The Treasure of the Sierra Madre

Yesterday I had the opportunity to see The Treasure of the Sierra Madre for the first time on the big screen in honor of its 70th Anniversary.  I love being able to see these classic movies as they were meant to be seen and this one about greed and betrayal is spectacular.  Frank Dobbs (Humphrey Bogart) and Bob Curtain (Tim Holt) are down and out in Tampico, Mexico in the 1920s when they meet an old prospector (Walter Huston) full of wild stories about the fortune to be made in the mountains.  Dobbs and Curtain decide to put in with him and they endure many hardships before finding the mother lode.  Even after acquiring enough gold for all three of them to live comfortably for the rest of their lives they still want more and soon begin to distrust each other.  When a stranger happens upon their mine they contemplate killing him to avoid taking him on as a partner.  After fighting off a group of bandits they decide to close down the mine but Dobbs turns against them in one of the most ironic endings I've ever seen.  This movie does move at a very slow pace but the point is not really the adventure but what the adventure does to the men and this theme is very compelling.  Bogart gives an incredible performance as a man slowly driven mad by his own greed and I also really enjoyed Huston as the grizzled old prospector, especially when he does his famous jig when they discover gold.  This movie also includes one of the most famous lines when a bandit says, "We don't need no badges.  I don't have to show you any stinking badges."  My Dad quotes this line to me all of the time but I never knew what it meant.  Now I do!  This is a fantastic movie and I recommend seeing it on the big screen.  You have another opportunity on Jan. 17 (go here for tickets).

Call Me By Your Name

Several of my friends saw Call Me By Your Name at Sundance last year and were blown away by it so I have been eagerly anticipating its wide release for what seems like such a long time!  I finally got to see it last night because Salt Lake Film Society brought it to SLC a week earlier than planned.  This film left me an emotional mess and I'm pretty sure that I will be seeing it several more times.  Elio Perlman (Timothee Chalamet) is spending the summer in Northern Italy with his family when Oliver (Armie Hammer), a doctoral student, comes to stay to assist his father (Michael Stuhlbarg), who is a professor of archaeology.  Elio has an instant attraction to Oliver and awkwardly tries to gauge his feelings, even beginning a relationship with a local girl (Esther Garrel) to make him jealous.  The scenes between Elio and Oliver are long and drawn out but they are fraught with so much tension (Chalamet and Hammer have unbelievable chemistry) until they finally begin a physical relationship.  Eventually, Oliver must go home which leaves Elio brokenhearted but, in what is arguably the best scene in the film, his father tells him that it is better to feel sad than to feel nothing at all and that he should be grateful to have had such a special relationship because they are rare.  In my opinion this is one of the best coming of age films about first love ever made and, if you have ever loved someone that you can't be with, you definitely need to see it.  I started crying when Elio says goodbye to Oliver at the train station and I was a complete mess by the end credits. Timothee Chalamet is absolutely brilliant in this role and, as much as Gary Oldman impressed me as Winston Churchill in Darkest Hour, I think Chalamet is deserving of the Oscar for the final shot alone.  His quiet restraint as he cries after hearing some devastating news simply shattered me.  The cinematography is beautiful, almost making the lush countryside a character itself, and, while I loved the songs by Sufjan Stevens which are so evocative, the use of "Love My Way" by The Psychedelic Furs pretty much did me in (it is a favorite from my youth and many memories came rushing back to me of high school).  It is an amazing film and I highly recommend it!

Note:  If I had seen this before the end of the year, my Top Ten list would be different.  This film is definitely up there with A Ghost Story and Personal Shopper.

