Rugby Is Crazy!

Yesterday my Mom, Marilyn, and I got up early to watch Sean's first rugby games of the season but it was kind of a bust.  Copper Hills forfeited the first game so we didn't get to see him play and then the games got so far behind that we had to leave before Bountiful could play Davis.  But Sean was really happy that we were there and we did get to see a few other games, including the team from Hunter who beat Herriman, so I know a little bit more about rugby.  It is really fast and physical and it is a lot of fun to watch.  I look forward to the rest of the season (and actually seeing Sean play).

Note:  Several of the teams have girls and they are tough.  One girl got hit really hard and fell to the ground for a few minutes and then got right back up and tackled a player.  In football there would have been a 5 minute timeout!

Utah Opera's Don Giovanni

Mozart's Don Giovanni is my very favorite opera.  I've seen it several times and I had the opportunity to see Utah Opera's production last night.  Don Giovanni (Joshua Hopkins) is a rake who spends most of his time trying to add to his considerable list of conquests with the help of his loyal servant, Leporello (Matthew Burns).  The opera opens with the attempted rape of Donna Anna (Melinda Whittington) by Giovanni.  Her father, the Commentadore (Richard Wiegold), challenges him and, in a struggle, Giovanni kills him.  Anna begs her fiancé, Don Ottavio (Aaron Blake) to avenge her honor and her father's death.  Next, Giovanni and Leporello observe Donna Elvira (Caitlin Lynch) lamenting the fact that her lover has abandoned her and, realizing that she is talking about him, Giovanni mocks her mercilessly.  She vows revenge.  Finally, Giovanni openly attempts to seduce Zerlina (Sarah Coit) during her wedding, enraging the groom Masetto (Markel Reed) who also vows revenge.  As all of these characters attempt to exact justice, Giovanni is somehow able to elude them, most notably by having Leporello impersonate him while he attempts to seduce Elvira's maid.  Giovanni can't hide forever as the ghost of the Commentadore returns from the dead to accuse him and send him to hell.  The music of this opera is absolutely beautiful (Oh, how I love Mozart) and the Utah Symphony performs it brilliantly, from the dramatic opening notes of the Overture to the shattering conclusion.  All of the actors sing their roles with so much passion and I was especially impressed with Wiegold, who is quite terrifying in the final scene.  Director Kristine McIntyre, in an attempt to make this opera more accessible to audiences, modernized the setting and gave the production a film noir treatment.  The color palette is entirely black and white with very low lighting.  The action takes place on the streets of a big city and the men are portrayed as gangsters in dark suits, trench coats, and fedoras and the women are either victims or femme fatales in elegant dresses with full skirts.  Without a doubt, this is an amazing production which I highly recommend (there is only one performance left!) but, to be honest, I missed the grandeur of the original setting and I found the alternate ending to be a bit anticlimactic.  I sometimes think that directors underestimate their audience.  We don't necessarily need to have the material  dumbed down made more accessible to understand and enjoy the libretto.  But, what do I know?  My favorite staging of this opera is the Twyla Tharp version in the movie Amadeus.

Alien: Covenant

I walked into the theater last night with a little bit of trepidation.  I love the 1979 classic Alien because it scared me (I actually screamed out loud while watching it on TV) but I didn't especially like the 2012 installment Prometheus because it confused me and left too many questions unanswered.  Alien: Covenant skillfully combines elements from both movies and it was better than I expected.   Ten years after the events of Prometheus (and eighteen years before the events of Alien) a spaceship is traveling to the remote planet Origae-6 with thousands of colonists in stasis when the ship is damaged by a flare.  A synthetic android named Walter (Michael Fassbender) wakes up the crew but the captain is killed in the incident.  After the ship is stabilized, the crew picks up a radio transmission from a planet compatible with life that is much closer than Origae-6.  Acting Captain Oram (Billy Crudup) makes the decision to make a detour to the planet to investigate against the objections of Daniels (Katherine Waterston).  As they explore the planet, two crewmembers are "infected" with a spore resulting in aliens exploding from their chests which attack the rest of the crew.  They are rescued by the android David (Michael Fassbender) who has been living on the planet since the events of Prometheus.  There are scenes which expand upon the mythology of Prometheus but it ultimately becomes an intense, exciting, and bloody chase as the expendable crewmembers succumb one by one to the aliens until an epic confrontation aboard the ship.  Fassbender gives a brilliant performance as both of the androids because he imbues each character with subtle differences and some of the best scenes in the movie feature interactions between the two.  I'm not a huge fan of Waterston but she also delivers in this role.  The scenery on the planet is incredible (It was filmed at Milford Sound in New Zealand just weeks before I visited).  I liked the special effects with the aliens and the score is very effective at conveying a mood of terror.  It has flaws (there are still a lot of unanswered questions) but I think it is the best movie since the original and I definitely recommend it to fans of the franchise.

