The Marvels

Last night I saw a Thursday preview of The Marvels and I was pleasantly surprised by how much I liked it!  Dar-Benn (Zawe Ashton), a Kree leader who is trying to restore her planet after it was damaged by Captain Marvel (Brie Larson) when she defeated the Supreme Intelligence, locates a Quantum Band and uses it to create a jump point in space.  Carol Danvers/ Captain Marvel and Monica Rambeau (Teyonah Parris) are enlisted by Nick Fury (Samuel L. Jackson) to investigate the jump point and their light-based powers become enmeshed with each other and with those of Kamala Khan/ Ms. Marvel (Iman Vellani) because she has the other Quantum Band.  This causes the three of them to switch places when they use their powers (and provides endless amusement and some great action set pieces).  Eventually they realize that Dar-Benn is creating jump points to plunder the atmosphere, water, and sunlight from planets that are significant to Danvers and the three of them must work together to stop her.  I have been vocal in my criticism of the MCU for becoming bloated with too many characters, stories, and timelines for the casual movie fan to keep up with but, honestly, as someone who has only seen WandaVision, I didn't find the story hard to follow (I thought Doctor Strange in the Multiverse of Madness was much more convoluted).  Obviously a familiarity with the TV shows (particularly Ms. Marvel) will provide a greater appreciation for the subtleties of each character but I found the quick recaps to be sufficient for my own understanding and enjoyment.  I really loved the deeper exploration of Danvers as a character, especially her relationship with Rambeau and her developing role as a mentor to Khan.  Larson, Parris, and Vellani have really fun chemistry in their scenes together and some of these scenes are absolutely bonkers (in the best possible way).  I laughed out loud so many times!  I think Dar-Benn is fine as the villain because her motivation is understandable (she reminded me of Killmonger in this respect) while Goose the Flerken and Prince Yan (Park Seo-joon) steal the show!  Finally, this movie has the second best use of a Beastie Boys song this year and the best use of a song from the musical Cats ever!  I had so much fun with this movie and definitely recommend it!

Note:  It goes without saying that you should stay for a mid-credits scene.  It's a good one!

Beethoven's Ninth

The program for last night's Utah Symphony concert was curated by guest conductor and creative partner David Robertson to portray all aspects of the human experience from the depths of despair to the pinnacle of joy and it was absolutely spectacular!  The evening began with a piece of sacred choral music called Christus factus est by Anton Bruckner which was performed by the Utah Symphony Chorus unaccompanied.  It was both sorrowful and powerful and featured atmospheric lighting which allowed Robertson to simply appear at the podium without an introduction.  Next, the orchestra and chorus were immediately joined by soloists Celena Shafer (a Utah favorite), Deborah Nansteel, Chad Shelton, and Zachary Nelson for a semi-staged version of Act III from the opera Wozzeck by Alban Berg.  The theme of this opera is the impending doom felt by Berg at the end of the Great War and this act tells the story of a poor and abused soldier named Wozzeck who is driven mad with jealousy over his wife Marie's infidelity with a drum major.  After Wozzeck kills Marie he becomes obsessed with the blood and, in an attempt to wash it away, he wades into a pond and drowns while his child is playing with neighbor children.  There are two crescendos played by the brass and percussion after Wozzeck kills Marie that are incredibly dramatic and convey the enormity of what he has done.  They gave me goosebumps!  After the intermission came what is widely regarded as the greatest symphony ever written!  The orchestra was once again joined by the chorus and the soloists for Symphony No. 9 by Ludwig van Beethoven and I was completely swept up by the emotion of this celebration of the universal brotherhood of man.  I was captivated by the very first hushed note which soon erupts to create a first movement that is incredibly stirring and dynamic.  The second movement is lively and exuberant and the third movement brought me to tears, as it always does, because it is so hauntingly beautiful.  All of this is merely the prelude to the incredible fourth movement featuring the chorus and soloists singing the lyrics from the poem Ode to Joy by Friedrich Schiller to the accompaniment of the instantly recognizable main theme played by the orchestra.  This performance was absolutely amazing and, even though it is over an hour in length, it felt like it went by in an instant.  I cannot recommend this concert enough and I suggest you get a ticket to tonight's performance (go here) as soon as you can because there were very few empty seats at Abravanel Hall last night (with good reason).

