The Incredibles Double Feature

Last night I had the chance to see a double feature of The Incredibles, a favorite of mine, and the new movie Incredibles 2 on an IMAX screen!  It was so much fun!  I love the first movie so much but, incredibly, I've never seen it on the big screen before so this was such a treat.  I think it holds up really well and I loved the character of Edna as much as ever!  The new movie is everything that I hoped it would be!  It picks up exactly where The Incredibles left off with our family of superheroes facing the Underminer (John Ratzenberger).  They ultimately defeat him but leave a swathe of damage in their wake which, because superheroes are illegal, lands them in trouble.  Winston Deaver (Bob Odenkirk), the CEO of a telecommunications company, and his sister Evelyn (Catherine Keener) have a plan to reinstate the superheroes which involves Elastigirl (Holly Hunter).  She battles a new villain called Screenslaver (Bill Wise) while Mr. Incredible (Craig T. Nielson) takes over at home.  Violet (Sarah Vowell) has boy troubles, Dash (Huck Milner) has math trouble, and Jack Jack (who steals the show) has trouble controlling his newfound powers (which prompts a hilarious visit to Edna for a new suit).  I really enjoyed this role reversal which provided a lot of comedic moments that made me laugh out loud.  I think this movie does a great job at developing the characters to their natural progression from the first movie and their arcs are interesting and compelling.  The family dynamic rings true and, in addition to providing lots of laughs, there are a few really poignant moments that give this movie a lot of heart.  The action is almost non-stop and it is so much fun!  The images are look so good on the screen and the animation is some of the best I've ever seen.  The story is a bit predictable with a plot twist that I saw coming early on but that did not in any way detract from my tremendous enjoyment of this movie.  I loved it and I highly recommend it for just about everyone!

Hamilton in Las Vegas

I absolutely loved the cast of Hamilton when the show made a stop in SLC a few months ago and, even though I had the opportunity to see it three times, I still wanted to see it again.  Luckily the same company is now in Las Vegas and I was able to get a ticket.  Before I left on my road trip from SLC to Las Vegas I learned that Joseph Morales, who plays Alexander Hamilton, would be out of the show all this week and I have to admit that I was a little bit disappointed because I loved his performance so much!  However, I really liked Julius Thomas III who played Hamilton last night.  His voice is really beautiful and I especially loved his renditions of "Dear Theodosia" and "Hurricane." I've started judging each each actor in the role by how he makes me feel in "It's Quiet Uptown" and his version was incredibly emotional!  Just about everyone sitting near me was crying!  The show also featured the understudies for King George (Conroe Brooks) and George Washington (Desmond Sean Ellington) and both of their performances were more traditional like the other casts I've seen.  I especially liked Ellington's performance of "One Last Time" because he basically turned the ensemble into a gospel choir complete with choreography.  Like the SLC production, I was blown away by Nik Walker as Aaron Burr, especially in "Wait For It."  I loved all of the humor he infused in "Non-Stop" and "The Room Where It Happens." In this production Kyle Scatliffe, as Thomas Jefferson, blew kisses to the audience in "Cabinet Battle #1," Fergie L. Philippe, as Hercules Mulligan, threw his flowers to the audience in "Satisfied," and Shoba Narayan, as Eliza Hamilton, threw in some wild hand gestures as she was beat boxing in "Take a Break."  All of this business was new to the show since I saw it in SLC and it makes me wonder if the company changes things up when they move on to a new city!   Because I've now seen this show seven times, I am able to notice different things because I'm so familiar with the main action and last night I was particularly struck by the choreography of the British soldiers in "Stay Alive" and by the choreography of "Washington on Your Side."  Every time I see it I also notice something completely new and last night I noticed that the lantern lights flicker when Angelica (Ta’Rea Campbell) sings about Benjamin Franklin’s key and kite in “Satisfied.”  This show is so brilliant!  The excitement in the audience was palpable and I loved it when they applauded after the dance break in "Yorktown."  I've never been in an audience that did that!  A lot of people ask me if it gets old after watching it so many times and I can honestly say that I was just as giddy walking into the Smith Center last night as when I walked into the Richard Rodgers Theatre to see it for the first time.  I love this show so much!