Fischer Conducts Rachmaninoff & Stravinsky

Most Friday nights you can find me at Abravanel Hall attending a Utah Symphony concert.  I go so often that the ushers recognize me and one even called me by name last night!  She explained to the couple ahead of me in line, in minute detail, where they were sitting but when I presented my ticket she greeted me like a long lost friend and said that I certainly didn't need any help finding my seat!  It made me laugh!  How could I miss a concert featuring Rachmaninoff?  This is the third concert this season to feature one of my very favorite composers and I couldn't be happier.  Last night's concert began with Funeral Song by Stravinsky.  Thierry Fischer addressed the audience for the second week in a row (I find him to be utterly charming) to tell us that this is the first time that the orchestra has ever played this piece in Abravanel Hall.  Stravinsky wrote it in honor of Rimsky-Korsakov and I loved it because it was very somber and atmospheric.  Next came Rachmaninoff's Piano Concerto No. 1. Squeal!  I love this piece so much because it is so dramatic and emotional.  The orchestra was joined by Stephen Hough on piano and he was absolutely brilliant!  I loved watching his fingers fly across the keyboard!  After the intermission the orchestra played The Firebird by Stravinsky.  This was commissioned by Serge Diaghilev for the Ballet Russes and tells the story of how Prince Ivan spares the life of the Firebird and, in gratitude, it returns when summoned by Ivan to defeat the evil Koschei the Immortal.  There were supertitles projected on the screen to tell the story but I could understand what was happening just by listening to the music because it evoked so many images, especially during the "Infernal Dance."  I really liked the themes played by the flute (to me the flute represented the Firebird), the use of three harps to create a magical world, and a trumpet fanfare performed from the balcony.  Once again, it was a wonderful concert and I definitely recommend getting a ticket to tonight's performance (go here for tickets).

Something Rotten at the Eccles

My first theatre performance of 2018 was the Broadway touring company production of Something Rotten at the Eccles Theater.  I absolutely loved it!  I didn't know much about this show so when I got to the theater last night I started to read the program and discovered that Adam Pascal plays one of the lead roles!  Squeal!  He originated the roles of Roger in Rent and Radames in Aida on Broadway and I listen to the original recordings of those shows all of the time because I love Pascal's rock and roll tenor voice.  To say that I was excited to see him would be an understatement.  In fact, I haven't been this starstruck at a theatre performance since I saw Lin Manuel Miranda!  I may or may not have screamed like a thirteen year old girl when he first appeared on stage (for about ten seconds).  Adam Pascal aside, the show is hilarious!  It is a fantastic spoof of Shakespearean plays and Broadway musicals (over 60 different musicals are referenced).  Nick and Nigel Bottom (Rob McClure and Josh Grisetti, respectively) are playwrights who are tired of being outshined by William Shakespeare (Pascal).  Nick wants to do something new so he contacts Nostradamus (Blake Hammond) to see what will be popular in the future.  Nostradamus suggests writing a play with singing and dancing in one of my favorite numbers from the show, "A Musical."  Things go slightly awry when Nick asks Nostradamus to look into the future to see what Shakespeare's most popular play will be and, instead of Hamlet, Nostradamus sees omelette.  Nick tries to produce Omelette The Musical while Shakespeare tries to steal his own play back.  I loved all of the references to Hamlet (my seniors just finished reading it), especially the song "To Thine Own Self."  I think I may need to download the soundtrack and play it to my students!  I also really loved all of the references to Broadway musicals.  As an English teacher who is also a theatre junkie, this show was practically written for me!  Adam Pascal did not disappoint and his voice was perfect for the songs "Will Power" and "Hard to be the Bard" because Shakespeare is portrayed as the biggest rock star of the Renaissance.  I had so much fun watching this incredibly entertaining show and I highly recommend it!  Something Rotten runs through January 14 at the Eccles Theater (tickets may be purchased here).

The Room

After watching The Disaster Artist a few weeks ago, The Room became a must see!  Luckily I had the opportunity to see Tommy Wiseau's epic masterpiece on the big screen last night.  This movie is an absolute riot and I saw it with a loud and rowdy crowd which made watching it so much fun!  The story is essentially a love triangle between Johnny (Wiseau), his best friend Mark (Greg Sestero), and his fiancee Lisa (Juliette Danielle) with a revolving door of characters who live in their same building.  The  plot is meandering, the dialogue is completely over the top (it was supposedly inspired by Rebel Without a Cause and the plays of Tennessee Williams), and the acting is stilted and tone deaf.  There are innumerable scenes of characters having awkward sex with strange moaning sounds and there are wide shots of San Francisco with melodramatic music in between every scene.  The lines "I don't want to talk about it" and "Don't worry about it" are repeated endlessly and the audience in my screening began yelling them out with the actors!  In fact, the audience laughed uproariously at just about everything that happened and applauded when Johnny spoke the immortal line, "You're tearing me apart, Lisa!"   I don't know when I have had more fun watching a movie so, in a strange way, Tommy Wiseau really did create something epic.  I can honestly say that it is the best bad movie I have ever seen and I recommend it highly (for laughs).

