Hidden Figures

Last night my parents took me and my sister to see the movie Hidden Figures (we are reinstating movie night in the new year).  I suggested this particular movie because Octavia Spencer is getting a lot of Oscar buzz for her performance and, even though my parents weren't very enthusiastic, they ended up loving it as did I.  It is a feel-good movie that will have you cheering.  It tells the true story of Katherine Johnson (Teraji P. Henson),  Dorothy Vaughan (Spencer), and Mary Jackson (Janelle Monae), three brilliant African-American mathematicians working at NASA during the space race.  Johnson is asked to compute the trajectories for John Glenn's historic orbit around the earth and the crowd cheered out loud when Glenn (Glen Powell) rejects the numbers computed by the IBM and asks for the "girl" to check the figures before he will agree to the launch.  There is also an extremely powerful moment when the head of the Space Task Force (Kevin Costner) learns that Johnson has been walking to the colored bathroom, in another building quite a distance away, and then destroys the sign outside the colored bathroom declaring that everyone pees the same color at NASA.  Vaughan secretly learns how to program the new IBM (while the employees of IBM are unable to get it running) and eventually becomes the first African-American supervisor at NASA.  Another cheer-out-loud moment comes when Vaughan's supervisor (Kirsten Dunst) calls her Mrs. Vaughan rather than Dorothy.  Finally, Jackson is assigned to work with one of NASA's best engineers and, when he suggests that she become an engineer herself, she must fight to be allowed to attend an all-white school.  The crowd cheered again when she wins her court case.  All three women give very affecting performances (I actually had tears in my eyes several times) in an incredibly compelling story.  I loved it, my family loved it, and the audience, judging by the incredible applause at the end, loved it, too.  I highly recommend this inspiring movie!

Fences

On New Year's Eve I went to see Fences, an adaptation of August Wilson's Pulitzer Prize-winning play of the same name starring Denzel Washington and Viola Davis.  Troy Maxson (Washington) is a sanitation worker in 1950s Pittsburgh living with his wife Rose (Davis) and his son Cory (Jovan Adepo).  The fence he is perpetually building with his son becomes a metaphor for how trapped he feels and he lashes out against the people in his life.  Troy is a despicable character who does despicable things such as sabotaging his son's chance for a football scholarship because he is bitter about his own lost opportunity to play baseball, cheating on his wife and forcing her to take in his illegitimate daughter, and swindling his disabled brother (Mykelti Williamson) out of his war pension.  It was very difficult for me to watch Denzel Washington, an actor I have always liked and admired, play such an unsympathetic character but his performance is brilliant.  The same could be said of Viola Davis.  I had difficulty with her character, as well, because, although she confronts her husband about his behavior (in an incredibly powerful scene which, no doubt, secured her the Golden Globe), she becomes his apologist after his death.  In the end it is a movie about a flawed man who ultimately gets redemption for hurting the people in his life because he himself has been hurt.  I didn't like this resolution because, in my opinion, he doesn't deserve redemption.   Despite the lauded performances of Washington and Davis, it's not a movie I would recommend.

Hacksaw Ridge

Hacksaw Ridge is garnering a lot of attention for the outstanding performance of Andrew Garfield and Mel Gibson's direction so, of course, I wanted to see it.  This late in the run, it was only being screened at one theater late at night but it was definitely worth the effort.  It tells the extraordinary true story of Desmond Doss (Garfield), a Seventh-Day Adventist who feels compelled to enlist in World War II despite the fact that he refuses to kill or even handle a firearm.  He hopes that, as a conscientious objector, he will be allowed to be a medic.  However, during basic training, he is tormented by the men in his company and his commanding officers, Sergeant Howell (Vince Vaughn) and Captain Glover (Sam Worthington), try to have him discharged.  Later, his company is sent to the Pacific to relieve the decimated troops in the Battle of Okinawa.  When his company is forced to retreat, Doss goes back to rescue the wounded, ultimately saving 75 men, many of whom called him a coward.  There is also a secondary story involving Desmond's courtship of a nurse named Dorothy (Teresa Palmer) that is very sweet.  This movie is absolutely incredible and the battle scenes are intense and unrelenting (I've heard that veterans who have seen it describe it as very accurate).  Garfield is incredible and the scenes of him being bullied and beaten during basic training are quite affecting and his scenes with Dorothy are adorable.  I was also very impressed by Hugo Weaving's performance as Tom Doss, a man shattered by the events of the First World War who must watch both of his sons enlist in a new war.  This movie is difficult to watch (I liken it to Saving Private Ryan) but the story of one man's courage is definitely compelling and I highly recommend it.