Mary Shelley

Since I teach the novel Frankenstein to my seniors every year I felt that Mary Shelley was required viewing.  Unfortunately, for being a biopic about such an interesting and unconventional woman, I found it to be rather boring and conventional.  Mary Wollstonecraft Godwin (Elle Fanning) feels overshadowed by her famous parents, the feminist Mary Wollstonecraft who died shortly after she was born and the philosopher William Godwin (Stephen Dillane), and struggles to find her own literary voice.  Soon she meets the dashing poet Percy Bysshe Shelley (Douglas Booth) and, despite the fact that he has a wife and daughter, she decides to run away with him.  They live a tumultuous life together, plagued by creditors, Shelley's infidelity (possibly with her own step-sister Claire Claremont played by Bel Powley), and the death of her infant daughter.  She also feels overshadowed by Shelley's literary success.  Eventually the couple meets the poet Lord Byron (Tom Sturridge) and are invited to his mansion on Lake Geneva.  Byron issues the fateful challenge for everyone to write a ghost story to pass the time during a stormy evening.  Mary channels her feelings of loneliness and despair into the creation of Frankenstein's monster.  Once the novel is finished, she struggles to get it published because she is a woman.  She settles for having it published anonymously with a foreword written by Shelley, causing everyone to think that he wrote it.  These events are blandly portrayed as if the filmmakers were simply ticking boxes to get all of the biographical information included without taking any risks.  It is more like a made-for-TV movie than a theatrical release (how could they not mention her losing her virginity on her mother's grave?).  Furthermore, I found the narrative to be very disjointed.  Is she a feminist living an unconventional life or is she a victim of all the men around her?  Fanning gives an almost listless performance but even more maddening is the fact that there is very little chemistry between her and Booth.  In contrast, Sturridge and Powley are electrifying (pun intended) together and I was far more interested in them.  This was a little bit disappointing for me and I would recommend giving it a miss.

First Reformed

Last night my friend Angela and I went to see First Reformed and I can honestly say that this film left me completely shattered.  It is a brutal portrayal of a man in torment with an incredible performance by Ethan Hawke.  Reverend Toller (Hawke) is the head of the First Reformed church, which is more of a tourist stop rather than a thriving religious community.  It is administered by a megachurch called Abundant Life and its leader, Pastor Jeffers (Cedric the Entertainer), is concerned that the 250th anniversary celebration of First Reformed go off without a hitch.  He has reason to be concerned.  Toller is struggling physically (from a stomach ailment), emotionally (his son was killed in Iraq), and spiritually (he no longer feels that God listens to his prayers).  A pregnant parishioner named Mary (Amanda Seyfried) requests that he speak with her husband Michael (Philip Ettinger), a radical environmentalist, because he is distraught at the thought of bringing a child into a world facing the cataclysmic effects of climate change.  This encounter further challenges Toller's faith, especially when he discovers that a major contributor to Abundant Life owns a company known for environmental violations.  This film was deeply upsetting to me because it grapples with ideas of despair and hope (I really struggle with the darkness in the world right now and sometimes I lose hope) but the ambiguous ending can be interpreted as either damnation or salvation.  My friend and I had different reactions but I haven't been able to stop thinking about it and, for that reason, I believe it is one of the best films of the year.  It is not easy to watch but I recommend it.

Note:  Just give Ethan Hawke the Oscar right now.

On Chesil Beach

I am a huge fan of Ian McEwan in general and of his novella On Chesil Beach in particular so I have been impatiently waiting for the film adaptation of it to hit SLC theaters.  It has finally been released here so I saw it yesterday afternoon and I found it to be beautiful and incredibly moving.  Saoirse Ronan and Billy Howle play Florence and Edward, a young couple recently married spending their honeymoon at a hotel by the sea.  They are both inexperienced and woefully uniformed about intimacy and as they awkwardly work up to doing the deed there are flashbacks of the two of them meeting and falling in love.  The tragedy is that they are incredibly passionate people and love each other deeply but in the build up to their wedding night he is embarrassed about his inexperience and she is terrified.  The repressive society in which they live (England in the early 1960s) does little to help their situation.  After a disastrous encounter Florence flees in horror and they have an epic confrontation on the beach which is fraught with emotion and causes Edward to make an impetuous decision.  It is only in retrospect, many years later, that Edward realizes that they could have been happy if they had only been able to talk about it without shame.  The final scene where Florence walks away from Edward as the camera pans out is so heartbreaking.  Ronan is absolutely luminous and gives yet another brilliant performance.  Howle, who plays the young Tony in The Sense of an Ending, is also outstanding (the two roles are very similar).  Usually flashbacks take the tension away from the narrative but here the juxtaposition of seeing Florence and Edward so happy and free with each other in the flashbacks and seeing them so tense and closed off on their wedding night is incredibly poignant.  This movie may not be for everyone because it is quite melancholy but I recommend it for the compelling story and strong lead performances.

