Hans Christian Andersen in New York at HCT

Last night I went to the world premiere of the musical Hans Christian Andersen in New York at Hale Theatre. It is a reimagining of the 1952 movie musical Hans Christian Andersen and includes all of the songs by Frank Loesser but features a more contemporary story about the famous Danish storyteller's fictional ancestor who lives in New York City in 1962. Hans Christian Andersen (Alex King), a former dancer on Broadway, has inherited the lease of a bookstore from his aunt but she was behind on the payments so he faces eviction.  He lets his best friend Bunny Bailey (Erin Royall Carlson) use the back of the store as a dance studio where she teaches her young students, including Tiffany (Lucy White), Rosalie (Elsa Parry), Carol (Hailey Burnham), Ashley (Libby Despain), and Darlene (Sophia Quinn), to make some extra money.  She suggests putting on a show with her students to save the bookstore and, while he is initially against the idea, his great uncle Hans (Mark Pulham) appears periodically to encourage him.  Add Bobbie Tone (Selena Quayle Proctor), a Broadway friend roped into the job of director and choreographer, a possible romance with Nancy Offenbach (Amy Shreeve Keeler), the mother of two children, Natalie and Ian (Olivia Dietlein and Mason Burnham, respectively), who try out for the show, and Harry Porter (Ben Henersen), a bumbling but helpful community theatre actor from Omaha who offers to play Santa Claus, and merriment ensues!  This has the thinnest of plots (most of the scenes exist to set up the songs rather than tell a story) and it is not very compelling but, having said that, all of the musical numbers are fantastic!  I especially enjoyed "I Hear Music," "Hoop-Dee-Doo," "Thumbelina," "Tallahassee," and "The King's New Clothes" because they feature really fun choreography with the children who are unbelievably talented and charismatic! Unfortunately, I didn’t care for King in the title role because every movement, gesture, and facial expression is very mechanical so I didn't really buy his performance. The rest of the cast is fine but I loved Proctor's turn as an over-the-top diva, particularly when she instructs the girls on how to bow, and Mason Burnham steals the show every time he is on stage (he received the loudest applause and cheers during the bows).  There is an amazing live band, composed of Derek Crane, Reed Le Cheminant, Craig Moore, Alex Marshall, Eric Noyes, Emily Maddison, and Cris Stiles, and they sit in the windows of the buildings that surround the NYC set.  Speaking of which, it is pretty spectacular with a two-storey bookstore on one side of the turntable and a dance studio on the other.  The Christmas decorations at the store and the backdrops used for the show are a lot of fun and so are the 1960s era costumes. This show is a throw-back to the golden age of musicals and the big song and dance numbers are sure to put a smile on your face. It runs on the Sorenson Legacy Jewel Box Stage through July 15 (go here for tickets).

Note:  Don't miss the delightful production of Hello, Dolly! now playing on the Young Living Centre Stage through June 10 (go here for tickets).

BlackBerry

I was really excited to see the movie BlackBerry because I had one of the earliest models back in the day and I thought it was the coolest thing ever (before I bought an iPhone).  I saw it with my nephew at the Broadway last night and we both enjoyed it.  Mike Lazaridis (Jay Baruchel) is a socially awkward tech genius who, along with his best friend Doug Fregin (Matt Johnson) and the nerdy employees of his company Research in Motion, has an idea for a revolutionary device that acts as both a phone and a computer.  However, he lacks the skills and connections to successfully market his invention so, against Doug's advice, he joins forces with an aggressive and unscrupulous businessman named Jim Balsillie (Glenn Howerton).  Mike's creativity and Jim's ruthlessness turn Research in Motion into a billion-dollar company but compromise and corruption eventually bring about its downfall.  This is a fascinating character study that is almost Shakespearean because both Mike and Jim foreshadow their fatal flaws of ambition and greed early on which lead to devastating, but entertaining, results.  I enjoyed the structure of the narrative because it follows the rise and fall of the company without much in between and there are clever scenes at the end that mirror earlier ones.  I found it to be both riveting and funny (although I am Canadian and I noticed that there were many times when I was the only one laughing at specific references, especially a scene where Jim is watching Hockey Night in Canada with Don Cherry).  I also liked the hand-held camera work because the documentary style is very effective at depicting a behind-the-scenes corporate environment.  Finally, Baruchel gives one of his best performances but Howerton is completely unhinged (in the best possible way).  I liked this even more than I was expecting to (my nephew ranks it as one his favorites this year) and I highly recommend it.

The Last Word

My May Book of the Month selection was The Last Word by Taylor Adams (the other options were The Collected Regrets of Clover by Mikki Brammer, Yours Truly by Abby Jimenez, Did You Hear About Kitty Karr? by Crystal Smith Paul, The Half Moon by Mary Beth Keane, and Paper Names by Susie Luo). I, once again, defaulted to the thriller and I am glad that I did because this is a good one! After suffering a personal tragedy, Emma Carpenter takes a job house-sitting on an isolated island along the Washington coast. Her only human contact is Deek, an old and enigmatic neighbor with whom she plays word games from afar using a whiteboard and a telescope. She spends most of her time reading and, after finishing a poorly written horror novel by H.G. Kane, she decides to leave a one star review. She is disconcerted when the author responds to her online with a threatening message but that soon turns to fear when disturbing incidents begin happening. Emma eventually discovers that all of Kane's novels involve stalking and murder from the POV of the murderer and she suspects that they are based on true events. Is Kane stalking her and will she be the subject of his next book? The narrative alternates between Emma's POV as she plays a cat-and-mouse game with an intruder who seems to have the upper hand and the manuscript of a novel describing the events as they happen and this device is incredibly effective at creating suspense because you are never entirely sure who is writing this manuscript! Speaking of which, there are so many twists and turns and, even though I thought I had a big one figured out early on, this definitely kept me guessing until the last page. Adams uses the isolated cabin trope very well with an atmosphere of unease and foreboding and there were multiple times when I was genuinely scared because the tension is unrelenting. I really enjoyed Emma as a character because she is sympathetic with a lot of unresolved grief and trauma, which is revealed little by little, but she is also very strong and clever with an arc that feels earned. This is an action-packed thriller but I also liked the thought-provoking commentary about art vs. criticism, especially with the anonymity of the internet. I honestly couldn't put this down (I read it in one day) and I highly recommend it!

