park City for another wonderful Utah Symphony concert.  I always love hearing music performed in this church (it is an amazing venue) and last night was no exception because it was a lovely evening!  The orchestra began with Concerto Grosso by Ralph Vaughan Williams and I really enjoyed this piece.  Vaughan Williams composed it for students of various abilities and I thought it was very deep and sonorous in tone.  I especially loved the stirring beginning.  Next came Concerto No. 5 for Violin and Orchestra by my favorite composer Wolfgang Amadeus Mozart with Geneva Lewis, in her Utah Symphony debut, as the soloist.  As with much of Mozart's work, this piece is light and airy and very accessible to the listener.  I loved the violin solo in the second movement because Lewis performed it with such delicacy and I loved the percussive sound created by the cellos and basses striking the strings with the wood of their bows in the third movement because it was so dramatic.  After the intermission, the concert concluded with Symphony No. 1 by Felix Mendelssohn (composed when he was just fifteen years old).  This is very lively and energetic and I especially loved the melody played by the clarinets and bassoons in the third movement and the fiery ending complete with timpani!  I really enjoyed watching guest conductor Stephanie Childress because it was exciting to see a young woman on the podium and she was incredibly dynamic.  Unfortunately, last night was the final concert at St. Mary's this summer but there are two more concerts at Deer Valley (go here for tickets) this weekend before the orchestra returns to Abravanel Hall for the 2022-2023 season (for which I am so excited).

Mozart's Sinfonia Concertante at St. Mary's Church

I always look forward to the Utah Symphony concerts at St. Mary's Church in Park City every summer because they always end up being absolutely wonderful.  St. Mary's is a beautiful church with amazing views of the mountains through a wall of plate glass windows and it is a fantastic venue for chamber music.  Last night's concert began with Mother Goose Suite by Maurice Ravel and I really enjoyed this whimsical piece.  I especially loved the second movement about Tom Thumb because I was transported to a magical forest (it helped that I could see trees all around me through the windows) with the sound of birdsong performed by the flutes and piccolo.  Next came Sinfonia Concertante for Violin, Viola, and Orchestra by Wolfgang Amadeus Mozart with Kathryn Eberle and Yuan Qi as soloists.  I have always really loved Mozart and this piece is amazing.  I absolutely loved the second movement because the solo violin plays a moody and atmospheric theme meant to express grief and then the viola answers with a theme of consolation and this interplay between the two instruments is incredibly moving.  After the intermission the orchestra played Sinfonietta by Francis Poulenc.  This piece is light and breezy with really beautiful melodies but I really loved the dramatic ending, especially the timpani.  It was a lovely evening listening to the Utah Symphony in a beautiful setting and I highly recommend one of the remaining concerts at St. Mary's Church (go here for tickets).

Beethoven's Violin Concerto, Messiaen & Ravel

Last night was the final Utah Symphony concert of the 2021-2022 season and it was a great one to end with!  The orchestra and soloist Veronika Eberle began with Concerto for Violin by Ludwig van Beethoven and it was absolutely brilliant!  I loved the opening of the first movement because the timpani is so dramatic and the themes played by the oboe, clarinet, and bassoon are very lyrical.  I also really enjoyed the third movement because it features a hunting theme played by the horns.  Many have called this concerto "unplayable" but Eberle seemed to have no difficulty with it.  It was fun to watch her bow flying up and down the strings and I especially enjoyed the extended passage she played at the end of the first movement.  She received the most enthusiastic standing ovation I have heard all season and it was much deserved!  After the intermission, the orchestra, once again, played two movements from Des canyons aux etoiles (From the Canyons to the Stars) by Olivier Messiaen with Jason Hardink on piano, Keith Carrick on xylorimba, and Eric Hopkins on glockenspiel as soloists.  These two movements represent the stars seen from the cathedrals of red rock found in the natural parks of Utah.  I loved all of the percussion, especially the chimes.  This piece will be performed in its entirety at the O. C. Tanner Amphitheater near Zion National Park in a few days (go here for tickets and information).  The concert concluded with Daphnis et Chloe Suite No. 2 by Maurice Ravel.  I had never heard this piece before and I loved it!  The music was commissioned by Sergei Diaghilev for the Ballets Russes and tells the love story of the goatherd Daphnis and the shepherdess Chloe.  I especially loved the flute solo as Chloe dances for Daphnis and the all of the percussion used in the bacchanale featured in the dramatic conclusion.  I enjoyed this concert immensely and I highly recommend getting a ticket for the same program which will be performed again tonight (go here).

