Balanchine's Ballets Russes

I usually prefer seeing full-length ballets rather than a grouping of one-acts but my friend convinced me to see Ballet West's production of Jewels last season and I enjoyed it so much that I decided to see Balanchine's Ballets Russes last night.  I am glad that I did because it was wonderful.  This production features three of George Balanchine's earliest works as a choreographer when he was under the tutelage of Sergei Diaghilev in Paris while a member of the famed company Les Ballets Russes.  The first piece is Le Chant du Rossignol (The Song of the Nightingale) which tells the Hans Christian Andersen fairy tale about a Nightingale (Sayaka Ohtaki) who saves an ailing Chinese Emperor (Christopher Sellars) from Death (Katlyn Addison) and features music from Igor Stravinsky.   The sets and costumes for this ballet are recreations from the originals by Henri Matisse and I found them to be very striking.  I liked the athleticism of the choreography for the Warriors, Chamberlains, and Mandarins. Both Ohtaki and Addison (one of my favorites in the company) danced their roles beautifully.  The next piece is Apollo and it was definitely my favorite of the evening.  This ballet depicts the birth of the Greek god Apollo, his interactions with the Muses of poetry (Calliope), mime (Polyhymnia), and dance (Terpsichore), and his ultimate ascension to Mount Parnassus.  The choreography is very elegant and I especially enjoyed the innovative patterns and shapes created when Apollo (Chase O'Connell) dances with Calliope (Emily Neale), Polyhymnia (Chelsea Keefer), and Terpsichore (Beckanne Sisk).  I was particularly struck by how well the choreography interprets each particular Muse (my favorite was Polyhymnia).  I liked the simple costumes and the stark set with just a staircase representing Mount Parnassus.  Stravinsky's music for this ballet is incredibly beautiful and I was very moved by it.  The final piece is Prodigal Son, based on the parable from the Bible, and it is very dramatic.  The Prodigal (Christopher Sellars) is a rebellious young man who leaves his home only to be seduced by a Siren (Allison DeBona) and robbed by her followers.  Wretched and alone, he returns home and is forgiven by his father (Trevor Naumann) and sisters (Lillian Casscells and Victoria Vassos).  The costumes and set for this ballet are recreations of the originals by the expressionist artist Georges Rouault and, once again, I thought they were quite striking.  The choreography between the Prodigal and the Siren is frenzied and provocative but the final scene of forgiveness between him and his family is quite affecting.  I enjoyed hearing the music of Prokofiev, who wrote the score for this ballet, for the second night in a row!  After this production, as well as Jewels last season, it looks like I am becoming a fan of the one-act ballet!  Balanchine's Ballets Russes is an evening of three compelling ballets that is not to be missed!  Go here for tickets.

Rachmaninoff's Rhapsody on a Theme of Paganini

When I was a little girl in Canada my family lived next door to an older couple from Russia.  They were unable to have children of their own so they regarded me as a sort of surrogate granddaughter.  My parents warned me not to bother them but I loved going over to their house as often as I could because it was dark, exotic, and filled with the most magical objects, including an exquisite samovar that had pride of place in their living room.  They spoke Russian to me and served me pryanik, a type of Russian cookie, when they had tea in the afternoon.  I loved them dearly!  Because of this early influence, I have always been fascinated with all things Russian (I've been to Russia twice).  I love Russian history and Russian literature but I especially love Russian music because it is so passionate.  Last night's Utah Symphony concert featured three Russian composers, including my favorite Rachmaninoff, and I loved it so much!  In fact, my heart was almost bursting with emotion throughout the entire evening!  The orchestra began with Night on Bald Mountain, a moody and atmospheric tone poem composed by Modest Mussorgsky and arranged by Nikolay Rimsky-Korsakov.  This piece is especially appropriate right before Halloween because it depicts a Witches' Sabbath and I always picture a group of witches dancing around a fire whenever I hear it.  I especially like the dramatic theme played by the brass throughout.  Next came the amazing Rhapsody on a Theme of Paganini by Sergei Rachmaninoff.  I have always loved this piece, including all of the Themes and Variations, because it is equally fiery and passionate, grand and stirring, wild and tempestuous, and unbearably romantic.  If I had to pick a favorite, like everyone else, I would pick Variation 18 because it is so beautiful and plaintive (perhaps you have heard it because it is featured in many movies, including Somewhere in Time).   Guest soloist Lukas Vondracek played it brilliantly!  I really enjoyed watching his fingers fly up and down the keyboard and his performance garnered a spontaneous standing ovation (and an encore) immediately after its conclusion.  After the intermission, the concert concluded with Symphony No. 5 by Sergei Prokofiev.  This piece was written during the height of World War II as a tribute to the triumph of the human spirit and I particularly loved the final movement because it is so energetic.  This concert was absolutely sublime and I think you should get a ticket (go here) to tonight's performance of the same program.  

