Wednesday, April 1, 2026

The AI Doc: or How I Became an Apocaloptimist

Up next in the double feature with my nephew last night was The AI Doc: or How I Became an Apocaloptimist.  I didn't really want to watch this documentary because I already have a lot of existential dread about the topic but my nephew talked me into it and it is probably a good thing that I did.  Award-winning filmmaker Daniel Roher decides to investigate what will happen if, or more likely, when Artificial Intelligence reaches its maximum potential after he learns that he and his wife, filmmaker Caroline Lindy, are expecting because he is nervous about the kind of world his son will inherit.  He interviews several ethicists and critics of A.I., including Tristan Harris, Aza Raskin, and Eliezer Yudkowsky, who all warn that the technology is moving too fast and that it poses a threat on par with global nuclear war.  They also suggest that it is too late to do anything about the impending catastrophe.  These interviews leave Roher feeling incredibly anxious so Lindy urges him to find the light.  He then interviews other experts who are optimistic about A.I., including Peter Diamandis, Guillaume Verdon, and Ramesh Srinivasin, and they suggest that it has the potential to solve the greatest problems facing humanity by discovering alternative sources of energy, creating scientific and medical breakthroughs, and providing automation to free people from the burdens of labor.  This gives Roher a measure of comfort but then he interviews Sam Altman, the CEO of OpenAI, Dario Amodei, the CEO of Anthropic, and Demis Hassabis, the CEO of Google DeepMind, who are all racing to create Artificial General Intelligence (AGI), which would exceed human intelligence to the point that humans would no longer be needed, because the first company to do so would gain untold money, power, and control.  The documentary concludes with a call to action for people to demand transparency, regulation, and cooperation (which might be impossible with the current geopolitical situation).  Roher’s intention is to present a balanced approach to the topic but, in my opinion, the optimism isn't earned because he fails to discuss access.  I have no doubt that A.I. is capable of improving lives (I recently watched the documentary The Thinking Game about how Google DeepMind solved the protein folding problem and its implications for science) but it is almost certain that only the elite will benefit from these discoveries.  He also fails to discuss the economic displacement that automation is sure to cause.  I think Roher is much more successful with his goal to provoke conversations about the topic (my nephew and I discussed it at length) and, even though this is a very difficult watch, these conversations are necessary.

They Will Kill You

Last night my nephew and I had a double feature and we started with They Will Kill You.  Asia Reaves (Zazie Beetz) takes a job as a maid at The Virgil, an exclusive high-rise apartment building in New York City.  She arrives and meets the eccentric building manager Lilith Woodhouse (Patricia Arquette) and, while the building and its wealthy inhabitants seem odd, she soon settles in for the night.  What Asia doesn't know is that The Virgil has been a temple to Satan for the past 100 years and the inhabitants must periodically perform a human sacrifice in return for their immortality.  She is selected for the ritual so Kevin (Tom Felton), Sharon (Heather Graham), Bob (Willie Ludik), Tall Steve (David Viviers), and Short Steve (Gabe Gabriel) attack her in the middle of the night but they are shocked when she is able to defend herself and kill them.  What the inhabitants don't know is that Asia is not who she pretends to be and has come to The Virgil to find her younger sister Maria (Myha'la).  Carnage ensues when Asia is forced to kill the inhabitants over and over again to keep her sister safe until they can escape.  The action sequences are hyper-stylized with a tone that is incredibly surreal and they become more and more unhinged as they go on (even if they do become very repetitive).  The kills are extremely gruesome (one involves a detached and bloody eyeball) but they are really fun to watch (my favorite is when Asia uses a burning ax to kill everyone single-handedly).  Beetz is great as an action star (I find her to be very compelling) but, when she isn't punching, kicking, stabbing, crawling, and climbing her way out of secret passages and locked rooms, she shows a lot of emotion as a someone trying to make amends for past mistakes.  There are flaws but it is entertaining and I really dug it.
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