I, Tonya

My first movie of 2018 was I, Tonya and, boy, did I pick a good one to start the year!  It is a dark comedy about the real life Olympic figure skater who rose to notoriety through the actions of the idiots surrounding her.  The narrative is told though present day interviews of Tonya Harding (Margot Robbie), her ex-husband Jeff Gillooly (Sebastian Stan), and her estranged mother LaVona (a brilliant Allison Janney) interspersed with flashbacks to events in Tonya's life, including the "incident."  The fact that all three of them are unreliable narrators makes this one wild ride and I loved it when the characters broke the fourth wall to make snarky comments to the audience about the goings-on.  This movie is very funny and over the top but I also found Harding to be an incredibly sympathetic character (which, remembering this incident vividly, I was not expecting).  Tonya went from one horribly abusive relationship with her mother to another one with her husband.  She was an incredibly gifted skater but, because she couldn't afford to maintain the image the U.S. Figure Skating Association wanted to project (she sewed her own costumes), she was often judged unfairly.  Her environment was so unstable that it really is a wonder that she was able to rise above it all to compete at the highest levels of her sport.  I was really struck by the scene of a young Tonya begging her father to take her with him when he leaves her mother and the scene where Tonya begs the judge to let her do jail time rather than ban her from competitive skating for life is very poignant.  However, the scene that resonated with me the most was just before her long program at the Lillehammer Olympics when the lace on her skate breaks and she is forced to begin or be disqualified.  Her panic and despair was difficult for me to watch because I remember thinking that she was such a prima donna when I watched this event live.  It is so easy to judge someone without knowing all of the circumstances.  Robbie gives an amazing performance (she even learned how to skate!) but Janney bats it out of the park by giving a monstrous character just a bit of humanity (the scene where she watches Tonya skate at the U.S. Championships on TV is brilliant).  I highly recommend this movie!

The Disaster Artist

There are good movies and bad movies and then there are movies that are so bad they become good and gain a cult following.  For me that movie is Flash Gordon but for many people it is The Room, which still has midnight screenings around the country and audience participation that rivals The Rocky Horror Picture Show.  On New Year's Eve I saw The Disaster Artist which is about the making of The Room and it is absolutely hilarious.  Not only is it an homage to the relentless pursuit of your dream against all odds and despite what everyone tells you, but it is also an affecting story of a friendship.  Greg Sestero (Dave Franco) meets Tommy Wiseau (James Franco) in an acting class and they soon become friends after bonding over the movie Rebel Without a Cause.  Tommy is eccentric (to say the least) and of an indeterminate age with mysterious origins (he says he is from Louisiana) and a seemingly limitless source of income but he somehow convinces Greg to move to Los Angeles to pursue their dreams of acting.  After much rejection Tommy decides to make is own movie as a vehicle for Greg.   He writes the script, buys his own equipment rather than renting it, hires a production team, auditions actors, and begins filming in some highly amusing scenes.  The shoot is fraught with difficulties, not the least of which is Tommy's inability to remember his lines (which he wrote), but somehow the movie is completed and given a premiere (paid for by Tommy).  The two friends are estranged at this point but Greg comes to the premiere.  When the movie isn't received as Tommy intended, there is a touching moment when Greg tells him that not many people get to live out a dream and to be proud of what he has created.  I laughed and laughed at this movie (as did everyone in my packed screening) but I also really enjoyed the message of pursuing your dreams.  I loved Josh Hutcherson and Zac Efron as characters in The Room and Seth Rogen (hit or miss with me) as the exasperated script supervisor but James Franco does a brilliant job portraying such a bizarre character without turning him into a caricature.  It was a lot of fun to see side by side shots of scenes from The Room with the same scenes filmed for this movie during the credits.  Last New Year's Eve I saw the film Fences and I can definitely say that seeing The Disaster Artist was an infinitely more enjoyable experience!  I highly recommend it!

Note:  I haven't seen The Room but now that I've seen The Disaster Artist, I really want to.  Fathom Events is sponsoring a special screening tomorrow (go here for info) and I can't wait!

