Peter and the Starcatcher at HCT

Peter and the Starcatcher is a magical story for children (and adults who refuse to grow up) about how a mistreated orphan boy becomes Peter Pan. It is currently playing at Hale Centre Theatre and I was able to see it last night. I've seen this wonderful play before but HCT's production just might be my favorite. The story is told on a minimalist stage with ordinary items used in creative ways as props requiring the audience to use their imagination. Many of the people sitting around me commented at intermission that they didn't really know what was going on!  I guess I am still a child at heart because I thought it was absolutely hilarious and I can't remember when I have laughed so hard! I laughed and laughed throughout the whole show and sometimes I was the only one laughing!  All of the actors are amazing with most of them playing multiple roles.  I really loved Kooper Campbell as Peter because he brought such a vulnerability to the role, Brighton Hertford as Molly because she portrayed her as such a strong and independent girl, and Nicholas Siler as the alliteration-loving Mrs. Brumbake because he was hilariously over-wrought but, in my opinion, Ben Abbott stole the show as Black Stache. Granted, Black Stache is my favorite character in the play but Abbott brought such a physicality to the role that made me laugh every time he was on stage (I felt the same way about his performance in HCT's production of Is He Dead?).  I loved watching his facial expressions and I loved it when he spoke directly to the crowd. I thought the staging was absolutely brilliant, especially the scene with the mermaids (I was laughing so hard I couldn't breathe), and I particularly enjoyed the use the actors made of the many levels of the stage.  Kudos go to Peggy Willis for the fantastic costumes, especially the aforementioned mermaids, and Michelle Jensen is to be commended for the sheer number of props as well as the creative use of ordinary objects (I loved all of the green neckties used in the forest). I was absolutely enchanted by this production and, if you can summon your inner child as you enter the threatre, I suspect you will enjoy it too.  However, I highly recommend that you get a ticket as soon as possible because many shows are already sold-out.  Peter and the Starcatcher runs through May 18 and tickets can be purchased here.

Rain

If there is one thing you need to know about me it is that I love the Beatles!  I have loved them for as long as I can remember and, even though I have seen Paul McCartney several times, it always makes me sad that I never got to see the Beatles live.  The best that I can do is see a tribute band but there are some really great ones out there.  I've seen 1964 several times, I saw Classical Mystery Tour with the Utah Symphony last summer, and yesterday I got to see the Broadway show Rain which might be the best Beatles tribute concert I've ever seen!  Part concert, part theatrical experience, this show actually makes you feel like you are seeing the Beatles perform in various venues!  There are large screens projecting images such as the Ed Sullivan Show, Shea Stadium, and Abbey Road Studios.  I loved it!  I especially loved it when the screens showed footage of screaming fans from actual Beatles concerts next to footage of the crowd screaming at Kingsbury Hall!  Steve Landes (Johns Lennon), Paul Curatolo (Paul McCartney), Alastar McNeil (George Harrison), and Aaron Chiazza (Ringo Starr) look and sound so much like the Beatles that it is easy to imagine that you are seeing the real thing!  They began the show dressed in the signature matching suits and Cuban-heeled boots the Beatles wore on the Ed Sullivan Show and sang "She Loves You," "Please Please Me," "From Me to You," "I Want to Hold Your Hand," "A Hard Day's Night," "I'm Happy Just to Dance With You," "If I Fell," "Yesterday," "The Night Before," "Day Tripper," and then they got the crowd up and dancing to "Twist and Shout."  They changed into the Sgt. Pepper's uniforms and sang "Sgt. Pepper's Lonely Heart's Club Band," "With a Little Help From My Friends," "Eleanor Rigby," "Lucy in the Sky With Diamonds," "When I'm Sixty-Four," "Penny Lane," "Sgt. Pepper's Lonely Heart's Club Band (Reprise)," and "A Day in the Life."  After the intermission they were dressed like hippies and played "Magical Mystery Tour," "Strawberry Fields Forever," "Across the Universe," "Blackbird," "Ob-La-Di, Ob-La-Da," "In My Life," "Here Comes the Sun," "While My Guitar Gently Weeps," "Come Together," "Get Back," "Revolution," and "The End."  Before the show they had the audience request a song from a list provided on Twitter and Facebook and they ended up playing "Norwegian Wood" which is the song I requested!  For the encore, they sang "Let it Be" and, of course, a rousing rendition of "Hey Jude."  I loved hearing the entire audience singing the chorus!  It gave me goosebumps!  I really enjoyed the selection of songs included and I was very impressed that all of the music is actually played on stage (A fifth member of the band, Mark Lewis, is on stage performing keyboards and other instruments to recreate the Beatles' sound).  I especially loved McNeil's guitar solo on "While My Guitar Gently Weeps."  I thoroughly loved this show and I highly recommend it to Beatles fans!