Note:  This is the first season that I subscribed to the entire Masterworks series and, even though I had to miss a few concerts because of family responsibilities, I thoroughly enjoyed every one!  I renewed my subscription for next season and I am really excited (go here for more information about next season).

Thierry Fischer Conducts Messiaen, Smetana & Sibelius 2

Even though I was not familiar with any of the pieces performed by the Utah Symphony last night, I thoroughly enjoyed the concert because each one was so stirring.  The orchestra began with The Moldau by Bedrich Smetana and this was definitely my favorite piece of the evening.  It is one of a series of symphonic poems about the composer's homeland and it is meant to represent the the course of the Moldau River as it flows through fields and woods where peasants are celebrating a wedding then past castle ruins and then into the heart of Prague (which is one of my favorite cities).  It is very atmospheric and I especially liked the theme played by the clarinet and violas, which represent the joining of two springs to become a river, and the theme played by the horns, which represent a jubilant hunting party.  Next the orchestra played two movements from Des canyons aux etoiles (From the Canyons to the Stars) by Olivier Messiaen with Utah Symphony musicians Jason Hardink on piano, Keith Carrick on xylorimba, and Eric Hopkins on glockenspiel as soloists.  This piece is inspired by the beautiful red rocks and bird song encountered by the composer during visits to Bryce Canyon, Cedar Breaks, and Zion National Park.  I especially liked all of the percussion, particularly the wind machine and the chimes, the theme played by the piccolos, and the melodies played by the horns.  The Utah Symphony will be performing this piece in its entirety at the O.C. Tanner Amphitheater (with Zion National Park as a backdrop) in a few weeks.  The concert concluded with Symphony No. 2 by Jean Sibelius.  This piece eventually became a symbol for Finnish independence and I loved it.  I especially enjoyed the second movement, with themes played by the basses and cellos that are quite dark and melancholy (possibly representing death and defeat), and the finale, with stirring themes that are triumphant (possibly representing life and resurrection).  This concert was absolutely spectacular and if you are interested in attending tonight's performance of the same program go here for tickets.

An Evening With Brian Stokes Mitchell and the Utah Symphony

I have been lucky enough to see Broadway star Brian Stokes Mitchell perform several times, including an amazing concert with the Utah Symphony and the Mormon Tabernacle Choir, so I was thrilled when I found out that he would be performing with the Utah Symphony again and I bought a ticket almost immediately!  The concert last night was in honor of Kem Gardner, a long time USUO board member, and it was wonderful!  He began with a lively rendition of "There's No Business Like Show Business" from Annie Get Your Gun and then performed an eclectic program featuring Broadway hits and standards from the great American songbook with lots of stories and anecdotes in between (he is so charming and engaging).  I especially enjoyed "Man of La Mancha" from Man of La Mancha (he was nominated for a Tony award for his performance as Don Quixote) and a very sultry version of "Feeling Good."  Many years ago, during a Bravo Broadway concert with the Utah Symphony, he performed one of the most beautiful versions of "Stars" from Les Miserables that I have ever heard and I have always wanted to hear him sing it again.  I got my wish last night and it was definitely the highlight of the concert for me!  He ended the set with "Wheels of a Dream" from Ragtime (he originated the role of Coalhouse Walker, Jr. and was nominated for a Tony) which was incredibly powerful.  For the encore he sang "The Impossible Dream" from Man of La Mancha, which is the song he sang out of his apartment window in New York for essential workers during the pandemic, and then a heartfelt version of "Wonderful World."  I loved this concert and I love the fact that so many Broadway stars enjoy performing with the Utah Symphony!