Priscilla

I was so excited to be back at the Broadway last night to see Priscilla because I am a huge fan of Sofia Coppola and I have been anticipating it ever since Cailee Spaeny won the Volpi Cup at the Venice FIlm Festival for her performance.  It is a fascinating if melancholy coming of age story that initially left me a bit disappointed but, the more I think about it, the more I appreciate it.  Priscilla Beaulieu (Spaeny) is a shy and lonely teenager living in West Germany, where her father is stationed, when she is invited to a party and meets Elvis Presley (Jacob Elordi), who is doing his military service.  She comforts him over the recent death of his mother and they bond over their shared homesickness for the U.S.  Despite the objections of her worried parents, she is soon spending all of her free time with him and grows despondent when he is discharged from the Army.  She eventually visits and then moves into Graceland where she is completely controlled, manipulated, isolated, and ignored by Elvis.  She becomes a wife and mother before she finally finds the courage to create a life for herself.  This reminded me, beat for beat, of Marie Antoinette and that is both a good thing and a bad thing.  The compelling story is similar in that a young and naive girl is thrust into a situation for which she is completely unprepared, is forced to mold herself into someone else's ideal, and is not allowed to have a voice while living in a rarefied environment of luxury.  The gorgeous production design is also similar in that it brilliantly immerses the audience into a different time and place while including anachronistic music to create a vibe (my favorite is the use of "Crimson and Clover").  Unfortunately, it also feels like an insubstantial bit of spectacle because the protagonist still feels like a mystery when all is said and done and this left me wanting to know more about who she really was.  However, upon reflection I think that is actually the point because Priscilla didn't really have an identity while she was with Elvis.  Spaeny gives an incredible performance, literally transforming from a child to a young woman right before our eyes.  She is able to communicate so many emotions with just a glance or one word of dialogue and it always appears that she has so much more to say.  Elordi is unbelievably appealing and charismatic as Elvis and it is easy to see how Priscilla could fall under his spell but he also vividly portrays a darker side to the king of rock and roll so it is understandable why she would leave.  I'm still thinking about this one but I would definitely recommend it.

The Holdovers

Yesterday I was able to see an early screening of The Holdovers at the Broadway and I absolutely loved it!  It is definitely one of my favorites this year!  An unpopular and curmudgeonly teacher at a prestigious New England prep school named Paul Hunham (Paul Giamatti) is forced to remain at school over the Christmas break to supervise the students who are not able to go home, or the "holdovers," as punishment for failing the son of a prominent donor.  Several students and staff remain behind but, eventually, they all find somewhere to go except a depressed and acerbic 15-year-old named Angus Tully (Dominic Sessa) and the head cook, Mary Lamb (Da'Vine Joy Randolph), who is mourning the recent death of her son in Vietnam.  At first the three of them, who are each struggling with their own inner demons, clash with each other but, after a series of misadventures, they form an unlikely bond.  Angus helps Paul make peace with his past and Paul helps Angus see a future for himself while the two of them help Mary get through her first Christmas without her son.  I've heard many critics say that this is the type of movie they don't make any more and I definitely echo that opinion.  It is set in the early 1970s and it looks like it could have been made then with a grainy film aesthetic and amazing production design (I loved the retro studio logo at the beginning) but, more than that, it is a character-driven drama about flawed people that used to be much more prevalent in that decade.  I loved all three of the main characters, especially Mary because she took the job serving ungrateful and entitled students so that her son could get a good education only for him to end up going to Vietnam but then she sees beyond the privilege when she gets to know one of the students.  I wish that her character had been explored more fully but I really appreciate the care with which the mentor-student relationship is portrayed (particularly a scene where Paul explains why it is important to study history).  It is very heartwarming and affecting but there are lots of little moments that are quite funny (I laughed out loud multiple times).  Giamatti is brilliant as always and Randolph steals every scene she is in but I was very impressed with newcomer Sessa because he has a very striking screen presence and more than holds his own with the two more experienced actors.  This is a movie that I can see myself watching over and over again and I highly recommend it.

Harry Potter and the Deathly Hallows Part 2 in Concert

Yesterday I saw Harry Potter and the Deathly Hallows Part 2 on the big screen at Abravanel Hall as the Utah Symphony played the score by Alexandre Desplat, one of my favorite movie composers, live.  This was so much fun for me because I have seen all of the previous movies in the franchise in this format and I have loved experiencing them all in such an immersive way!  As with all of the other concerts, many members of the audience came in costume (I was representing House Ravensclaw) and cheered out loud when all of the characters made their first appearance on screen.  There was thunderous applause when Professor McGonagall protects Harry from Snape and then fights a duel with him (my favorite scene in the movie) and when Neville kills Nagini.  In this final installment Harry must face Voldemort in the Battle of Hogwarts and it has the darkest tone with the highest stakes in the franchise and the score reflects this with lots of powerful themes featuring the brass and timpani.  I especially love "Dragon Flight" as Harry, Ron, and Hermione escape from Gringotts on the back of the dragon guarding the vaults, "Panic Inside Hogwarts" when McGonagall fights the epic duel with Snape, "Statues" when the professors cast spells of protection over Hogwarts, "Broomsticks and Fire" as Harry, Ron, and Hermione escape from the Room of Requirement, "Courtyard Apocalypse" when Voldemort and his minions attack Hogwarts, and "Showdown" when Harry finally confronts Voldemort.  There are also some really beautiful and haunting themes played by the strings, such as "Severus and Lily" when Harry looks into the pensieve and learns from Snape's memories that he has been protecting him all these years and "The Resurrection Stone" when Harry asks James, Lily, Sirius, and Remus to be with him when he surrenders to Voldemort (this scene made me cry the first time I saw it because it is such an emotional moment).  I also really loved that a variation of "Hedwig's Theme," originally composed by John Williams, is used multiple times because it is so iconic and reminds us of everything Harry, Ron, and Hermione have been through during their years at Hogwarts!  I have loved every performance in Utah Symphony's Films in Concert series but the Harry Potter concerts have been my favorite because I love these movies so much!  If you have not attended one I highly recommend it (go here for the remaining concerts in the series).