Note:  Most of the audience members were my parents' age but I was happy to see quite a few kids who were singing every word!

A Tale of Two Musicals

Seeing Les Miserables at the Queen's Theatre in London in 2010

When I was in high school I watched a PBS special about the making of a new musical called Les Miserables.  The toast of London's West End was about to make its debut on Broadway and composers Alain Boublil and Claude-Michel Schonberg were interviewed about the process of bringing Victor Hugo's masterpiece to the stage.  I was fascinated!  I distinctly remember them talking about how they wrote the song "On My Own," because they needed a powerful opening to the second act, and it instantly became my favorite song in the show (I still judge every production by how the actress playing Eponine sings this song!).  To say that I became obsessed with this musical would be an understatement.  I bought a copy (on vinyl!) of the Original London Cast Recording and listened to it over and over (much to the dismay of my family) during every waking moment.  I wanted to see Les Miserables more than I wanted anything else in the world!  When I was in college I had the opportunity to go on a study abroad trip and I knew that I would be in London for a week.  I tried everything in my power to get a ticket but it was sold out!  My heart was literally broken at the thought that I would be in London and wouldn't be able to see it.  Before I left for Europe, my Dad gave me a newspaper article about London's West End which said that you could very often get tickets to sold out shows on the day of the show in kiosks located throughout the city.  I found one in Piccadilly Circus and learned that there were tickets available for that evening but I would have to buy a block of four.  I didn't have a lot of money but such was my mania to see this show that I immediately bought all four.  When I got back to my hotel I asked a friend if she knew anyone who wanted to buy the other three tickets.  A man staying in the hotel overheard me and offered to buy them on the spot.  He even offered to let me ride with him and his family in their taxi to the theatre and, because I was so visibly excited about seeing the show, he bought me a program (which I still have!).  Words cannot describe how I felt when I first heard those opening notes!  To this day, I still get goosebumps when I hear them.

In January I watched an interview with Lin-Manuel Miranda on 60 Minutes about the staging of a new musical called Hamilton.  This story about the life of founding father Alexander Hamilton set to rap and hip hop music performed by a young and multiracial cast left me spellbound!  The song "My Shot" instantly became my favorite when Miranda said it took him a year to write because he wanted it to be the best song it could possibly be!  To say that I am obsessed with this musical would be an understatement!  I immediately downloaded the Original Broadway Cast Recording and I listen to it every day on the drive to and from school.  I want to see Hamilton so much!  Next month I am going on a theatre trip to New York City and I tried to get a ticket but it is sold out for the next year!  I would be brokenhearted to be in NYC and not be able to see it so, since I am a little bit more savvy than I was in college (not to mention I have a little bit more money), I eventually found a ticket on StubHub.  It cost the equivalent of the gross national product of a small country but such is my mania to see this show that I didn't hesitate to buy it.  I am so excited and I don't know how I am going to wait five weeks before I leave!  I know that it will be the experience of a lifetime just like it was seeing Les Miserables for the first time!