Thierry Fischer Conducts Haydn 11, Arlene Sierra, Nielsen & Elgar

Last night's Utah Symphony concert will definitely be another one of my favorites this season!  It began with a small chamber group playing Symphony No. 11 by Franz Joseph Haydn.  This piece is very delicate with beautiful melodies and I especially enjoyed the themes played by the strings and the horns in the third movement.  Next, the full orchestra was joined by Anthony McGill as the soloist for Carl Nielsen's Clarinet Concerto.  This piece is very lively and energetic with what seems like a great battle between the clarinet and the snare drum but I found the ending to be quite surprising because it is almost anticlimactic as the melody just fades away in resignation.  I loved it!  As someone who played the clarinet, very badly, all through school beginning in the fifth grade, I loved hearing someone play the instrument brilliantly.  I loved watching McGill's fingers fly up and down the holes and keys and there was a small part of me that wished that I had kept playing.  After the intermission, the orchestra performed the world premiere of Bird Symphony by Composer-in-Association Arlene Sierra.  I must admit that it was absolutely thrilling to be the first to hear a brand new piece commissioned by the Utah Symphony!  I loved it and I think I enjoyed it even more than Sierra's Nature Symphony which was performed last weekend.  I especially liked the second movement because it features a recording of a birdsong and the orchestra interacts with it.  The concert concluded with In the South ("Alassio") by Edward Elgar.  I always think of Elgar's music as stately and dignified and this piece is no exception.  It was written while the composer was on holiday in Italy and it is meant to represent life during the Roman Empire.  I especially loved the theme played by the solo viola.  I enjoyed every piece performed during this beautiful concert and I cannot recommend tonight's performance of the same program enough (go here for tickets).

Note:  The adorable ladies who sit by me asked me if I had renewed my subscription for next season and they cheered when I told them that I had.  It will be Thierry Fischer's final season as Music Director and I am looking forward to so many concerts, including ones featuring Tchaikovsky, Rachmaninoff, and Prokofiev (go here to explore the season).

Hilary Hahn Plays Ginastera and Sarasate

I have been looking forward to last night's Utah Symphony concert for quite some time because it featured the return of fan favorite Hilary Hahn for the second time this season!  The orchestra began with Prelude a L'apres-midi d'un faune (Prelude to the afternoon of a Faun) by Claude Debussy and it was lovely.  I think this piece is incredibly romantic and it always reminds me of Spring (I once saw a beautiful performance by Ballet West to this music).  I especially enjoyed the themes played by the flute and the harp.  Next on the program was the U.S. premiere of Nature Symphony by Composer-in-Association Arlene Sierra.  According to the composer, each movement represents different processes within and against nature such as the migration of butterflies, the destruction of the landscape by fracking, and the rebellion of a bee colony.  I particularly liked the second movement because the main theme repeats and builds and builds in intensity (I loved the percussion).  After the intermission, Hahn joined the orchestra for Alberto Ginastera's Violin Concerto.  I was not at all familiar with this piece or this composer but I enjoyed it because it was very surrealistic.  The opening passage by the solo violin is incredibly technical and Hahn performed it brilliantly.  When the rest of the orchestra eventually joins the soloist it is very dramatic, especially the timpani and the brass.  Hahn returned once again for Fantasy on Bizet's Carmen by Pablo de Sarasate.  This is an adaptation of the Aragonaise, the Habanera, an interlude, the Seguidilla, and the Gypsy Dance from the well-known opera and it is meant to be a showpiece for the violin soloist (it often seemed like the orchestra was accompanying the violin).  It is another highly technical piece and, once again, Hahn gave an amazing performance.  This was definitely my favorite piece of the evening because I love Carmen so much.  It was the first opera that I saw performed live so it will always be among my favorites.  Hearing this version performed by Hahn and the orchestra pretty much blew me away!  The entire concert was pretty spectacular so I would definitely recommend getting a ticket to tonight's performance of the same program (go here).