Molly's Game

The next film on my winter break movie list was Molly's Game, which tells the true story of the rise and fall of Molly Bloom (Jessica Chastain).  Most of my friends really liked this movie (and it's getting quite a bit of Oscar buzz) but, to be honest, I wasn't very keen on it.  After a devastating accident ends her amateur skiing career, Molly is at loose ends and decides to move to Los Angeles where she becomes the personal assistant of a wannabe Hollywood player.  Among her other duties, she is tasked with setting up and running his weekly poker game with a well-known actor and other notables who tip her extravagantly.  She decides to learn everything there is to know about poker and, when her boss treats her unfairly, she woos the actor (reportedly based on Tobey Maguire) to a game that she runs.  She makes a fortune until a few incidents lose her the game.  She decides to take what she has learned and start a new game in New York which eventually includes members from the Russian mob.  Her involvement with mob leads to an arrest by the FBI so she hires Charlie Jaffey (Idris Elba) to represent her.  He becomes exasperated with her because she won't disclose information about the participants in order to clear herself.  This film reminded me a lot of The Big Short because there are some amusing montages and onscreen descriptions of poker but, for me, the stakes (pun intended) weren't high enough to make the story as compelling.  Jessica Chastain is receiving a lot of attention for this role but I found her performance (and endless voice-over narration) to be very monotone and devoid of emotion as she spits out the words as fast as she can (a criticism I also have with Jesse Eisenberg's performance in The Social Network).   I also have a problem with Sorkin's ultimate portrayal of Molly as a victim of the men in her life.  After the first two acts show Molly as an intelligent and resourceful entrepreneur, there is a scene with her estranged father (Kevin Costner) near the end of the film where he tells her that all of her behavior has been a reaction to him.  Ugh!  This scene invalidates the theme of the entire movie!  I didn't really like Molly's Game but I suspect that many people will.

Pitch Perfect 3

I loved Pitch Perfect and I liked Pitch Perfect 2.  I had so much fun watching both of them with my niece so I decided we should finish the trilogy together and see Pitch Perfect 3 despite the fact that the trailer looked terrible and the reviews were abysmal.  I love hanging out with my niece so it wasn't a wasted afternoon but, you guys, this movie is aca-awful!  The former Barden Bellas have not adjusted well to life in the real world and want another chance to sing together.  They get an opportunity to perform as part of a USO tour of Europe with other bands (not a cappella groups, by the way) who are each competing to be the opening act for DJ Khaled (playing himself).   What will happen to the group when DJ Khaled only wants to sign Becca (Anna Kendrick) without the other girls?  Do we even care?  All of the other girls (except for Fat Amy - more on her later) have been relegated to cameo roles so it hardly matters how they feel about this. Everything that was fun about the first movie feels so contrived in this one.  We have the inevitable riff-off with the other bands on tour, we have a few love interests (a soldier assigned to protect the girls played by Matt Lanter and DJ Khaled's producer played by Guy Burnet) which seem to go nowhere, and we even have John (John Michael Higgins) and Gail (Elizabeth Banks) following them around making a documentary about the Bellas.  Add to this an inexplicable plot involving a reunion between Fat Amy (Rebel Wilson) and her absentee father (John Lithgow) who kidnaps the Bellas to gain control of her heretofore unknown million dollar trust fund.  Fat Amy becomes an action hero saving the girls from an exploding yacht.  No!  Just no!  Lithgow is absolutely horrible in this role and, as far as I am concerned, Australia should lodge a formal complaint over his accent.  DJ Khaled isn't much better.  In fact, at one point Tashena leaned over and said, "You can tell he isn't an actor!"  All of this might be forgivable if the songs are fun but most of them use instruments which kind of defeats the whole point of the movie.  Ugh!  You know the movie is bad when your niece tells you that she had fun any way!  Give this a miss!

