Saturday, November 25, 2023
Gentri Christmas at the Eccles 2023
'Tis the Season
Friday, December 30, 2022
Mannheim Steamroller Christmas at the Eccles
Monday, December 26, 2022
Christmas 2022
Monday, December 19, 2022
Gingerbread Houses 2022
Christmas with the Tabernacle Choir 2022
Sunday, December 18, 2022
A Soulful Holiday with the Utah Symphony
A Christmas Story at PTC
Yesterday afternoon I was able to see Ralphie Parker (Mack Boyer) try to convince his Mother (Stacie Bono), the Old Man (Danny Bernardy), his teacher Miss Shields (EJ Zimmerman), and even Santa Claus (Paris Alexander Nesbitt) to get him an official Red Ryder, carbine action, 200-shot, range model air rifle, with a compass in the stock and this thing that tells time for Christmas for the second time in as many days. Unfortunately, this was a rare miss for PTC because I found it to be completely underwhelming in almost every way. Even if I had not just seen a vastly superior production at the SCERA Center for the Performing Arts the night before, I still would have been disappointed with this show. I don't like to criticize an understudy but I think a theatre company the caliber of PTC should have understudies who are prepared to go on stage at a moment's notice. Howard Kaye (as the understudy for Jean Shepherd) did not seem at all prepared for today's performance because he read from a script during the whole show and he still frequently stumbled over his lines. This was really distracting because Shepherd narrates the story and appears in almost every scene. The rest of the cast was fine but no one really stood out to me, except Zimmerman who was hilarious as the uptight Miss Shields. Boyer has an incredible voice and I liked the vocal performances of the children in the ensemble but the big production numbers that I usually enjoy, such as "When You're a Wimp," "Ralphie to the Rescue," "Up on Santa's Lap," and "Somewhere Hovering Over Indiana," were incredibly lackluster because the choreography in these numbers was very minimal. Even the showstoppers "A Major Award" and "You'll Shoot Your Eye Out" were surprisingly bland (I am normally a huge fan of Karen Azenburg's choreography). The stage was configured to look like a giant snow globe and this is really fun but, with the exception of the classroom at Warren G. Harding Elementary School (which featured the artwork of local students on the bulletin board), the sets were a bit bland and very unwieldy to move on and off the stage. There were also some technical difficulties (it was quite disappointing when the all-important lamp didn't light up) and the production did not use real dogs to portray the Bumpus hounds (one of my favorites scenes). Maybe I am being too hard on this show but I expected a lot more for the cost of the ticket (especially since I saw a better show for a fourth of the price). If you are looking for some Christmas cheer, I suggest skipping this and seeing Scrooge: A Christmas Carol at the Terrace Plaza Playhouse, A Christmas Carol at either HCT or HCTO, or Elf The Musical at CenterPoint Theatre instead.
Note: I was able to see 80 theatre productions this year (not including the other performing arts such as the symphony, opera, ballet, etc.). My favorites have been Hadestown at Broadway at the Eccles, See How They Run at the Terrace Plaza Playhouse, A Gentlemen's Guide to Love and Murder at the Empress Theatre, Camelot at HCTO, and Clue at the Utah Shakespeare Festival. I have renewed all of my subscriptions so I am looking forward to more great theatre in 2023!
Saturday, December 17, 2022
A Christmas Story at the SCERA Center for the Performing Arts
Friday, December 16, 2022
A Kurt Bestor Christmas at the Eccles 2022
Sunday, December 11, 2022
Lower Lights Christmas Concert 2022
Friday, December 9, 2022
A Christmas Carol at HCTO
Thursday, December 8, 2022
A Christmas Carol at HCT 2022
Wednesday, December 7, 2022
Celtic Woman: A Christmas Symphony
Tuesday, December 6, 2022
Scrooge: A Christmas Carol at the Terrace Plaza Playhouse
I will be attending three different versions of A Christmas Carol this week and I started last night with the musical Scrooge: A Christmas Carol at the Terrace Plaza Playhouse. I was really excited because I had never seen this version before. I saw the musical by Alan Menken at CPT several years ago and, while I definitely prefer that version, I thought this was very charming and it put a huge smile on my face. It tells the well-known story by Charles Dickens about the reclamation of a miser named Ebeneezer Scrooge (Kim Florence) by the Ghosts of Christmas Past (Jacci Florence), Present (Don Wilhelm), and Future (Jacob Taft) but it includes original music by Leslie Bricusse. The songs are not especially memorable, my favorites were "December the Twenty-Fifth" by Mr. Fezziwig (Duane Beesley), "The Beautiful Day" by Tiny Tim (Beckett Ronnow), and "Thank You Very Much" by Tommy Jones (Shane Alvey), but the cast is very enthusiastic and the choreography is a lot of fun (especially "Thank You Very Much" because it involves dancing on a coffin) so I enjoyed every number. I was really impressed with the number of performers on the stage, including lots of children! I really enjoyed Florence as Scrooge because, while he is still the curmudgeonly misanthrope we all know, he is more a figure of fun who is ridiculed by those who owe him money than a villain who is feared (at one point several characters stick their tongues out at him). Even though he is a bit of a buffoon, his character arc is still really moving to watch because he becomes more and more affected by every vignette shown from his past, present, and future. I also liked Jim Alvey as Bob Cratchit and Tracie Davies as Mrs. Cratchit because their interactions with each other and with Ronnow (who is absolutely adorable as Tiny Tim) are so tender and genuine. The way the intimate space at the Terrace Plaza Playhouse is used is always really clever and this production is no exception. Scrooge's Counting House is located on a platform to the right of the stage and the entrance to his house (the transformation of the knocker into Jacob Marley's face is a great effect) is located on another one to the left. The Ghosts of Christmas Past, Present, and Future lead Scrooge all around the theatre, including behind the soundboard, to various locations. A cobblestone street in 19th Century London is depicted on a backdrop and various sets are moved on and off the stage. I was impressed with the attention to detail in Fezziwig's factory, Bob Cratchit's house, and Fred's house as well as the white silhouettes used to depict Scrooge's childhood with his sister Fan and the giant clock in Scrooge's bedroom. The period costumes are really beautiful, with the possible exception of the strange red tutu worn by the Ghost of Christmas Past (I thought she looked like a deranged Sugar Plum Fairy and her shtick went on far too long). This production is filled with so much heart that you can't help but be filled with a big dose of Christmas cheer and I highly recommend it. There are nightly performances through December 23 with matinees December 10 and 17 (go here for tickets).
Note: I have seen HCT's version of A Christmas Carol more times than I can count (I almost have the entire show memorized) so it was really fun to see a different interpretation.