King Charles III at PTC

Imagine that Queen Elizabeth II has died and that, upon his ascension to the throne, King Charles III has plunged the monarchy into a constitutional crisis.  Imagine that William Shakespeare is still alive to write a modern tragedy about the current Royal Family.  Such is the premise of Mike Bartlett's play King Charles III, the current production at PTC.  I was able to see it last night and I think it is a brilliant examination of the role of monarchy in the modern world.  Charles (John Hutton) is a tragic figure, much like King Lear, who is out of touch and easily manipulated by the Prime Minister (Larry Bull) and the opposition leader (J. Todd Adams).  Believing that he should have more than just a ceremonial role in government, Charles refuses to sign the Privacy Act which eventually leads to his dissolution of Parliament.  Prince Harry (John Ford-Dunker), like Prince Hal, yearns for a different life other than the restrictive one as a royal and spends his time clubbing with inappropriate companions.  He is ultimately forced to choose duty over a girlfriend.  Catherine, Duchess of Cambridge (Samantha Eggers) is perhaps the most interesting character, as a sort of Lady Macbeth, who uses the crisis to further her ambition for Prince William (Grant Goodman).  She has a very powerful soliloquy where she bemoans her role as an ornament to the monarchy and vows to wield power when she wears the crown.  Another incredibly powerful scene is when William confronts Charles over his treatment of his mother, Diana (who makes an appearance as a ghost).  The staging is fantastic with a final scene that I still can't get out of my mind.  It is a riveting production and I highly recommend it!  King Charles III runs at PTC until April 8 and tickets may be purchased here.

Life

Last night I went to see the movie Alien Life.  Like the 1979 classic by Ridley Scott, this movie features six crew members who must battle an alien life form in a confined space as it hunts down and kills them one by one.  In the near future, the crew of the International Space Station, including Dr. David Jordan (Jake Gyllenhaal), CDC representative Miranda North (Rebecca Ferguson), engineer Rory Adams (Ryan Reynolds), pilot Sho Murakami (Hiroyuki Sanada), scientist Hugh Derry (Ariyon Bakare) and captain Ekaterina Golovkina (Olga Dihovichnaya), intercepts a probe from Mars and discovers a single cell organism which is proof of life on Mars.  Of course, the organism grows rapidly and turns malevolent and, in a breach of quarantine (never go in and rescue a crew member who is being attacked by an alien!), it gets loose in the space station and begins attacking crew members until there is one left to escape back to Earth.  Sound familiar?  This movie is unbelievably predictable and the only thing that kept me engaged was trying to determine the order in which the crew members would be killed (I was actually surprised by which crew member was killed first).  There is a bit of a twist at the end but I predicted it well before it was revealed.  The scenes with the alien are intense and incredibly graphic.  That is not necessarily a good thing because, if you are least bit squeamish, you may need to turn away.  I think zero-gravity is depicted very well and I like how the claustrophobia of the space station is emphasized.  The characters are pretty well developed, although I felt like Ryan Reynolds was playing an astronaut version of Wade Wilson (lots of swearing).  Overall, it is a pretty good sci-fi thriller but if you want a great one I would recommend watching Alien instead.

Note: I like to be genuinely scared rather than shocked.  Alien scared me while Life shocked me with the manner in which each crew member was killed.

