Tuesday, September 28, 2021

The Scarlet Pimpernel at CPT

I really love the musical The Scarlet Pimpernel because the story is so thrilling (I read the novel by Baroness Orczy at least 812 times when I was a teenager) and the music is incredibly powerful (I have the Original Broadway Cast recording and I listen to it often).  I always try to see it whenever it is playing (I have seen three different productions at HCT) so, as you can imagine, I have been anticipating CPT's version since they announced the 2021 season! I was able to see it last night and I had so much fun. Percy Blakeney (Ben Lowell) disguises himself as the Scarlet Pimpernel and recruits a band of followers (Benjamin Christian Plowman, Thad Weiland, Jared Daley, Ryan Zaugg, John Kenning, and Regan Whimpey) in order to save the people of Paris from Chauvelin (Jacob Omer) and his guillotine during the French Revolution. He keeps his identity a secret from his wife Marguerite St. Just (Anya Young Wilson), a Parisian actress, because he believes that she is helping Chauvelin, her former lover. He is also keeping his identity a secret from the Prince of Wales (Chris Kennedy) by pretending to be a foppish nincompoop. However, he must make his most daring rescue when Marguerite and her brother Armand (Derek Marsden) are arrested. Lowell and Wilson are outstanding as Percy and Marguerite, especially in the songs "You Are My Home" and "When I Look At You" which they sing together. Lowell is very powerful in "Into The Fire," absolutely hilarious in "The Creation of Man," and incredibly moving in "She Was There." I loved all of his interactions with Chauvelin, particularly when he mispronounces his name. Wilson is quite affecting in "I'll Forget You." Omer has an beautiful voice in the songs "Falcon In The Dive" and "Where's The Girl" but his acting is strangely without a lot of affect. I feel like he should be a bit more menacing in his interactions with Marguerite and more exasperated with Percy. I really enjoyed the choreography, especially the intricate "Ouilles Gavotte" where Marguerite questions the men to find out the identity of the Scarlet Pimpernel at the ball and "The Duel" where both Percy and Marguerite engage in a sword fight with Chauvelin. The sets are very elaborate and I really liked the prison and guillotine, Percy's study, the ship used by the Pimpernel and his League to get to Paris, and the rose garden.  The moving of the various set pieces on and off the stage is a complicated process and, at times, it pulls focus from the action still happening on stage but it is very quick. Finally, the costumes are a definite highlight. I loved all of the embroidery on the fabric used for the women's costumes but, unusually, my favorites were those worn by the men.  The Pimpernel and his League take "frou frou" to a whole new level in "The Creation of Man." I am always so impressed by the quality of the productions at CenterPoint and this one is outstanding. I highly recommend it (go here for tickets).

Note: CPT recently announced their 2022 season which includes The Play That Goes Wrong, Cinderella, Big Fish, Bright Star, TBA, and Elf the Musical. I am looking forward to all of them and I've already renewed my subscription!

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