Cowgirls at PTC

Last night I went to see PTC's production of Cowgirls and I must say that I enjoyed it much more than I thought I would!  Country is my very least favorite genre of music but, by the end of the show,  even my foot was tapping just a little bit!  Jo Carlson (Leenya Rideout) has inherited Hiram Hall, her father's country and western saloon, but she has also inherited his debts and the saloon is about to be foreclosed.  In a last ditch effort to repay the debts and save Hiram Hall, she has hired the Cowgirl Trio to perform during the grand re-opening.  Unfortunately, she has, in reality, hired the Coghill Trio, a group of classically trained musicians.  The Coghill Trio has reached the end of a disastrous three month tour and, eager to prove themselves, they convince Jo that they can learn to play country music to the dismay of Jo's waitresses (Karis Danish and Ashlie Roberson) who think they could do a better job.  As she coaches Lee (Jessica Bradish) a cello playing New Age lesbian, Rita (Lindsay Zaroogian), a pregnant pianist afraid of losing her identity when she becomes a mother, and Mary Lou (Angela Chatelain Avila), an uptight violinist, on how to play country music, Jo must deal with the fact that her mother abandoned her for a career in country music.  The songs they sing take each of  them on a journey of discovery and I particularly enjoyed "Kingdom of Country," "Songs My Mama Sang," "Looking for a Miracle," "Don't Look Down," and "Saddle Tramp Blues."  While the plot is simplistic, the songs and choreography are quite entertaining and I was extremely impressed by the fact that the actors play all of their own instruments on stage (much like the actors do in the musical Once).  The set of the saloon also reminded me of the bar in Once with audience members invited on stage to have a drink and watch the final performance of the Cowgirl Trio.  I did grow a little weary of the stereotypical portrayal of the down-on-their-luck and hard-living waitresses (they even sing a song called "Don't Call Me Trailer Trash") and the twang (a big reason why I don't like country music) is definitely over the top!  However, I highly recommend this thoroughly entertaining show about women learning how to take a risk!  Cowgirls plays at PTC through April 9 and tickets may be purchased here.

A Gentleman's Guide to Love & Murder

Last night I had the opportunity to see the Broadway touring company production of A Gentleman's Guide To Love & Murder at Kingsbury Hall and I loved it.  I have wanted to see it for so long and it was definitely worth the wait!  It is absolutely hilarious and I was laughing out loud all night.  After his mother dies, Monty Navarro (Kevin Massey) learns that she was part of the illustrious D'Ysquith family and was disinherited for marrying his father.  He is really Montague D'Ysquith Navarro and is in line to inherit the earldom (there are only eight family members ahead of him).  When his vain and heartless girlfriend Sibella (Lesley McKinnell) decides to marry the rich and handsome Lionel Hallward, Monty decides to kill all eight family members ahead of him in the succession in order to become the earl and win her back.  Standing in his way are the Reverend Lord Ezekial D'Ysquith (who has an unfortunate fall from a cathedral tower), Asquith D'Ysquith, Jr. (who has a bizarre ice skating accident), Henry D'Ysquith (who is stung by his precious bees), Lady Hyacinth D'Ysquith (who is presumed dead in deepest darkest Africa), Major Lord Bartholomew D'Ysquith (who is decapitated while lifting weights), Lady Salome D'Ysquith Pumphrey (who is killed by prop gun with real bullets during her debut in Hedda Gabbler), Lord Asquith D'Ysquith, Sr. (who is driven to a heart attack), and, finally, Lord Adalbert D'Ysquith, the Earl of Highhurst (who is poisoned).  The entire D'Ysquith family is played by John Rapson and I can't decide who I liked more:  the outragrously flamboyant Henry who thinks everything is "Better with a Man" or the over-the-top Lady Hyacinth who just wants to do some good!  So funny!  Along the way, Monty falls in love with Phoebe D'Ysquith (Adrienne Eller) and marries her to make Sibella jealous.  Eventually, Monty becomes the Earl of Highhurst but is soon after arrested for the murder of Lord Adalbert, the only D'Ysquith death for which he is not actually responsible!  The charges are dismissed when Phoebe and Sibella each give proof that the other one committed the murder ("That Horrible Woman").  However, Monty might not live happily ever after because Chauncey, the next in line to the earldom, is lurking.  I can't say enough about this production!  Massey, McKinnell (who is the understudy), and Eller have incredible voices and Rapson could not be funnier.  The set is also a lot of fun!  There is an elaborate stage, reminiscent of an old music hall, with projections on a giant screen behind it.  The projections are particularly clever in all of the death scenes, especially when Ezekial falls to his death.  I certainly enjoyed this delightful comedy and I highly recommend that you see it during its SLC run (through March 6).  Go here to purchase tickets.

Note:  Broadway in Utah has changed its name to Broadway at the Eccles in celebration of the 2016-2017 season in the new state-of-the-art Eccles Theatre, which will be complete in the fall.  The shows were announced last night and I couldn't be more excited!  I have already renewed my season tickets and I am particularly looking forward to Kinky Boots.  Go here for more information about the shows and how to purchase tickets.