Hilary Hahn plays Dvorak's Violin Concerto

Now that the holidays are over (I will resume my winter break movie commentaries tomorrow) I went back to my usual Friday night ritual!  I found myself at Abravanel Hall for a thrilling Utah Symphony concert featuring the music of Haydn and Dvorak.  Despite what it said in the program, the orchestra began with the exciting and energetic Slavonic Dance No. 8 with an equally energetic Thierry Fischer on the podium!  After this piece, Fischer addressed the audience telling us that a new year should be filled with contrasts and surprises and so the orchestra would alternate between the movements of Haydn's Symphony No. 8 and Dvorak's Slavonic Dances (six of them).  This made for a very lively evening as I eagerly anticipated what I would hear next because I kind of lost track of which was which and just enjoyed the music without overthinking it.  The two pieces worked surprisingly well together and I loved Fischer's enthusiasm!  My favorite was the second movement of the Haydn because it is romantic and contemplative with just a hint of melancholy and the orchestra played it with a lot of expression.  After the intermission the orchestra returned to play Dvorak's Violin Concerto with Hilary Hahn, a frequent guest of the Utah Symphony, as the soloist.  It is easy to see why Abravanel Hall was packed almost to capacity because Hahn is such a dynamic and brilliant performer.  I loved watching her fingers fly across her violin and I definitely enjoyed her performance.  So did the rest of the crowd who jumped to their feat in a thunderous ovation!  She was brought back to the stage numerous times and even favored us with a beautiful encore.  It was a spectacular evening and I recommend getting a ticket for tonight's performance of the same program (go here).

Note:  I almost always get a ticket to the first Utah Symphony concert of the year because it is usually so hard to go back to school after the holidays and I need something to look forward to in order to make it through!    However, I had a great week with my students so this concert was the cherry on top!

All the Money in the World

After watching Jumanji: Welcome to the Jungle with the kiddos I saw All the Money in the World later that evening.  This is another movie that pleasantly surprised me because, honestly, I didn't have a lot of interest in seeing it until the controversy with Kevin Spacey resulted in re-shoots with Christopher Plummer in the role Spacey was to have played.  This piqued my curiosity!  I would actually like to see the film with Spacey's interpretation of the role because I think Plummer is absolutely brilliant!  In fact, it is his performance, along with that of Michelle Williams, that elevates a pretty standard narrative about a kidnapping into a tense and compelling movie.  Based on true events, J. Paul Getty III (Charlie Plummer) is kidnapped from Rome in 1973 and the kidnappers demand $17 million in ransom.  His mother Gail (Williams) does not have the money (after eschewing a large divorce settlement in return for sole custody of her children) but his grandfather J. Paul Getty (Plummer) is the richest man in the world and that amount is basically pocket change.  Gail pleads with Getty to pay the ransom but he refuses, sending his henchman, former CIA agent Fletcher Chase (Mark Wahlberg), in to negotiate instead.  There are some interesting twists and turns along the way leading to a resolution that is a bit far-fetched but thrilling, nonetheless.  I loved the 1970s verisimilitude and all of the wide shots in opulent locations.  Michelle Williams is excellent and I especially enjoyed her transformation from a young woman awed by the Getty wealth into a mother who won't back down from a bully who is more powerful than she is.  Getty is an incredibly unsympathetic character and Plummer plays him with such menace.  There is a particular scene where Getty, after refusing to pay his grandson's ransom, spends twice that amount on a painting of a Madonna and child.  It is a chilling portrait of greed that gave me goosebumps.  I highly recommend this movie!

Jumanji: Welcome to the Jungle

Last Wednesday I took Sean and Tashena to see Jumanji: Welcome to the Jungle and, to be honest, it was a pleasant surprise because I really enjoyed it.  Spencer (Alex Wolff), a bit of a nerd, gets detention for writing a research paper for a football player known as "Fridge" (Ser'Darius Blain), who also gets detention, Bethany (Madison Iseman), the selfie queen, gets detention for using her phone during a quiz, and Martha (Morgan Turner), a shy bookworm, gets detention for refusing to participate in PE.  While serving detention, they find an old video game called Jumanji and decide to play.  Spencer chooses Dr. Smolder Bravestone (Dwayne Johnson), a daring archaeologist, as his avatar while "Fridge" chooses Franklin Finbar (Kevin Hart), a short zoologist, Bethany chooses Professor Sheldon "Shelly" Osborn (Jack Black), an overweight cartographer, and Martha chooses Ruby Roundhouse (Karen Gillan), a martial arts expert.  They are transported into the game and must return a precious stone stolen by Van Pelt (Bobby Cannavale), a big game hunter, to a giant statue of a jaguar.  It is an absolute hoot.  The action sequences are great but I found the story, which has a few twists, to be compelling.  What makes this movie so much fun is that the characters have the physical attributes of their avatars but they keep their own personalities.  This creates a lot of comedic moments, especially as the nerdy Sheldon adjusts to having muscles, the self-absorbed Bethany gets used to being a man (who has to pee), the jock Fridge realizes that he is intelligent, and Martha learns how to flirt (I laughed and laughed at that sequence).  Sean and Tashena loved it and laughed through the whole thing!  I laughed quite a bit, too, so this is a movie to take the kids to that you will also enjoy.  I highly recommend this for a really good time at the movies!

