The Princess and the Frog

When The Princess and the Frog was first released in 2009, I took my nine-year-old niece to see it and it was absolutely magical for her to be able to look up at the screen and see a Disney princess who looked like her.  After seeing it on the big screen she watched the DVD over and over and sang every song.  She even had a Princess Tiana dress!  This movie may have a few flaws (I still think the voodoo scenes are a little weird, especially for a film marketed to children) but Tiana was definitely important to my niece and I can't think of a better role model for her to emulate.  The Princess and the Frog is being screened again at AMC Theatres as part of the Dream Big, Princesses film festival so I invited Tashena, who is now almost seventeen, to see it with me again last night.  We had so much fun!  She says she doesn't really remember when I took her to see it the first time but she certainly remembers the words to all of the songs because she sang them all at the top of her lungs (we were the only ones in the theater).   Tiana (voiced by Anika Noni Rose) is a young girl determined to succeed and open the restaurant she has always dreamed of owning.  Prince Naveen (voiced by Bruno Campos) is a ne'er-do-well who has been cut off financially by his parents.  Naveen turns to voodoo to make his dreams come true but he is inadvertently turned into a frog.  Thinking that Tiana is a princess because of a costume she is wearing, Naveen asks her to kiss him to break the spell, promising her the money she needs to start her restaurant, but when she does she is also turned into a frog.  Naveen and Tiana must discover what they need, rather than what they want, in order to break the curse with the help of a jazz playing crocodile, a Cajun lightening bug, and blind voodoo priestess (some really fun characters).  I really loved all of the scenes in the bayou, especially when all of the lightening bugs guide Tiana and Naveen to Mama Odie because it looks so magical (it reminded me of the lantern scene in Tangled).  I had forgotten how great the hand-drawn animation is in this film.  It was such a fun night and I'm glad that, for a little while, I got to spend some time with the little girl who wanted to be just like Princess Tiana!  The Princess and the Frog will be screened at AMC Theatres until Oct. 12.

Victoria & Abdul

Sunday afternoon I decided to see Victoria & Abdul.  I was initially very lukewarm about this film because, frankly, I felt that this story had already been told much better in Mrs. Brown (which also stars Judi Dench).  While it does have a similar plot to the previous film, I found Victoria & Abdul to be absolutely charming.  Queen Victoria (Judi Dench) is old and barely able to get out of bed for an endless round of ceremonial duties which hold little interest for her.  Abdul (Ali Fazal) is randomly selected to present Victoria with a ceremonial coin from India as part of the Golden Jubilee.  Victoria takes a liking to Abdul and spends most of her time with him, much to the dismay of the Prince of Wales (Eddie Izzard), the Prime Minister (Michael Gambon) and her household staff.  I'm sure that there were a lot of liberties taken with the historical accuracy of this film and there has been a lot of criticism about the portrayal of Britain's colonization of India, but I enjoyed it as a story about an unlikely friendship.  Dame Judi Dench is brilliant in this role, as ever, and there is an incredibly affecting scene where she laments the fact that everyone she loves has died while she goes on and on.  Ali Fazal is very endearing as Abdul and it is easy to see why Victoria would be so enamored of him.  The other characters are pretty one-dimensional but the two strong central performances make up for that.  The film is gorgeously shot, especially the scenes in Scotland, and the costumes and interiors are  everything that you could want from a British period-piece.  In short, it is a lovely little film that I enjoyed much more than I thought I would!