The Will Rogers Follies at PTC

Because I have a rush pass to Pioneer Theatre, I can see the current production any time I want.  I planned to see The Will Rogers Follies on four different occasions but something always came up to change my plans (mostly spontaneous invitations to do other things).  I finally made it to the show last night and it was just delightful.  This extravagant musical tells the life story of Will Rogers (David M. Lutken), America's favorite humorist, as if it were a big song and dance production by Florenz Ziegfeld.  Rogers performs rope tricks, has a little bit of fun with politics (it is rather eerie how much the political situation today resembles that of Herbert Hoover), and sings and dances with a bevy of high-kicking showgirls.  Of course there are a few occasional comments from Mr. Ziegfeld himself (the voice of Donny Osmond) with suggestions to make the show more interesting for the audience, such as moving his wedding to Betty Blake (Lisa Brescia) to the end of Act 1 even though they had four children by this point in the story!  Lutken does an amazing job delivering bits of homespun wisdom (and he's not too shabby with a rope, either).  All of the big song and dance numbers are quite spectacular led by Ziegfeld's Favorite, Chryssie Whitehead, and an incredibly talented ensemble of dancers.  I was especially impressed with "Our Favorite Son."  The wranglers, who are very easy on the eyes, also really impressed me in "Give a Man Enough Rope."  The four children, Kimball Stinger, Ava Hoekstra, Nathan Eliason, and Mila Belle Howells, are absolutely adorable and just about steal every scene they are in.  Finally, the costumes are incredible!  It is worth the price of admission just for the costumes alone; however, there are lots of reasons why you should go see this show and the most important one is that it is just so much fun!  It runs at PTC until Saturday (go here for tickets).

Note:  Kudos to PTC for such a great season!  I have enjoyed every production immensely (I think my favorite would have to be King Charles III) and I am looking forward to next season as well (especially Bright Star).

Everything, Everything

Last night my friend invited me to an advance screening of the movie Everything, Everything.  Based on the best-selling novel of the same name by Nicola Yoon, it tells the story of Maddy Whittier (Amandla Stenberg), a 18-year-old girl with a disease called severe combined immunodeficiency (SCID) which means she is never allowed to leave the inside of her house.  She is resigned to her fate and passes her time reading and taking architecture classes online.  One day her life changes when Olly Bright (Nick Robinson) moves next door and tries to befriend her through her window.  They begin communicating and, suddenly, Maddy is no longer content with her confined life inside.  She convinces her nurse to let Olly inside and she learns that he is just as isolated as she is because of an alcoholic father.  They fall in love and Maddy decides to risk her life to be with Olly because love is everything.  Everything.  This movie really works because both of the lead actors are so charismatic and they have great chemistry with each other.  In fact, I found their entire relationship to be incredibly sweet and, more importantly, authentic.  Having the two of them actually speak to each other inside of Maddy's architectural models when they are texting is a very clever and effective device.   I also found the relationship between Maddy and her mother (Anika Noni Rose) to be very compelling and Rose gives an affecting performance as a woman so afraid to lose her daughter that she becomes obsessed with her care.  Sometimes movies about teens with illnesses can be very melodramatic but the filmmakers did everything right in this movie.  I never felt sorry for Maddy because she didn't wallow in self-pity and I loved the scenes of her exploring the outside world for the first time.  Finally, the soundtrack is just about perfect.  I loved this movie and I highly recommend seeing it when it hits theaters on Friday!