Tito Munoz Conducts Beethoven 6, Sibelius & Buxtehude

Whenever Augustin Hadelich comes to town to perform with the Utah Symphony I always make a point of being in attendance because I think he is absolutely brilliant (go here and here).  I am certainly not alone in my admiration because there was a sizable crowd at Abravanel Hall last night to hear him perform the Violin Concerto by Jean Sibelius.  Before the Sibelius, the orchestra began with Chaconne in E Minor by Dietrich Buxtehude with an arrangement by Carlos Chavez.  As explained by guest conductor Tito Munoz, this piece was originally written by Buxtehude for the organ during the German Baroque period.  Several hundred years later Chavez orchestrated it for the Orquesta Sinfonica Nacional emphasizing more modern instruments.  I had never heard this piece before (Munoz further explained that it is not performed in the United States very often) but I absolutely loved it!  I loved the opening fanfare by a solo trumpet and horn along with the timpani and I also loved how the same progression of notes seems to be repeated again and again with more and more intensity.  It was very powerful!  Next came the Violin Concerto with Hadelich.  Sibelius is one of my favorite composers (I discovered him on a trip to Finland) and this piece is widely considered to be one of his greatest masterpieces.  It calls to mind a dark wintry night and I particularly enjoyed the first movement because the solo violin plays a haunting melody that is beautifully echoed by a clarinet.  I also liked the final movement because the speed with which Hadelich moved his fingers was absolutely mind-blowing.  He gave an incredibly passionate performance and the audience leapt to its feet immediately for a thunderous ovation.  After the intermission, the orchestra concluded with Symphony No. 6 "Pastorale" by Ludwig van Beethoven and it was amazing.  This piece is meant to evoke feelings about nature and I especially liked a motif played by the strings mimicking the sound of moving water in the second movement and the sound of a thunderstorm created by the cellos, basses, and timpani in the fourth movement.  I loved every minute of this concert and it just might be my favorite this season (which is no mean feat because it has been a season full of wonderful music).  I highly recommend getting a ticket for tonight's performance featuring the same program (go here).

Louis Schwizgebel Plays Mozart's Piano Concert No. 12

It is always nice to start the weekend with the Utah Symphony but last night's concert was something really special!  The orchestra began with Escaramuza by Gabriela Lena Frank.  This piece is meant to symbolize the dance of an Inca warrior and it is incredibly energetic and dynamic.  It begins with the rhythmic pounding of a bass drum that doesn't let up until the end and the strings play a frantic theme that is really exciting to listen to.  I could almost see the dancers in bright and colorful costumes and I thought it was really cool.  Next came Piano Concerto No. 12 by Wolfgang Amadeus Mozart with soloist Louis Schwizgebel.  I've mentioned this many times before but I was first introduced to classical music by watching the movie Amadeus when I was fourteen.  I became obsessed with Mozart's music, especially the music from the movie, and the first Utah Symphony concert I ever attended featured Mozart's Requiem (and the rest is history).  I think his music is really light and airy and highly accessible to the casual listener (which does not mean that it is simple).  Piano Concerto No. 12 is beautiful with almost playful themes and I really enjoyed it.  Schwizgebel was so much fun to watch because his fingers were moving so fast but he made it look so easy!  The concert concluded with Symphony No. 5 by Dmitri Shostakovich but, after the intermission, it was announced that the Utah Symphony organization had contemplated changing composers in light of the Russian invasion of Ukraine.  They ultimately decided to keep Shostakovich on the program because, even though Symphony No. 5 was written to appease the Soviet state, it is actually a condemnation of the horrors found under Stalin.  I thought it was incredibly appropriate and the parallels to the situation today made the performance even more powerful.  Before the Shostakovich, the orchestra performed the national anthem of Ukraine and it was such a beautiful and powerful moment!  I became quite emotional because, for some reason, the music made the situation in Ukraine very real for me but I take solace from the fact that the people are as heroic as their anthem.  The first movement of Symphony No. 5 is bold with militaristic marches played by the brass and the second is very stirring (I loved the opening theme played by the cellos and basses).  However, my favorite was the third movement because it is so affecting, particularly a theme played by the harp and flute, and it provided a way for the public to express their grief over Stalin's purges at the premiere.  I also found it immensely moving.  The final movement becomes celebratory once again with an epic conclusion by the timpani.  This was an extraordinary evening of music and emotion and I am so glad that I got to experience it.  The same program will be performed again tonight (go here for tickets).

