Oslo at PTC

I made several different plans to see Oslo, the Tony Award winning play opening the 2018-2019 season at PTC, but they all fell through for one reason or another.  I finally had the chance to see it last night with my friend (we both have rush passes) and I thought it was absolutely brilliant.  I wish that I had time to see it again.  It tells the behind-the-scenes story of how the Oslo Accords, the first ever agreement between Israel and the PLO in 1993, came to be.  Terje Rod-Larsen (Jeff Talbott), the Executive Director of the Fafo Institute, and his wife Mona Juul (Kate Middleton), an official in the Norwegian Foreign Ministry, witness a riot while traveling through the Gaza Strip in Israel.  Terje is forever changed by the incident and, believing that the current model of negotiation will never work, decides to get low-level representatives from the PLO, Ahmed Qurie (Demosthenes Chrysan) and Hassan Asfour (Thamer Jendoubi), and Israel, Yair Hirschfeld (Neal Benari) and Ron Pundak (Max Woertendyke), to meet in secret in Oslo.  He believes that if they get to know each other as men they will learn to trust each other and this provides a bit of comic relief.  The story details the back and forth between the two groups as they work towards peace and it does involve lots of dialogue rather than action.  As a former world geography teacher I pay close attention to world events, especially in the Middle East, so it was really easy for me to follow what was happening but my friend found it very compelling, as well.  The pacing kept me engaged (although I thought it was over before the second intermission) and the actors give outstanding performances.  I also really liked the staging, which is minimal to allow for quick transformations.  I highly recommend this production which runs through next week (tickets may be purchased here).

Ode to Joy

If you were not at Abravanel Hall last night you definitely missed out on a magnificent performance!  The orchestra began with a new piece by Andrew Norman, Composer-in-Association with the Utah Symphony, called Suspend.  The composer was there to introduce the piece which was commissioned by pianist Emanuel Ax.  He explained that he wanted the piece to represent the freedom that comes from solitude and that theme really resonated with me because I crave solitude.  Soloist Jason Hardink began by softly playing notes, seemingly at random, and then continued in an almost improvisational manner.  Different sections of the orchestra gradually joined in as the piece escaped from the pianist's mind to become a composition.  The piece ended as it began with the just the pianist, alone once again, playing a few random notes.  I was fascinated by the percussion section because they used bows on different percussion instruments instead of mallets (I'm sure there is a proper term for this) and the effect was quite otherworldly.  I really loved it.  After the intermission the orchestra was joined by the Utah Symphony Chorus, the Choirs of the University of Utah, and soloists Joelle Harvey, Kirsten Chavez, Issachah Savage, and Patrick Carfizzi for Beethoven's Symphony No. 9 "Ode to Joy."  This piece is simply amazing and it was performed brilliantly!  I loved the timpani in the first movement, the jaunty theme played by the woodwinds in the second movement, and the beautiful melody played by the strings in the third movement.  Then the stirring and life-affirming fourth movement just blew me away.  The instantly recognizable theme began softly with the cellos and then it was repeated, in turn, by different sections of the orchestra and, finally, by the soloists and the choirs.  I was absolutely overcome!  During the thunderous standing ovation the little old lady next to me turned and said, "I don't think you have really lived if you haven't heard that played live!"  I agree wholeheartedly and suggest you get a ticket (go here) to hear it when it is performed again tonight!