Ocean's 8

Last week I saw a Thursday preview of Ocean's 8 and I really enjoyed this stylish and entertaining heist movie.  Debbie Ocean (Sandra Bullock) has just been released from prison after five long years during which she has planned the ultimate heist.  She meets up with her former partner in crime, Lou (Cate Blanchett), and they begin forming a crew to steal a $150 million necklace which will be worn by actress Daphne Kluger (Anne Hathaway) at the Met Gala.  Rose Weil (Helena Bonham Carter) is a down on her luck designer recruited to dress Daphne, Tammy (Sarah Paulson) is a suburban mom who comes out of retirement to fence the stolen diamonds, Anita (Mindy Kaling) is a jewelry maker who agrees to break down the necklace into smaller pieces, Nine Ball (Rihanna) is a hacker who can infiltrate the security system at the Met, and Constance (Awkwafina) is a street hustler needed to create a commotion at the gala.  All of these actresses are outstanding and they all have individual moments to shine in this movie.  I especially enjoyed Bonham Carter in the kind of eccentric role with which she excels and Anne Hathaway is clearly having a blast with her role as an insecure celebrity (the way they get her to choose Weil as her designer is hilarious). They look amazing with one fabulous costume after another, especially at the Met Gala which is so much fun (I loved the celebrity cameos).  However, these individual moments don't really add up to a great whole.  I found the heist to be rather bland because the stakes weren't that high.  They use high-tech gadgets for everything and actual problems (which are few and far between) are solved very conveniently.  Also, the references to Danny Ocean, from the original trilogy, seem shoehorned in and are not really necessary.  This isn't to say that I didn't enjoy it because there is definitely a lot of fun to be had.  It provides exactly what you would expect from the franchise and I recommend it for the cast and the clothes!

Rugby!

Sean is playing rugby again this summer and he has already had a few games but I haven't been able to go to any of them.  Yesterday I was on aunt detail and one of my responsibilities was to get him to his games so I finally got to see him in action.  It is so fun to watch him play, even though rugby is absolutely incomprehensible!  His team has struggled a little bit this season and they lost their first two games.  In their third game against Olympus, however, they were on fire and got five tries!  This is the first game that South Davis has won and I'm choosing to believe that it was because I was there cheering so loudly!  I sure do love this kid and I love getting to spend time with him!

Summer Reading: We Were the Lucky Ones

The next selection on my summer reading list, We Were the Lucky Ones by Georgia Hunter, was actually recommended to me by one of my students so you can imagine how eager I was to read it! Hunter, while interviewing her grandmother for a school project about her family history, discovered a heretofore unknown story about how her grandfather's entire family survived the Holocaust in Poland. This led to a decade-long quest to find out the details of his story and these details became the basis of her novel. At the start of the war the Kurcs are a comfortably well off and loving Jewish family living in Radom, Poland. Sol and Nechuma preside over three generations of their family including five children, their spouses, and a granddaughter. They try to ignore the horrors overtaking Europe but soon they are all separated as they try to escape the Nazis and they go to extraordinary lengths to survive and be reunited at the end of the war. Any novel about the Holocaust is going to be incredibly poignant and I had an emotional response to much of it, especially when one of the siblings and his family end up in a gulag in Siberia and when another sibling is looking for her daughter after the bombing of Warsaw, but there was both too little and too much going on for me to truly connect with it. The narrative is very episodic, jumping from character to character and location to location spanning long periods of time. It seemed as if the focus was to catch the reader up on what had happened since the last time we were with each character and then there would be a small vignette about what was currently happening. I would have liked a more in-depth exploration rather than a chronicle of events. I never really had the chance to connect with the characters because there were so many of them. It was often very confusing and I felt like I needed to keep notes on who was married to whom (some spouses were separated) and to have a map of where everyone was currently located. Also, there was very little dramatic tension because, although characters go through some incredibly harrowing experiences, I knew going in that everyone survives (they were the lucky ones, after all). I know that this is a story that many people will enjoy (my student thought it was the best book she had ever read) so I recommend it even though it didn't particularly appeal to me.