Thriller 2019

It has been a long and stressful week so I was really happy to be able to relax and attend Odyssey Dance Theatre's production of Thriller last night.  This Halloween themed dance extravaganza is one of my favorite traditions and I look forward to it all year.  Sometimes I think that maybe I don't need to see it every year because I've seen it so many times but, as I sit in the audience anticipating each dance, I know that I would feel really sad if I missed it.  It seems like everyone in the audience feels the same way that I do because they cheered out loud at the beginning of all the old favorites, including the undead cavorting in a graveyard to Michael Jackson's iconic song "Thriller," a breakdancing mummy and his maidens in "Curse of the Mummy," misbehaving pandas in "Miss Alli's Nighmare," a Pas de Deux gone horribly wrong in "Frankenstein & Frankenstein," tap dancing skeletons in "Dem Bones," a trio of chainsaw wielding Jasons in "Jason Jam" (an audience favorite), scarecrows that are not what they seem in "Children of the Corn," a coven of witches seeking vengeance from beyond the grave in "Salem's Mass" (my favorite number), demonic dolls in "Chucky-Rama," and acrobatic vampires in "Lost Boys."  It is always really fun to see subtle differences in the choreography or in the staging year after year and I love seeing returning members of the company.  This year there were also some new dances including a dance-off between dinosaurs in "Dino Dance," demonic possession in "Annabelle of the Ball," a tap dancer at odds with himself in "Jekyll & Hyde," and a costume parade in "Trick or Treat."  For the past several years there have also been performances by the artists of Aeris Aerial Arts in between the dance numbers.  They were all spectacular but my favorites were "Full Moon," with seven aerialists performing on a spinning globe, and "Phantom of the Opera," with two aerialists performing as the Phantom and Christine Daae on silks.  I really don't know how they can make their bodies do what they do!  I had so much fun last night and I highly recommend getting a ticket to one of the few remaining shows (go here).  Whether you have never seen the show before or whether you go every year like me, you are sure to be impressed by the talented dancers of ODT!

Maleficent: Mistress of Evil

I didn't especially like the movie Maleficent but I really enjoyed Angelina Jolie's performance and for that reason I decided to see the sequel, Maleficent: Mistress of Evil, yesterday.  I liked it so much more than I thought I would.  Even after reversing the curse on Aurora (Elle Fanning), Maleficent (Jolie) is still viewed as a villain so Aurora rules as Queen of the Moors in her place.  Prince Phillip (Harris Dickinson) proposes to Aurora and she accepts, hoping that their marriage will unite the fairies of the Moor and Phillip's kingdom of Ulstead.  Maleficent is not happy about this marriage but agrees to attend a dinner in their honor hosted by Phillip's parents King John (Robert Lindsay) and Queen Ingrith (Michelle Pfeiffer).  Tensions brew during the dinner and King John falls under a spell for which Maleficent is unjustly blamed, causing Aurora to turn against her.  As Maleficent flees, she is shot with iron and collapses in the sea.  She is rescued by Conall (Chiwetel Ejiofor), another fey with horns and wings like her, and taken to an underground cavern where the remaining fey left in the world are forced to live.  Conall urges her to remember her daughter and pleads for peace but Borra (Ed Skrein) and the other fey want war.  During an epic confrontation between the fairies and the humans, Aurora and Maleficent must remember the bond that brought them together in some really touching scenes (I may or may not have had a tear in my eye).  What I didn't like about the first movie is what the sequel absolutely gets right.  The visuals are stunning in this movie and I was completely drawn into the world inhabited by these fantastical creatures.  The CGI is a vast improvement on the original, in my opinion, and even those silly pixies (Imelda Staunton, Lesley Manville, and Juno Temple) didn't bother me this time.  Once again, Jolie gives a riveting performance and I particularly enjoyed the development of her character's conflicted feelings about her place in the world.  Pfeiffer is also sensational as a villain and I loved the scenes where Maleficent and Ingrith go toe to toe (I can't decide which character had the best costumes).  I liked the message about fighting against fear and intolerance and I found it to be quite moving, especially during a scene where one of the creatures is used to test the effectiveness of a deadly potion and another scene where a creature sacrifices herself to save the others.  I went into this movie expecting not to like it but I thoroughly enjoyed myself and would definitely recommend it!

Sara Bareilles at the Maverik Center

I was once a very casual Sara Bareilles fan.  I liked "Love Song" and I loved "Brave" but I didn't really know any of her other material.  Then I saw the musical Waitress (Bareilles wrote the music and lyrics) on Broadway and I was completely blown away by it.  I especially loved the song "She Used to Be Mine" because Jenna, the main character, sings this song when she acknowledges to herself that her life has not turned out the way she had hoped it would and she needs to find the courage to change it.  It is highly emotional and I have cried during it both times I've seen the show.  This song made me respect Bareilles more as a songwriter and now I would consider myself a big fan of hers.  When I found out that she was coming to the Maverik Center I bought a ticket hoping against hope that she would sing it and she actually did!  She sang it (along with "Safe Place to Land," "You Matter to Me," and "Bad Idea" from Waitress) last night in the middle of her set and it was incredibly powerful!  She told the crowd that she wrote it for both Jenna and for herself and, as always, I cried all the way through it!  She sang quite a few songs from her new album Amidst the Chaos including "Fire," "Armor," "If I Can't Have You" (which she sang with Emily King who opened for her), "Eyes on You," "Miss Simone," "Orpheus," "No Such Thing," "Poetry by Dead Men," and "Saint Honesty."  I wasn't very familiar with these songs but I really liked them, especially "Poetry by Dead Men."  She also sang "Love Song" and "Brave," which were highlights for me, as well as "Gravity," "Let the Rain," "Uncharted," and a rousing rendition of "King of Anything."  The stage felt very intimate with all of the musicians in a semicircle around Bareilles on piano.  She was obviously thrilled to be performing again after a six year hiatus and her banter with the crowd was genuine and filled with appreciation for her fans.  She told lots of amusing anecdotes before most songs, even noting that she needed to stop talking or she would run out of time!  I really appreciated her messages about taking action for things you believe in, especially when the world feels like it is on fire, and accepting people for who they are.  It was a great show!