Harry Potter and the Half-Blood Prince in Concert

Last night the Utah Symphony performed Nicholas Hooper's score for Harry Potter and the Half-Blood Prince while showing the movie as part of its Films in Concert Series and it was so much fun!  It was such an immersive experience with lots of audience participation.  There was a house roll call (three cheers for Ravenclaw) before the show and then boisterous applause when every main character appeared on the screen (the loudest was, rather unexpectedly, for Professor McGonagall).  This particular movie is one of my favorites in the franchise because the tone is much darker and the stakes are higher for every character.  As Harry (Daniel Radcliffe), Ron (Rupert Grint), and Hermione (Emma Watson) begin year six at Hogwarts, Professor Dumbledore (Michael Gambon) convinces a former potions professor named Horace Slughorn (Jim Broadbent) to return to the school.  He enlists Harry's help to get Slughorn to reveal a secret about Tom Riddle which could help them stop Voldemort's reign of terror. Meanwhile, Draco (Tom Felton) is also given a dangerous assignment which eventually brings tragedy to Hogwarts and suspicion upon Snape (Alan Rickman).  The ominous score reflects this darker tone, particularly in "Snape & the Unbreakable Vow," "Into the Pensieve," "Malfoy's Mission," "The Drink of Despair," and "Inferi in the Firestorm."  There are also some some really fun and exuberant themes, such as "Wizard Wheezes" and "Ron's Victory," which provide some comic relief.  I really loved the harp in "Harry & Hermione" because it is such a poignant moment in the movie since, even though the relationship woes are meant to be lighthearted, this is when the characters admit that they have feelings for Ginny and Ron, respectively.  I also loved the cello in "Dumbledore's Farewell" because it is so mournful as the students raise their wands in tribute (this scene always gives me goosebumps).  The music really provides so much of the tension and emotion in this movie so hearing it performed live added much to the experience of watching it.  If you have never attended one of these concerts, I highly recommend doing so!  Conductor Conner Covington teased that the final two movies in the franchise might be coming next season!  I can't wait until the 2022-2023 season announcement to see what the films will be!

Daniel Lozakovich Plays Tchaikovsky's Violin Concerto

Last night's Utah Symphony concert featured the music of Tchaikovsky and Prokofiev so you can be sure that I really enjoyed it (I love the Russian composers).  The first piece, however, was not composed by a Russian but by a Brazilian!  The orchestra began with the U.S. premiere of Oji - Cheganca e impeto by Paulo Costa Lima.  The composer wanted to explore Afro-Brazilian folk traditions and this piece is meant to represent a trans-Atlantic journey from Africa to Brazil.  It features many different percussion instruments, including some rather unusual ones, and I was particularly struck by how well these instruments, along with the strings, mimic the sound of rolling waves in a storm.  I kept seeing a ship being tossed about in a thunder storm.  I could also really hear the relief that comes from reaching a destination safely as interpreted by the diminishing sound of a wind machine.  I thought it was really cool (you are pretty much guaranteed something cool when you see six percussionists on the stage).  Next, the orchestra performed the Violin Concerto by Pyotr Ilyich Tchaikovsky and they were joined by Daniel Lozakovich on violin.  In my opinion, Tchaikovsky's music is incredibly emotional (which is why I love it) and the Violin Concerto is especially so.  The theme played by the soloist, which is repeated often throughout the three movements, is absolutely beautiful and I particularly enjoyed it when it was repeated by the flute.  Lazakovich was required to play faster and faster in the first movement (the violinist for whom this piece was composed declared it unplayable) and it was thrilling to watch, to say the least!  My favorite movement was the second because it is slower and just a bit melancholy with a beautiful introduction by the woodwinds.  The third movement includes variations of Russian folk music before it returns to the passionate main theme in a triumphant conclusion!  Lazakovich was absolutely brilliant and, in response to the standing ovation from the large crowd at Abravanel Hall, he played a dramatic rendition of Sonata No. 5, Danse Rustique, by Eugene Ysaye as an encore.  After the intermission, the orchestra concluded with selections from the ballet Cinderella by Sergei Prokofiev.  I saw Ballet West's production of Romeo and Juliet, which also features the music of Prokofiev, just last weekend so I was really excited for this!  I have also seen this ballet performed by Ballet West so I had many images in my head as I listened to the orchestra.  I especially enjoyed Cinderella Goes to the Ball, because it includes incredibly romantic themes played by the woodwinds, strings, and horns, and Midnight, because the percussion mimics the dramatic chiming of the clock (I could still see the giant clock used in Ballet West's production) as Cinderella leaves the ball.  I enjoyed every minute of this concert and would definitely recommend getting a ticket for tonight's performance (go here) of the same program.