Note:  Have you read We Were the Lucky Ones?  What did you think?  Once again, I am in the minority with my response.

The Producers

Last night I went to a screening of The Producers (which is celebrating its 50th Anniversary) as part of the TCM Big Screen Classics series.  I have seen the stage musical many times but not the movie so I was excited to see it on the big screen.  Zero Mostel plays Max Bialystock, a once great theatrical producer down on his luck, and Gene Wilder plays Leo Bloom, his neurotic accountant.  When Bloom mentions that Bialystock would make more money with a flop, they become partners and come up with the perfect plan: find the worst play ever written, Springtime for Hitler written by ex-Nazi Franz Liebkind (Kenneth Mars), hire the worst director on Broadway, the flamboyant Roger De Bris (Christopher Hewitt), and hire the worst actor, a hippie named Lorenzo Saint DuBois (Dick Shawn).  Of course the show becomes the toast of Broadway so Bialystock and Bloom produce Prisoners of Love while serving their sentence at the state penitentiary.  This was so much fun because there is nothing better than an overwrought Gene Wilder!  He is particularly funny in this movie and the scene with his blue blankie had everyone in the theater laughing out loud!  Mars is also hilarious, especially when he watches Springtime for Hitler performed, and Andreas Voutsinas is an absolute hoot as Roger’s assistant Carmen Ghia.  While I really enjoyed seeing this on the big screen, I think I prefer the stage musical.  I can appreciate how groundbreaking this was for 1968 but, to me, the musical is much more irreverent!

Upgrade

Last night I went to see Upgrade, a movie that I wouldn't normally see but one I enjoyed a lot more than I thought I would.  In a dystopian future where houses, cars, and even soldiers are automated, Grey Trace (Logan Marshall-Green) and his wife Asha (Melanie Vallejo) are attacked by cyborgs.  Asha is killed and Grey is paralyzed in the attack but a reclusive CEO of a tech company (Harrison Gilbertson) offers to implant a computer chip in Grey's spine to give him back the use of his limbs.  This computer chip, called STEM, is sentient and has the ability to talk to Grey and take over his body when the need arises (this provides many comedic moments).  Grey uses his enhanced abilities to track down his wife's killers and unravels a conspiracy with a wild twist at the end.  The characterization is completely over the top and the acting is laughably bad but I really enjoyed this movie.  The premise is really interesting and, if you think about it, it gives a subtle message about the role of technology in our lives and how we become slaves to it rather than vice versa.  But, honestly, don't think about it too much!  What makes this movie so much fun is the action.  There are some great fight sequences and a fantastic car chase.  This movie has a kind of Blade Runner and Terminator vibe to it that I really dug.  My fifteen year old self would have loved sneaking into the basement to watch this movie on HBO at 2:00 am (I watched Blade Runner and Terminator countless times on HBO at 2:00 am) and I think it will eventually became a cult classic just like those movies!

Beast

A friend of mine recommended Beast to me so, of course, I had to see it yesterday.  It is a fascinating and intense psychological thriller that I will be thinking about for a long time to come.  Moll (Jessie Buckley) is a young woman with a troubled past and a domineering mother (Geraldine James).  She begins a relationship with Pascal (Johnny Flynn), a young man deemed unsuitable by her family and a suspect in a series of unsolved murders, which causes a scandal in the close-knit community of Jersey.  During the course of their relationship she begins to wonder if he is guilty and the action takes a really interesting turn.  Both Buckley and Flynn give absolutely riveting performances and you cannot take your eyes off of them when they are onscreen together.  You really cannot tell which one is the hunter and which is the prey.  James gives a chilling performance which is somewhat baffling until some information about Moll comes to light.  What makes this film so suspenseful is that information about the characters is revealed very slowly so you are always kept guessing about both Moll and Pascal's motivations and I had all kinds of wild theories running through my mind.  The visuals in this film also contribute to the menace with a dark and foreboding forest juxtaposed with waves crashing against the shore.  I found the tension to be almost unbearable and I would highly recommend it to fans of psychological thrillers.

