The Power of the Dog

Last night I had the chance to see The Power of the Dog on the big screen before it begins streaming on Netflix next week.  It is definitely a slow burn but I haven't been able to stop thinking about it.  Phil (Benedict Cumberbatch) and George (Jesse Plemons) Burbank are wealthy Montana cattle ranchers in 1925.  Phil is rude and uncouth and constantly berates the quiet and gentle George.  During a cattle drive, the brothers, along with the ranch hands working for them, stop at a restaurant in the nearest town owned by a widow named Rose Gordon (Kirsten Dunst).  She is reduced to tears when Phil cruelly mocks her effeminate son Peter (Kodi Smit-McPhee) so George stays behind to apologize to her.  They soon become close and eventually marry.  George sends Peter to college to study medicine and Rose comes to live at the ranch, much to the displeasure of Phil who believes her to be a gold-digger.  He makes Rose's life unbearable and she begins drinking behind George's back in order to cope.  When Peter arrives to spend the summer at the ranch, Phil takes every opportunity to intimidate him and he encourages the ranch hands to call out homophobic slurs whenever he is around.  Phil, remembering his close relationship with his mentor Bronco Henry, suddenly takes an interest in Peter, much to the dismay of Rose, teaching him to ride a horse and making him a lasso from rawhide.  This relationship is incredibly menacing because Phil's intentions are unclear and I watched the scenes between them with a sense of dread waiting for something tragic to happen.  I thought I knew where it was going and I have to admit that my mind sometimes wandered during scenes which, on the surface, didn't seem important.  However, even the most mundane actions are fraught with tension and attention must be paid to fully appreciate the resolution.  Cumberbatch is absolutely brilliant in a role that seems like a huge departure for him.  He is unnerving yet captivating as someone who feels compelled to assert his masculinity at all times.  Dunst also gives one of the best performances of her career as a woman who unknowingly challenges the status quo at the ranch.  I was particularly struck by a scene where Rose withers under the pressure of having to play the piano for guests at a dinner party.  There is almost no dialogue but her despair is palpable.  The cinematography is beautiful and the score by Jonny Greenwood serves to emphasize the atmosphere of foreboding.  This is the kind of thought-provoking movie I love but it might not appeal to everyone.