Bravo Broadway: A Rodgers & Hammerstein Celebration

I could hardly contain my excitement all day yesterday in anticipation of the Utah Symphony concert last night!  I always really enjoy the Bravo Broadway series but last night's program featured the music of Rodgers & Hammerstein (and a few of their close collaborators) so it was especially good!  The orchestra was joined by conductor Jerry Steichen (I love it whenever he returns to SLC because he is so charming and charismatic), Broadway stars William Michals, Hugh Panaro, and Scarlett Strallen, as well as the Utah Opera Chorus.  The orchestra began with the Overture to The King and I and then they were joined by all three vocalists and the chorus for, rather appropriately, "It's a Grand Night for Singing" from State Fair. Panaro, who I have seen perform before, sang a beautiful version of "Where or When" from Babes in Arms (a collaboration between Rodgers and Hart) and this was definitely a highlight for me.  Sigh!  Strallen performed "The Sound of Music," the first of several songs from The Sound of Music, and then was joined by Michals and Panaro for a really fun version of "The Lonely Goatherd."  This was followed by "Edelweiss" performed by Michals.  He had the audience join him for the last few verses which reminded me of when the same thing happened at the Salzburg Festival in the movie.  All three performed an incredibly powerful version of "Climb Ev'ry Mountain" to conclude the first set.  After the intermission, the orchestra performed the Waltz from Carousel followed by a rousing rendition of "A Wonderful Guy" from South Pacific by Strallen.  Another highlight for me was "Some Enchanted Evening" from South Pacific by Michals.  I think this is an incredibly romantic song and Michal's rendition is one of the best I've ever heard performed live (he played Emile De Becque in the revival of South Pacific at Lincoln Center).  Strallen returned for a lovely performance of "Send in the Clowns" from A Little Night Music with Steichen accompanying her on piano (Hammerstein was an influential mentor to Sondheim).  This gave me goosebumps!  Panaro joined her for "Shall We Dance?" from The King and I and this included some fabulous choreography!  Next Michals performed "Soliloquy" from Carousel and this was quite dramatic.  The concert concluded with several selections from Oklahoma including "Oh, What a Beautiful Mornin'," "People Will Say We're In Love," and "Oklahoma."  For the encore, the three of them, along with the chorus, performed an incredible version of "You'll Never Walk Alone" from Carousel.  I love all of the classic Rodgers & Hammerstein musicals so I enjoyed every minute of this concert (and was even a little bit sad when it was over).  If you are also a fan, I highly recommend getting a ticket to tonight's performance of the same program (go here).

Thierry Fischer Conducts Ravel, Liszt & John Adams

Last night, like most Friday nights, I was at Abravanel Hall for a Utah Symphony concert and I loved every minute of it!  The orchestra, once again under the baton of Music Director Thierry Fischer, began with Slonimsky's Earbox by John Adams.  I was unfamiliar with this piece but I enjoyed it immensely because it is incredibly dynamic with non-stop energy coming from every section.  I especially loved all of the percussion and the almost strident blasts from the brass.  Next, the orchestra was joined by Joyce Yang for Piano Concerto No. 1 by Franz Liszt and this was pretty spectacular!  The first movement is incredibly dramatic and I loved watching Yang's fingers fly up and down the keyboard.  The second movement is very romantic with beautiful passages by the solo piano while the third movement is playful with a theme played by the triangle and duets between the piano and several woodwind instruments.  The final movement returns to the dramatic themes introduced at the beginning with a powerful march played by the brass.  I have seen Yang perform at Abravanel Hall before and she was simply brilliant last night.  She received a thunderous standing ovation and performed a beautiful rendition of Prelude in G Minor by Sergei Rachmaninoff as an encore.  After the intermission, the orchestra played several pieces by Maurice Ravel.  The first was Une barque sur l'ocean and, as I listened, I could see a violent storm, suggested by a theme played by the timpani, at sea with a boat being tossed about on turbulent waves.  Next came Valses nobles et sentimentales which are a series of light and airy waltzes.  The concert concluded with La Valse and during this piece I imagined a large group of waltzing couples dancing in a ballroom in Vienna and I especially loved the theme played by the harps.  It was a lovely evening of music and I thoroughly enjoyed myself.  The same program will be performed again tonight and, since all the cool kids spend their weekends at Abravanel Hall, I highly recommend getting a ticket (go here).