The Greatest Showman

I actually saw The Greatest Showman twice over winter break.  I took my Mom and my nephew (who absolutely loves Zendaya) the day after Christmas and then, because my Mom asked to see it again, I went with her and my sister Marilyn a few days later.  I love this movie so much and, apparently, so do a lot of people.  During the first screening, the theater was totally full (we had to sit on the first row) and after the second screening, at 10:00 am mind you, the entire theater applauded at the end!  It is a big movie musical with actors who can actually sing and dance!  It tells a romanticized version of how P.T. Barnum (Hugh Jackman) came to create the Greatest Show on Earth beginning with his impoverished childhood as the son of a tailor.  He meets Charity (Michelle Williams), the daughter of a wealthy client, and promises her he will give her the same life she gives up for him.  After losing his mundane job, he takes a gamble and recruits a group of misfits and unusual performers to create his circus.  After some financial success, he desires respectability and hires Philip Carlyle (Zac Efron), a playwright with a trust fund, to help with publicity.  Philip falls in love with a trapeze artist (Zendaya) to the chagrin of his wealthy parents.  Barnum eventually meets opera singer Jenny Lind (Rebecca Ferguson) and decides to promote her on tour which causes him to neglect both the circus and his family.  After losing everything, both Philip and Barnum must learn what is really important.  Many critics have complained that this movie sanitizes the truth about P.T. Barnum's reputed cruelty to his performers but that didn't really matter to me because I enjoy feel good stories where everyone breaks out into song.  The songs are fantastic and I especially love "A Million Dreams" and "Come Alive."  The choreography is spectacular, particularly the aerial sequence in "Rewrite the Stars."  Jackman, Efron, and Zendaya are well-known performers but I was quite impressed by Michelle Williams and I loved her song, "Tightrope."  As I mentioned, the message of this movie is so positive, especially about people who are different, and the number "This Is Me" by the bearded lady (Keala Settle) is an anthem for misfits everywhere!  I cannot recommend this movie enough!

Darkest Hour

Winter break is now over and I am back at school but, like last year, I happily spent much of it in a darkened theater.  In the next few weeks I will review all of the movies that I saw and I will start with Darkest Hour.  As Western Europe is collapsing under the onslaught of German tanks, the narrative begins with Winston Churchill's (Gary Oldman) appointment as Prime Minister of Great Britain and follows his first pivotal months in office as he faces opposition in his own party from politicians who want a negotiated peace with Germany and a King who does not support him culminating in the miraculous evacuation of Dunkirk.  I really liked the stirring speeches given to Parliament (the "We shall fight them on the beaches" speech is absolutely electrifying) and the public on the radio juxtaposed with moments of private doubt with his fiery wife Clementine (Kristin Scott Thomas) and his long-suffering secretary Elizabeth Layton (Lily James).  It is also interesting to get a behind-the-scenes glimpse of how the decisions that impacted the world were made in underground bunkers and I absolutely loved the scenes where Churchill talks to the ordinary citizens in the underground.  Even though this film involves a lot of back room discussions, it was surprisingly tense and my attention never wavered.  Oldman gives an absolutely brilliant performance in the title role which is worthy of all of the accolades he has won and will, undoubtedly, win.  Many might find the pace to be slow and it does require some intellectual engagement but I highly recommend this film to history aficionados everywhere.

Note:  I find it interesting that the evacuation of Dunkirk was the subject of three films this year (this as well as Dunkirk and Their Finest).