An Evening of Bach

I spontaneously decided to get a ticket to last night's Utah Symphony concert featuring the works of Johann Sebastian Bach and I am so glad that I did because it was wonderful.  Guest conductor Richard Egarr was charm personified as he spoke to the audience about the various pieces.  He not only conducted the orchestra, but he also played the piano which was amazing and so much fun to watch.  The concert began with Suite No. 3 and the price of admission was entirely worth it for the second movement of this piece alone!  It was so beautiful and evocative and, as Egarr mentioned in his commentary, instantly recognizable to me.  I was completely undone by it!  I also really enjoyed the theme played by the trumpets in the third movement, which Egarr described as angelic rather than militaristic.  Next, the orchestra played Brandenburg Concerto No. 5 with Egarr on piano, Madeline Adkins on violin, and Mercedes Smith on flute.  All three of them were amazing, especially in the second movement where they were featured without the rest of the orchestra.  After the intermission, the orchestra played Concerto No. 1 and I really enjoyed the "pyrotechnics," as Egarr described it, on the piano.  Once again, I especially liked the second movement (what is it, structurally, that appeals to me about the second movement in most pieces?) because it was very moody and atmospheric.  The concert concluded with Suite No. 4 and this piece was so pleasant.  I kept picturing couples twirling on the dance floor in an opulent palace.  It was such a lovely evening and I highly recommend that you get a ticket (go here) to tonight's concert which will feature the same program.

The Sense of an Ending

Last summer I read the best-selling novel The Sense of an Ending by Julian Barnes and in my review I wrote that people would either love it or hate it.  I loved it and so I have been eagerly anticipating the film adaptation.  After seeing it last night, I have the same assessment of the film as I did of the novel.  It is definitely not for everyone but it is a poignant exploration of one man's life as he is forced to reexamine the past after receiving an unexpected letter.  Jim Broadbent is Tony Webster and Charlotte Rampling plays Veronica Ford, Tony's girlfriend at university.  Their story, as Tony remembers it, is told through a series of flashbacks, with Billy Howle and Freya Mavor playing the younger characters, as Tony recounts the story to his ex-wife (an amusing Harriet Walter).  Then their story, as it really happened, is revealed as Tony arranges a series of meetings with Veronica.  As he sheds his delusions about the kind of person he was and is, he begins to make amends with the people in his life, namely his ex-wife and pregnant daughter (Michelle Dockery).  I really enjoyed this character study because I think that we all view our pasts the way we need to in order to validate our opinions of ourselves.  Jim Broadbent is marvelous (I think that his portrayal of Tony is much more sympathetic than the character is written on the page) and Charlotte Rampling, once again, gives a haunting performance.  I highly recommend this film but, because the mystery unfolds very slowly, I recognize that many might find it to be tedious.

Note:  My favorite line in the film comes when the young Tony goes home with Veronica to meet her parents.  Her mother asks him what he hopes to do with an undergraduate degree in English literature.  I laughed out loud...

My Life as a Zucchini

My Life as a Zucchini is a French stop-motion animation movie about a boy, nicknamed Zucchini, who is sent to a foster home after his alcoholic mother dies where he learns the true meaning of friendship.  This movie was screened at Sundance this year and several of my friends recommended it to me so I saw it last night.  Even though I had an almost visceral reaction to this movie I loved it so much!  It just might be my favorite movie of the year so far!  The subject is one that is very close to my heart.  Both my niece and nephew are adopted and they were both in foster homes before they came to my family so many of the scenes depicted in this film brought tears to my eyes, especially when one of the children says that there is no one left to love them and when another child runs out to see if her mother has come back for her every time someone visits.  It was difficult for me to see children in such distressing situations but I admire the filmmakers for tackling these issues in a way that feels authentic.  They are all wise beyond their years and they have been exposed to things that no child should ever have to deal with but they are, nevertheless, still children so their explanations for things, such as sex, are hilarious.  Despite the grim subject, there is quite a bit of humor in this film.  I absolutely loved the children and I thought they were all fully realized characters with distinct personalities (something to be commended as the film has such a short run time).  I was particularly touched by Simon, who initially comes across as a bully but has a few vulnerable moments.  I really enjoyed the relationships between the children and the love story between Zucchini and Camille is very sweet.  Finally, I really loved the quirky look of all of the characters.  They have oversize heads with large expressive eyes and red noses as if they are all perpetually suffering from a cold and this makes them incredibly sympathetic, in my opinion.  I cannot recommend this film enough!

Note:  I saw it in French with English subtitles but there is a dubbed version, as well.