An Inspector Calls at PTC

Last night I saw PTC's production of An Inspector Calls and I really enjoyed it!  The play takes place in an industrial city in England in 1912 (which I find to be a particularly interesting time in history).  The Birling family is enjoying a celebratory dinner announcing of the engagement of their daughter, Sheila (Katie Wieland), to Gerald Croft (John Skelley) who, as the son of Sir George and Lady Croft, is their superior socially.  Arthur Birling (Joseph Dellger), a wealthy factory owner, is particularly pleased about his daughter's engagement as it will certainly elevate his own status.  After dinner, Inspector Goole (Christopher Kelley) calls to question the family about the suicide of a former worker in one of Birling's factories.  Each family member, including the aforementioned Sheila and Gerald as well as Arthur's wife Sybil (Mia Dillon) and his dissolute son Eric (John Evans Reese), professes having no knowledge of the girl.  However, as the investigation continues, it is revealed that each of them is somehow complicit in her death.  The tension mounts and mounts as each person is questioned until there is a surprise twist at the end (the fact that there is no intermission only serves to heighten the suspense).  Sheila and Eric are completely shattered by this tragedy, while Sybil feels that she has done nothing wrong, Gerald wants to find someone else to blame, and Arthur only cares about the potential for scandal (in my opinion, this foreshadows the crumbling of the Edwardian facade during the war).  It is an interesting murder mystery but it is also a powerful indictment of the rigid social classes in the Edwardian era.  The ensemble cast is excellent but I particularly enjoyed Wieland's portrayal of Sheila (think Michelle Dockery as Lady Mary).  The stage is particularly effective as there is a factory, populated by "factory girls," located above an elegant dining room serving to emphasize that the wealth of the aristocracy was dependent upon the drudgery of the working classes.   Once again, PTC has given me a thought-provoking evening of theatre and I highly recommend this compelling show (particularly if you are a fan of Downton Abbey).  It runs through March 5 at Pioneer Theatre and tickets can be purchased here.

The Pirate Queen at HCT

When HCT announced their 2016 season, I think I was most excited to see The Pirate Queen. After all, it is composed by Claude-Michel Schonberg and Alain Boublil (better known for a little show called Les Miserables). I couldn't wait to see it and I got my wish last night.  It is, essentially, the story of two women who are enemies yet face the same limitations as women and ultimately triumph. Queen Elizabeth I (Cecily Ellis-Bills) has just assumed the throne of England and needs to prove herself by conquering the Irish barbarians. Grace O'Malley (Heather McDonald) becomes the chieftain of the O'Malley clan after proving herself in battle on her father's ship The Pirate Queen and fights to keep her people from submitting to the English Crown. It is an incredible story and, of course, the music is absolutely magnificent! I loved McDonald's voice (I thought she was a hoot as Ado Annie in Oklahoma) and I especially loved how her voice blended with Jacob Theo Squire's, as Tiernan, in the songs "Here On This Night" and "If I Said I Loved You" and with Ellis-Bills' in the songs "She Who Has It All" and "Terra Marique Potens." There are so many powerful scenes in this show but my favorites are "Dubhdara's Farewell" when Grace's father is given his final send-off to sea (the candles and the torches are incredible), the scene between Grace and Queen Elizabeth where the woman in the regalia of a monarch wants what the woman in chains and rags has in her life, and "I'll Be There" when Tiernan has to watch the woman he loves marry someone else to unite the clans. The show is staged very well, especially all of the battle scenes.  It is always so amazing to me what they can do on such a small and intimate stage and the battles are very realistic, especially in the song "Surrender." The choreography is so much fun to watch, particularly the Irish dancing during the wedding and the christening and I absolutely loved the staging of the song "Boys'll Be Boys." (Nathan Gibb Johnson is very easy on the eyes as Donal O'Flaherty, even if he does betray Grace to the English).  Brad Schroeder, the fight choreographer, and Alan Scariff, the Celtic choreographer, are to be commended. The costumes are fantastic, especially all of the over-the-top gowns worn by Queen Elizabeth and her attendants.  I love stories about powerful women and this story is told very well by HCT.  I highly recommend getting a ticket!