Thierry Fischer Conducts Rachmaninoff, Honegger & Nathan Lincoln de Cusatis

I was really excited for last night's Utah Symphony concert because it was the first opportunity for Music Director Thierry Fischer to conduct the orchestra this season (I was also really excited to hear Rachmaninoff).  The orchestra began with Symphony No. 3, Symphonie Liturgique, by Arthur Honegger.  I was not familiar with this piece (or this composer) but I loved it because it was written after World War II and was inspired by Honegger's desire for peace.  Each movement is named after a liturgical text.  The first, which was my favorite, is "Day of wrath" and it is very turbulent and powerful with a bold theme played by the brass.  The second is "Out of the depths have I cried" and it is more lyrical and contemplative and I really loved the almost mournful solo by the flute.  The third is "Grant us peace" which begins as a march featuring lots of percussion and then ends with a beautiful solo played the cello.  What I loved about this piece is that I could really feel each of the emotions suggested by the titles as the orchestra played.  Next came the premiere of The Maze by Nathan Lincoln de Cusatis.  This piece was commissioned by Concertmaster Madeline Adkins and was inspired by a hike through an isolated area of Canyonlands National Park.  The music emphasizes the vastness of the landscape and the geologic forces that created it.  Adkins was the soloist with the violin acting as a guide through the hike and I really enjoyed how the themes played by the violin sound like the flow of the river.  After the intermission the orchestra played Symphonic Dances by Sergei Rachmaninoff and I absolutely loved this piece!  I think the first movement is incredibly romantic with a theme played by various woodwind instruments which is then repeated by the violins followed by a theme played the piano and harp.  During the second movement, which features a beautiful waltz, I always see couples whirling around a red and gold ballroom and the music takes me back to imperial Russia.  The final movement is almost mournful but it ends triumphantly with timpani and a gong.  I really enjoyed all three pieces (and seeing Fischer back on the podium) and would highly recommend getting a ticket to tonight's concert which will feature the same program (go here for tickets).

Robert Trevino Conducts Walker, Grieg & Stravinsky

I was so happy to be back at Abravanel Hall last night for my first Utah Symphony concert of 2022 because it was absolutely amazing!  The orchestra began with Sinfonia No 4 "Strands" by George Walker.  I was not at all familiar with this piece (or this composer) but I really enjoyed it because it is very dramatic.  I particularly loved a theme played by a solo cello as well as themes played by the timpani and percussion, especially the gong at the end.  Next came Edvard Grieg's Piano Concerto.  I was really excited for this because it is one of my favorite pieces and the orchestra and soloist Benjamin Grosvenor performed it brilliantly.  The instantly recognizable opening notes played by the piano gave me goosebumps and each successive repetition of the theme during the first movement was equally thrilling (the entire audience gave a rousing round of applause after this movement).  The second movement was my favorite because it is a just a bit melancholy and I loved the interaction between the piano and the solo horn.  I also really enjoyed all of the Norwegian folk dances featured in the third movement.  Grosvenor's fingers literally flew up and down the keyboard so he was very entertaining to watch.  He received a well-deserved standing ovation after which he performed a beautiful encore featuring Dance of the Beautiful Maiden by Alberto Ginastera.  After the intermission, the concert concluded with Petrouchka by Igor Stravinsky.  This ballet tells the story of three puppets who are brought to life at a fair in St. Petersburg and Stravinsky's music is incredibly stirring.  I could almost picture the action in my head as the orchestra played.  I especially loved the fanfare played by the brass to announce the carnival barker, the drum roll that announces the puppet show, and the theme played by the flutes as the puppets are brought to life.  All of the Russian folk music used as the puppets dance is quite exhilarating and I thoroughly enjoyed the whole piece.  This program will be performed again tonight and I highly recommend getting a ticket (go here).