Note:  This features a dog in peril and that could be triggering for some people.

Timpanogos Community Theater's The Sound of Music

Today is the first anniversary of my Mom's passing so my sisters and I decided to see a production of The Sound of Music with Timpanogos Community Theater last night. She suffered from dementia and during the last year of her life she loved the movie (she watched it every day and sometimes even watched it twice) so we thought it would be a great way to remember her. It was a bit emotional for me (I cried a few times just like I did when Marilyn and I saw a production at the Utah Shakespeare Festival last summer) but it was also so much fun to see it with both of my sisters because we would exchange knowing glances during particular scenes that my Mom loved. The production is delightful and we were really impressed with it! When a prospective nun named Maria (Maren Miller) is sent to be the governess to the seven children of Captain von Trapp (Nathaniel Brown), she brings music back to their household. Miller has a really beautiful voice and her version of "The Sound of Music" is incredibly stirring. I also really enjoyed her interactions with the von Trapp children, Liesl (Amalie Strongin), Friedrich (Benjamin Kland), Louisa (Summer Mitchell), Kurt (Lincoln Harper), Brigitta (Madison Hirschi), Marta (Chloe Hirschi), and Gretl (Story Harper), in "Do-Re-Mi" and "The Lonely Goatherd." I usually enjoy watching the young actress playing Gretl but in this production Lincoln Harper steals the show as Kurt! His facial expressions are hilarious! Strongin not only has a beautiful voice but she is also a great dancer and "Sixteen Going on Seventeen" with Trystyn Roberts as Rolf is a lot of fun. I especially liked the choreography in this number because Rolf tries to teach Liesl how to dance but she ends up doing her own steps. Other standouts in the cast are Charity Johansen as the Mother Abbess, because her rendition of "Climb Ev'ry Mountain" just about blows the roof off of the theater, and Trevor Williams as Max Dettweiler, because his delivery is very flamboyant. There are some interesting variations in the staging of several numbers, including portraying the funeral of Captain von Trapp's first wife during "Preludium," having the Captain and the children upstage during "Maria" and "Climb Ev'ry Mountain" in order to foreshadow Maria's future, and having soldiers wearing Nazi armbands walking through the audience during "Edelweiss," but they are incredibly powerful. The sets are very elaborate for a community theatre production and I especially liked the arches in the Nonnberg Abbey set and the large staircase in the von Trapp Villa set. The costumes are what you would expect from this show but I did like the play clothes made out of Maria's drapes and I loved her wedding dress. My Mom would have loved this show! Tonight is the final performance but it is well worth seeking out (go here).

Note:  It is always disconcerting for me to see the stage version because it differs significantly from the movie (which I am very familiar with).

Guardians of the Galaxy Vol. 3

I have been looking forward to Guardians of the Galaxy Vol. 3 for what seems like forever so I was really excited to see it last night at a Thursday preview in a packed theater.  It is a thrilling and emotional send-off for our team of misfits and I loved it!  The Guardians have established their HQ on Knowhere but Peter Quill (Chris Pratt) is still mourning the loss of Gamora (Zoe Saldana).  They are soon attacked by Adam Warlock (Will Poulter), a being created by Ayesha (Elizabeth Debicki) the High Priestess of the Sovereign, who tries to capture Rocket (voiced by Bradley Cooper) to bring him to the High Evolutionary (Chukwudi Iwuji).  Rocket is seriously injured in the ensuing fight but the Guardians are not able to revive him for reasons.  They eventually learn that Theel (Nico Santos), one of the High Evolutionary's scientists, holds the key to healing Rocket so Quill, Nebula (Karen Gillan), Drax (Dave Bautista), Mantis (Pom Klementieff), and Groot (voiced by Vin Diesel) set off to find him.  Unbeknownst to Quill, Nebula recruits a variant of Gamora, who is now working as a Ravager, to help them (the interactions between a broken-hearted Quill and this version of Gamora provides much comic relief).  It takes all of the Guardians, and their individual strengths, working together to confront the High Evolutionary.  All of the Guardians have very compelling character arcs, which are continued from the first two movies in the trilogy, but Rocket's is particularly affecting and I cried multiple times (there are several scenes that might be very difficult for people who are triggered by animal cruelty to watch).  I loved the dynamic between the characters, especially a running gag between Kraglin (Sean Gunn) and Cosmo (Maria Bakalova) and the bickering between Mantis and Drax, and I found the resolutions between them to be very poignant and satisfying.  The visual effects are incredible (much better than some recent entries in the MCU, in my opinion) and, as always, the needle drops are fantastic.  My favorites are an acoustic version of "Creep" by Radiohead, "We Care a Lot" by Faith No More (this got my toes tapping), and "No Sleep Till Brooklyn" by The Beastie Boys.  This is everything that I wanted and more from the conclusion to my favorite trilogy in the MCU and I am sure that fans are going to love it!  I can't wait to see it again!

Note:  There is a mid-credits scene and a post-credits scene that might set up a possible future for some of the characters.