The Producers

Last night I had the opportunity to see the musical The Producers and I could not stop laughing!  I have seen this show several times before so I have been looking forward to its return to SLC ever since the Broadway in Utah 2015-2016 Season was announced!  Max Bialystock has just had one of the biggest flops on Broadway (Funny Boy, a musical version of Hamlet).  When his mild-mannered accountant, Leo Bloom, tells him that he could actually make more money with a flop than a hit, the two of them team up to produce the biggest flop Broadway has ever seen!  Their plan is simple:  all they need to do is find the worst play ever written, Springtime for Hitler, hire the worst director in town, Roger "Keep it Gay" De Bris, and hire the worst actors in New York, most notably, a blond bombshell from Sweden named Ulla.  Max raises two million dollars to finance the show by shtupping every little old lady with a checkbook in New York and they begin holding rehearsals. Of course, the show is a huge hit and instead of running away to Rio, Max and Leo end up in Sing Sing (where they produce the show Prisoners of Love).  It is completely over the top with jokes about Hitler, Nazis, women, and homosexuals that are so tasteless that they are hilarious!  David Johnson and Richard LaFleur are great as Max and Leo, respectively, but in my opinion Thomas Slater, as the fanatical playwright of Springtime for Hitler, and John B. Ross, as the flamboyant director, steal the show!  My favorite moments were "Der Guten Tag Clop-Hop" (especially the pigeons), the aforementioned "Keep It Gay," and "Heil Myself," complete with tap dancing brown-shirts!  I really loved it and I definitely recommend it for a fun night out.  It runs at Capitol Theatre through Feb. 7 and tickets may be purchased here.

Two Dollar Bill at PTC

Last night I had the opportunity to see the world premiere of a powerful and provocative play called Two Dollar Bill by playwright T.J. Brady at Pioneer Theatre.  It takes place in the present day on an unnamed Ivy League University campus where it is discovered that a well-respected and tenured history professor has falsified his undergraduate degree.  The play opens with Bill Dudley (Mark Zimmerman) lecturing to a U.S. History class on the Treaty of Paris which "officially" ended the Revolutionary War even though the British had surrendered at Yorktown a year earlier.  He states that the fledgling country needed legitimacy, in the form of an official piece of paper, in the eyes of the world.  Thus the central theme of the play is introduced:  what constitutes legitimacy?  Dudley is informed by the dean of faculty, who happens to be his wife, that the University has discovered that he was one credit short of receiving his Bachelor's degree and demands his resignation while an undergraduate student demands that a failing grade be changed because it will ruin her GPA and, therefore, her chances of getting into law school or business school.  In the midst of these goings-on, Dudley laments the loss of a two dollar bill given to him by his father and wonders why the lack of a degree makes him unsuitable for a position he has held for over thirty years and why his student seems more interested in getting a degree rather than learning the material.  Is legitimacy based on a piece of paper rather than knowledge and ability?  In the end, Dudley finds the two dollar bill and gives it to his teaching assistant, asserting that he doesn't need a piece of paper to remember his father.  This play is incredibly thought-provoking, to say the least, judging by the many conversations swirling around me at intermission and, even though this play deals with higher education, I couldn't help but think about the pressure I am under to pass students in my classes when they have clearly not mastered the material because our school is judged on its graduation rate.  I enjoyed this production immensely, not only for the subject matter, but also for the excellent performances by the aforementioned Zimmerman, Lesley Fera as the dean of faculty, Corey Allen as Dudley's teaching assistant, and Ephie Aardema as Dudley's undergraduate student.  Aardema is especially effective as an entitled student who, at one point, calls her Dad to threaten the school over her grade.  I'm sure she prepared for her role by visiting one of the high schools nearby (said without the slightest bit of cynicism).  I highly recommend this timely drama, especially to anyone concerned over the state of public education in this country.  It runs at PTC through January 30 and tickets may be purchased here.

Beau Jest at HCT

Hale Centre Theatre likes to ring in the new year with a comedy and, once again, they picked a delightful one!  I interrupted my long winter's nap (it has been hard adjusting back to reality after winter break and I have been in bed by 8:00 most nights this week) to see their production of Beau Jest last night and it is absolutely hysterical! Sarah Goldman's parents want her to marry a nice Jewish boy and, because the man she is dating isn't Jewish, she hires an actor named Bob to pretend to be her boyfriend. There is only one problem. He isn't Jewish, either! With her parents at the door, there is no other choice but to proceed (Bob believes he can handle the "role" because he was once in a touring company of Fiddler on the Roof) and, of course, chaos ensues! I laughed and laughed at all of their antics, particularly when Sarah and Bob embrace and inadvertently hit the radio (several times) causing them to be serenaded by the song "Take My Breath Away" by Berlin over and over again. LizAnne Chapman is suitably overwrought as Sarah and Bryan Dayley is incredibly endearing as Bob and they have great chemistry together but, in my opinion, Ben Parkes, as Sarah's uptight brother Joel, and Todd Michael Thompson, as Sarah's boyfriend Chris, steal the show! Parkes brings a physicality to his role that is just so much fun to watch, especially in a scene involving throw pillows! I laughed out loud, as did everyone around me, in the scene where he tells Sarah to get over it! Thompson's facial expressions (and his double finger gun) are a hoot, especially when he competes with Bob for Sarah's attention! So funny!  I only have two complaints.  First, the scene with the Seder is much too long (in a play that is otherwise filled with lots of snappy dialogue) and I started to lose interest but it is early in the run and I suspect it will tighten up. Second, the set, uncharacteristically, is rather blah and, in my opinion, doesn't really look like an apartment that a young woman living in Chicago would have.  It didn't detract from my enjoyment but I kept wondering if it was the same set from last year's Over the River and Through the Woods. Aside from that, I definitely enjoyed Beau Jest and I highly recommend it for a bit of fun on a long winter's night!  It runs through January 30 and tickets can be purchased here.