Collateral Beauty

On Wednesday night during winter break, I went with my sister to see Collateral Beauty (why, yes, that was my third movie of the day!).  This movie has been much maligned by critics but both Marilyn and I enjoyed it.  Howard Inlet (Will Smith) is a New York ad executive who credits three abstractions for his success:  love, because everyone needs it; time, because everyone wants more of it; and death, because everyone fears it.  After the tragic death of his young daughter, he retreats from the world and begins writing letters to these abstractions.  His colleagues Whit Yardsham (Edward Norton), Claire Wilson (Kate Winslet), and Simon Scott (Michael Pena), worried that his behavior is costing them clients, hire three unemployed actors to personify these abstractions.  Aimee (Keira Knightley), Raffi (Jacob Latimore), and Brigitte (Helen Mirren) portray Love, Time, and Death, respectively, and not only bring peace to Howard, but help Whit, who is struggling with his relationship with his estranged daughter; Claire, who laments the fact that she has spent all of her time focused on her career rather than starting a family; and Simon, who is battling terminal cancer.  One of the reasons I loved Manchester by the Sea, which also deals with the loss of a child, is that the grief is not magically abated at the end of the movie for a happy ending as it is in Collateral Beauty.  However, while the final scenes are contrived, they are also quite affecting and they did bring tears to my eyes (Marilyn was a blubbering mess).  I really enjoyed all of the performances, especially Mirren who was incredibly funny.  I recommend that you see Collateral Beauty for a feel-good movie to lift your spirits (but see Manchester by the Sea for a gritty and honest portrayal of grief).

Tchaikovsky's Violin Concerto

I interrupt my regularly scheduled commentaries on the movies I saw over winter break to tell you about the wonderful concert I saw last night at Abravanel Hall (and suggest that you go here to get a ticket to tonight's performance of the same program).  The Utah Symphony began with Symphony No. 2 by Charles Ives.  Ives is a quintessentially American composer and, just like the European composers who referenced epic myths in their works, he used the folktales and melodies of New England with which his audiences would have been very familiar.  Modern-day audiences enjoy finding all of the references (I was only able to recognize "America the Beautiful").  I really enjoyed this piece, especially the second movement which featured a beautiful theme played by a solo cello.  After the intermission, the orchestra played Variations for Orchestra by Anton Webern.  I was unfamiliar with both this piece and this composer and, on the surface it seemed very discordant, but underneath it there was a sort of beauty in the chaos.   Then came the piece I had been looking forward to all week: Tchaikovsky's Violin Concerto.  I really love the Russian composers in general and Tchaikovsky in particular and this piece is brilliant.  I absolutely loved it, especially the second movement because it is so passionate and mournful with a lovely theme played by a solo clarinet.  Violinist Noah Bendix-Balgley performed it magnificently (there was thunderous applause after the first movement).  I find it ironic that the violinist for whom the piece was composed declared it "unplayable" because Bendix-Balgley made it look effortless.  He favored us with an encore by playing a piece by Bach which was lovely.  I thoroughly enjoyed myself last night, despite having a terrible cold.  Ugh!

Note:  My movie commentaries will resume tomorrow.  There are three more!