Colorado Rockies Road Trip

My dear friend Tony took me to my first Colorado Rockies game (he also took me to my first Denver Broncos game and I took him to his first Colorado Avalanche game) and since then I always try to catch a game whenever I am in Denver during the season but it has been a while.  I've been missing Tony lately (he died of colon cancer several years ago) so I decided that it would be fun to go on a road trip to see a few games this summer.  Over the weekend I saw two games in the homestand against the Los Angeles Dodgers and, even though the Rockies lost both games, they were really exciting.  The first game on Friday night was a lot of fun because there were so many runs (the final score was 11-8) and I got to see my favorite player, Nolan Arenado, get a home run!  The game on Saturday was also fun, until the seventh inning when the Dodgers got eight runs (the final score was 12-4)!  I really love the atmosphere at Coors Field and it was a lot of fun to be in Denver for the weekend!

Note:  Sometimes thinking about Tony makes me sad but being in Denver brought back so many happy memories of all the Broncos, Rockies, and Avalanche games and concerts we went to.  I am lucky to have had such a great friend in my life!

Adrift

I went to see Adrift during a Thursday preview and I thought it was a pretty good, if typical, survival story.  Tami Oldham (Shailene Woodley) is a free spirit who is working odd jobs in order to travel the world.  While working at a marina in Tahiti she meets and falls in love with Richard Sharp (Sam Claflin), a yacht owner sailing around the world.  He asks her to join him but first the two of them take a job sailing a luxury yacht from Tahiti to San Diego and on the way they run into Hurricane Raymond.  The movie begins when Tami wakes up in the wreckage of the yacht after the storm and can't find Richard.  When she sees him floating, severely injured, on a dinghy in the distance, she makes repairs to the yacht as best she can and sails towards him to rescue him.  The action moves back and forth between their romance on Tahiti and their intense struggle to survive with a plot twist that I didn't see coming but should have.  The cinematography is stunning and the wide shots of the tiny yacht in the middle of the ocean are incredibly effective in conveying their isolation and the camera work is very immersive, so much so that there were many times when I found myself holding my head up to keep above the water.  The storm sequences are absolutely thrilling.  Shailene Woodley is hit or miss with me but she gives a fantastic and believable physical performance here as a woman determined to survive and Claflin is always nice to look at.  I think the flashbacks in the narrative take away the tension and the sense of peril at times but I liked this movie and would recommend it.

Summer Reading: Everyone Brave is Forgiven

The first selection on my summer reading list was Everyone Brave is Forgiven by Chris Cleave and I was eagerly anticipating this novel (hence the reason I began with it).  Unfortunately, it fell a little flat for me (as did Little Bee, another novel by Cleave). Mary North is an eighteen year old London socialite who signs up for a job at the War Office on the day that war is declared in 1939. She wishes to be useful but she is also motivated by a need to rebel against her wealthy family. When she is assigned to be a teacher of students left behind in the evacuation, she meets and falls in love with Tom Shaw, a school administrator. She also meets Alistair Heath, Tom's roommate, and her feelings for him complicate her relationship with Tom, especially when Alistair is stationed on Malta during a brutal blockade. A romance set in war-torn London seems like it would be right up my alley but, honestly, I had a hard time engaging with the story. I would pick it up for a few minutes and then set it down again and it was a struggle just to finish it. The story felt very episodic rather than a cohesive narrative. It was mostly vignettes about Mary in London and Alistair in Malta with lots of secondary characters and secondary plots that seemed to go nowhere. The romance seemed like an afterthought rather than the focus and the reunion between Mary and Alistair (which is why I kept reading, to be honest) was disappointingly anticlimactic. While Cleave's prose is incredibly beautiful and descriptive, the dialogue between the characters is unrealistic.  They engage in witty banter rather than heartfelt communication and that made the characters rather one-dimensional and kept them at a distance. I suppose Cleave's motivation for this device was to show the British stiff upper lip in the face of adversity but it backfired with me because I didn't really care about what happened to the characters. In the end, this novel didn't really appeal to me and I wouldn't recommend it.

Note:  Have you read Everyone Brave is Forgiven?  What did you think?  I seem to be in the minority on this one.