The Scarlet Pimpernel at HCT

I have seen two of HCT's three productions of The Scarlet Pimpernel and they are among my very favorite shows at Hale or anywhere else! I think I squealed out loud when I learned that they were mounting a new production this season and I have been eagerly anticipating it for months to see what they could do in their new space. I was not disappointed because it is even bigger and better than ever! I have always loved the novel by Baroness Orczy (one of my students is reading it and we discuss it every day) and the music by Frank Wildhorn adds a dazzling romance to the thrilling story.  Percy Blakeney (Daniel Beck) has disguised himself as the Scarlet Pimpernel and has recruited a band of followers in order to save the people of Paris from the sinister Chauvelin (Dallyn Vail Bayles) and his guillotine during the French Revolution. He keeps his identity a secret from his wife Marguerite St. Just (Erin Royall Carlson), a Parisian actress, because he believes that she is helping Chauvelin, her former lover.  He is also keeping his identity secret from the Prince of Wales (Jeffrey Whitlock) by pretending to be a foppish nincompoop. However, he must make his most daring rescue when Marguerite and her brother Armand (Nathan Kremin) are arrested. What I loved most about Hale's former productions was the carousel during Marguerite's performance of "Storybook" at the Comedie Francaise. With a bigger stage and more toys at his disposal, set designer Kacey Udy outdid himself with the carousel in this show because it is amazing. I heard an audible gasp from the audience as it rose from below the stage. The 23-foot guillotine is another impressive set piece. I also really liked Percy's study and the rose garden. The costumes are absolutely gorgeous throughout the entire show but my favorites were those worn by the League of the Scarlet Pimpernel during "The Creation of Man."  They take "frou frou" to new levels. I really enjoyed the choreography, especially the intricate "Ouilles Gavotte" where Marguerite questions the men to try to learn the identity of the Pimpernel. The three leads are outstanding and it is incredibly powerful when the three of them sing "The Riddle." Beck, especially, does a good job at portraying Percy's strength as the Pimpernel, his vulnerability as a man who loves but can't trust his wife, and his silliness as a man trying to hide his identity. He is so funny in his interactions with Chauvelin and I laughed out loud every time he mispronounced his name! I cannot recommend this show enough (go here for more information) but you better hurry because most shows are sold out making tickets even more elusive than the Pimpernel!

The Predator

The first time I saw Predator my parents were out for the evening and I was watching it in the basement family room with my two younger sisters.  We were so scared!  We thought there was an alien in our house so we barricaded ourselves downstairs until my parents got home.  To this day it remains one of the most frightening movies I've ever seen!  I've not seen any of the other movies in the franchise but my Dad has and he loves them.  When he heard about The Predator he asked me to take him to see it.  We've been planning this outing for at least a month and finally got to go last night.  The filmmakers took one of the scariest movies ever and turned it into an action/adventure thriller.  This is not necessarily a bad thing because my Dad and I had so much fun watching it (which was not what I was expecting at all).  Quinn McKenna (Boyd Holbrook), a covert operative, and all of his team are on a hostage retrieval mission when an alien ship crash lands.  His entire team is killed but McKenna is able to stun the predator and takes its helmet and armor as proof of what happened before the army comes in and takes charge.  Before he is captured and found incompetent, he mails the alien technology home where his son Rory (Jacob Tremblay) finds it and activates it.  Soon another alien ship comes to Earth to retrieve the stolen technology.  Hunting both predators are an evolutionary biologist (Olivia Munn), McKenna and a group of ragtag government prisoners (who contribute much comic relief), and some government agents.  Of course there is an epic showdown and the possibility of another sequel.  The story is a bit of a convoluted mess but it hardly matters.  I found Holbrook to be an appealing action hero and I really enjoyed the action sequences which were thrilling rather than scary.  The best sequences were when the entire team was hunting one of the predators in the woods (it reminded me of the first movie).  I thought the prisoners recruited by McKenna were funny (for the most part) but I eventually found the constant profanity and crude humor to be tiresome after a while.  It is entertaining and I had a lot of fun watching it with my Dad who called it an awesome B-movie.

The Wife

I have been eagerly anticipating the release of The Wife since I saw the trailer a few weeks ago and I had the opportunity to see it yesterday afternoon.  I found it to be very compelling.  Joseph Castleman (Jonathan Pryce) has just been awarded the Nobel Prize for Literature.  He and his wife Joan (Glenn Close) travel to Stockholm for the award ceremony where he is showered with adulation while she holds his coat, hands him his reading glasses, reminds him to take his pills, and overlooks his flirting with a beautiful photographer.  As the events surrounding the presentation ceremony transpire over a few days, Joan begins to reflect on her role of supporting wife with flashbacks to her days as an aspiring writer at Smith College and conversations with Castelman's would-be biographer (Christian Slater).  Glenn Close gives an absolutely brilliant performance, one of the best of her career.  Joan is quietly self-contained until thirty years of being taken for granted become unbearable during Castleman's acceptance speech.  This scene is amazing because it is like watching a gathering storm and, when she lets loose, it is a category 5 hurricane.  She shares some positively explosive scenes with Pryce and it is heartbreaking when she realizes how much she loves him.  I did feel that the flashback scenes to the characters' younger selves (Annie Starke and Harry Lloyd) are poorly executed and completely unnecessary as they take away the momentum of the story being told in Stockholm.  Also, the narrative is a very slow exploration of the disintegration of a tumultuous marriage without a lot of action so it might not be for everyone.  However, Close elevates this fairly ordinary movie into something extraordinary and I highly recommend it for her performance.

Note:  In many ways this film reminds me of 45 Years.