Wednesday, November 22, 2023

May December

Last night my nephew and I went to the Broadway to see May December and we both found it to be incredibly thought-provoking.  Elizabeth Berry (Natalie Portman) is a television actor who inserts herself into the lives of Gracie Atherton-Yoo (Julianne Moore) and her husband Joe Yoo (Charles Melton) because she will be portraying Gracie in an upcoming independent movie about their scandalous romance.  Gracie had an extramarital affair with Joe, who was then in seventh grade, was arrested, gave birth to their first child in prison, and then married him when she was released.  Twenty years later, as their twins are about to graduate from high school, they seem like the perfect suburban family but, as Elizabeth starts delving into the past, the facade comes crumbling down.  This is really campy, with one of the funniest line readings I've ever heard and an incredibly melodramatic score, but then it becomes absolutely devastating.  All three actors give amazing performances because their characters are so complex and reveal themselves little by little.  Gracie seems confident and happy around Elizabeth and her neighbors and broken and fragile behind closed doors with her family but then we see how passive-aggressive she is with her daughters and how manipulative she is with Joe.  Moore uses changes in her facial expressions and voice, slipping into and out of a breathy lisp, to show her character's intent and it is masterful.  Elizabeth seems like an ambitious method actor trying to understand the character she will be portraying so that she can do justice to the story but then she starts to blur the lines between reality and art to actually become Gracie and her behavior is just as predatory.  Portman's performance is brilliant because she eventually mimics all of Gracie's mannerisms and the transformation is so subtle that you don't realize how unsympathetic she has become.  Joe protests that he is not a victim and that he has been happily married to Gracie for twenty years but he is constantly bullied and belittled by her.  Melton's role is less showy but no less powerful, especially when Joe realizes the full impact of what has been done to him (by both women).  There is so much to unpack with all of these characters and it is fascinating!  I loved the use of mirrors because we eventually see who these characters really are when reflected by others and the focus on Joe's hobby of raising monarch butterflies is the perfect metaphor for the transformation these characters go through.  The more I think about this movie, the more I like it and I would definitely recommend it.

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