Utah Opera's La Boheme

In honor of its 40th Anniversary, Utah Opera began the 2017-2018 season with the same opera chosen for the inaugural season, Puccini's La Boheme.  It is one of my favorite operas so it was a treat to be able to see it for the second time this year!  It was a marvelous production of a magnificent opera and I loved every minute of it.  The libretto is about a group of artists living in a garret apartment in Paris in the nineteenth century.  Marcellus (Michael Adams), a painter, is in love with Musetta (Utah native Celena Shafer) but their relationship ends because Musetta is a flirt and Marcellus is jealous.  Rudolpho (Scott Quinn), a poet, is in love with Mimi (Jennifer Black) but their relationship ends because Mimi is dying of consumption and Rudolpho feels guilty that he can't take care of her.  Marcellus and Musetta have a volatile relationship that is really fun to watch, especially in the amusing aria "Quando m'en vo" or "Musetta's Waltz" which is staged very well in this production.  But Rudolpho and Mimi are ill-fated lovers who are heartbreaking to watch and their beautiful duet at the end of Act I, "O soave fanciulla," brought spontaneous tears to my eyes!  Quinn and Black have beautiful voices and great chemistry with each other.  I always enjoy Shafer, a perennial favorite with Utah audiences, and she gives a great performance.  Adams, who has been diagnosed with bronchitis, began Act I but couldn't continue so John Nelson sang from the side of the stage as Adams continued to act the role.  At first it seemed strange but, after a while, I didn't notice any more and Nelson has a great voice.  I also enjoyed Ao Li and Samuel Schultz as the other bohemians.  The costumes and the set are fantastic (San Francisco Opera had larger and more elaborate sets in their production but Utah Opera's set worked well for the size of the stage at Capitol Theatre).  I loved this production and I highly recommend getting a ticket!  It runs at Capitol Theatre through Oct. 15 and tickets may be purchased here.

Note:  I was sitting on an aisle and a very distinguished older gentleman stopped near me saying that he was dizzy.  I smiled at him and suggested that the cause of his dizziness was the loud pattern in the carpet whereupon he answered, "No.  I'm just old."  I laughed so he stayed and flirted with me outrageously until the curtain rose!  During the intermission he came back to talk to me which was fun because he was charm personified!  Opera lovers are great!

Sean the Brave

I missed Sean's game last week so I was really looking forward to watching him play yesterday.  The Braves played the Woods Cross Wildcats which is a team with really big boys.  In fact, I questioned whether one of the boys was twelve and of course he was on Sean most of the game.  Sean did not back down at all and played like a beast the whole game.  I was so proud of him.  The Braves are struggling this season and many of the boys want to quit but they played their hearts out today.

This is my favorite picture of the game!

Sean with his Dad!

Battle of the Sexes

While Battle of the Sexes is a crowd-pleasing biopic about about the iconic tennis match between Billie Jean King and Bobby Riggs in 1973, it is also a powerful statement about equality between the sexes and the right to be who you are and love who you want.  That is what had me cheering!  I was a child in the 1970s so I never had to experience the chauvinism and condescension that so many women faced back then (there are a few scenes in this movie that were incredulous to me, especially when Bill Pullman's character spoke, because I can't imagine men actually speaking to women that way).  For that I am profoundly grateful to pioneers like Billie Jean King who advocated for women's rights.  King (Emma Stone), wanting to bring attention to the disparity between male and female tennis players, agrees to an exhibition match against a former champion player, Bobby Riggs (Steve Carell).  In addition, each of them are fighting other battles off the court.  King is conducting a passionate affair with her hairdresser (Andrea Riseborough) which she feels the need to hide and Riggs is a man past his prime fighting for relevance with a controlling wife (Elisabeth Shue).  Really, this film is not about a tennis match but rather the journey that each athlete takes to get there.  The script is much more emotional than I was expecting and I think King's sexuality is handled with intelligence and sensitivity (although a few people walked out of my screening after a sex scene).  Stone gives another wonderful performance, almost disappearing into the role.  Carell is perfect as the goofy and frenetic Riggs and I found him to be a sympathetic character rather than the villain portrayed in the trailers.  I also, rather surprisingly, really enjoyed Sarah Silverman's brassy portrayal of a tennis promoter but I thought Alan Cummings was a bit wasted as a designer of tennis dresses (did he really have to accompany the women on tour to dress them?) and only exists to give a moving speech at the end of the movie about LGBTQ rights.  Finally, I enjoyed the 1970s verisimilitude in this movie and I laughed out loud when I heard "Crimson and Clover" playing in a bar scene!  I recommend this movie, not just as a feel-good sports story, but for its powerful message.