Sunday, December 17, 2023
A Kurt Bestor Christmas at the Eccles 2023
Fallen Leaves
Saturday, December 16, 2023
A Christmas Carol at HCT 2023
Last night I attended my fourth and final performance of A Christmas Carol this season at HCT. I have seen this production dozens of times (I always joke that I have seen it so many times I could probably stand in for any role if needed) but it is a sentimental favorite and it just wouldn't be Christmas without it. The portrayal of Ebenezer Scrooge's redemption after visits from the Ghosts of Christmas Past, Present, and Future in this show is so familiar to me by now but it is this familiarity that makes me love it so much! I eagerly anticipate all of my favorite scenes, especially when Marley's Ghost appears to Scrooge rattling his many chains, when the Ghost of Christmas Past appears to Scrooge from behind a scrim, when the guests dance during Mr. Fezziwig's party and Fred's party, when the Ghost of Christmas Future dramatically reveals Scrooge's name on the tombstone, when an ebullient Scrooge catches Bob Cratchit coming in late the day after Christmas, and when Tiny Tim exclaims, "God bless us, every one!" Many actors return year after year in the same roles (such as Stephen Kerr as Scrooge, Chase Peterson as Fred, Matt Kohler as Marley's Ghost, and Kaden Caldwell as young Ebenezer) and I look forward to seeing them again. However, this year there were a few new actors (at least new to me because the show is double cast) and I really enjoyed seeing them make these familiar roles their own with a new interpretation, particularly Anthony LeRoy Lovato as Bob Cratchit, and Koryn Sobel as Belle. Another element of this particular production that I especially love is the inclusion of Christmas carols in the narrative by an octet (Melinda DeBirk, Jennifer Riley, Keri Vance, April Kerr, Doug Wadley, Maxx Teuscher, Nathanael Abbott, and Alex DeBirk) and a violinist (Suzanne Chapman). My favorites are "Bring a Torch, Jeanette Isabella," "Silent Night" (the entire scene with the poor wife singing this song is incredibly affecting), "Wassail, Wassail," "What Child is This?," and "Sussex Carol." I also really love the sets (this production has the most elaborate sets of any I've seen) because the attention to detail with Scrooge's Counting House, Scrooge's Bed Chamber, Fezziwig's Factory, Bob Cratchit's House (two stories!), Fred's House (the giant Christmas tree!), the Rag and Bottle Shop, and the Graveyard is amazing! I loved it last night just as much as I did the first time I saw it and I'm sure it will always be one of my Christmas traditions. It runs on the Sorenson Legacy Jewell Box Stage through December 27 (go here for tickets) but act quickly because most shows are sold out (the best availability is for matinee performances).
Note: In light of the fact that I have now seen four different versions, some friends have asked me which was my favorite. I can honestly say that I liked all four of them for very different reasons. Parker Theatre's version is incredibly dramatic, Terrace Plaza Playhouse's version is fun and lighthearted, HCTO's version is the most authentic, and HCT's version is comforting and familiar.
Friday, December 15, 2023
No One Can Know
My December Book of the Month selection was No One Can Know by Kate Alice Marshall (the other options were A Winter in New York by Josie Silver, The Kingdom of Sweets by Erika Johansen, The Storm We Made by Vanessa Chan, and Tomb Sweeping by Alexandra Chang). I obviously love thrillers because my first selection for 2023 was What Lies in the Woods by this same author! Emma Palmer learns that she is pregnant on the same day that her husband reveals that he has lost his job. Since they are facing eviction from their apartment and other financial hardships she reluctantly agrees that they should move into her childhood home in the small town of Arden Hills, which she owns with her estranged sisters Juliette and Daphne, until they get back on their feet. However, this forces her to reveal something that she has kept secret from her husband: her parents were brutally murdered in this house fourteen years ago and she was the main suspect. Moving back after all of these years reignites interest in the still unsolved murders, especially for the vindictive police officers who worked the case, and this prompts Juliette and Daphne to return in order to ensure that Emma keeps the rest of their secrets about that night. We soon discover that her sisters have been keeping secrets of their own from her. The narrative alternates between the POVs of all three sisters, both in the past and the present, and it becomes incredibly suspenseful as it is revealed that each sister had both motive and opportunity to murder their parents. It is very fast-paced and there are so many twists and turns and bits of misdirection that it was hard for me to put it down. It definitely kept me guessing until the very last chapter! The characters are extremely well-developed and I especially enjoyed the psychological examination of how each of the sisters responded to the abuse inflicted on them by their parents in the past and how that informs their behavior in the present as well as their dysfunctional relationship with each other. I was particularly drawn to Emma's character arc because she is so complex (both incredibly sympathetic because of what she has been through but often unlikable because of how she responds to her situation). I really liked this and I highly recommend it to fans of psychological thrillers.
Note: I have decided not to renew my Book of the Month subscription next year. I spend way too much money on books and I am running out of room on my bookcases so I have made a goal to use the library more!