A Christmas Carol at HCT 2015

I can't think of a better way to start winter break than by seeing HCT's wonderful and magical production of the beloved holiday classic, A Christmas Carol. It is one of my most favorite traditions and I have been attending this show for years and years. I really love the tale of one man's redemption and its message of caring for the welfare of mankind is particularly salient right now during these troubling times. I love seeing familiar faces return year after year, such as David Weeks as Ebeneezer Scrooge, but it is also fun to see new actors take on iconic roles.  I can't remember seeing anyone but Brad Charon play the role of Bob Cratchit or Adam Dietlein play the role of Fred so it was interesting to see Ryan J. Poole and Spencer Bean take on those parts, respectively, last night. Poole's characterization of Cratchit was very tender and I was particularly moved by a scene where Cratchit tearfully thanks Scrooge at the end of the play. I also really loved Ric Starnes as Fezziwig. Actually, all of the performances were great and, as ever, I was very impressed with the Victorian costumes and opulent sets.  I think my favorite part of Hale's production is the use of Christmas carols throughout the play.  I especially love it when the cast sings "Bring a Torch Jeanette, Isabella" which is one of my favorites. Even though I have seen this production countless times I always sit on the edge of my seat and anticipate every scene, every song, and every line of dialogue (I honestly think I could fill in for any part).  It never gets old and I always leave the theatre full of Christmas spirit.  I recommend that you experience it for yourself!  Go here for tickets.

It Happened One Christmas at PTC

I am not a fan of revues but, since I enjoyed It Happened One Christmas at PTC last night a lot more than I thought I would, maybe Christmas revues are an exception.  This original production was conceived by PTC Artistic Director Karen Azenberg and Kenneth Jones (who wrote the wonderful play Alabama Story performed at PTC last season) and features just about every Christmas song and story you can imagine.  The show takes place in an old and abandoned theatre in SLC on Christmas Eve.  Legend has it that all of the ghosts of Christmas shows past get together to perform for an imaginary audience and, if Santa Claus likes the show, it will snow on Christmas Day.  All of the musical numbers are a lot of fun to watch with dazzling choreography, coordinating costumes (someone sitting near me mentioned that it seemed like one long Gap commercial), magical sets, and incredibly talented performers (the children in the cast are adorable).  I especially loved the high energy opening number, Sparklejollytwinklejingley, featuring the entire company.  I feel that the second act lost a little bit of momentum but my favorite moment came near the end and included a reading from the New Testament about the birth of Christ followed by the song "Seasons of Love" from RENT.  This was an incredibly powerful moment and highlighted, for me, what the true meaning of Christmas is all about.  Of course, the show ended with a heart-warming rendition of "Let it Snow, Let it Snow, Let it Snow!" with the requisite snow falling on stage (and in the audience) so I guess that Santa Claus enjoyed it.  I certainly did and I think you will, too, because there is definitely something for everyone in this Christmas extravaganza!  Go here to purchase tickets and give yourself a big dose of Christmas spirit!

Note:  I loved the audience sing-along of the "Twelve Days of Christmas!"  I think my section nailed four calling birds!

Outside Mullingar at PTC

I am not especially adventurous when it comes to the theatre (have I ever mentioned the horrible experience I had when I saw Seussical the Musical?) and I tend to see plays I've already seen before or at least know something about.  After all, tickets are often expensive and, if I am going to spend a lot of money, I want to make sure I enjoy myself.  Sometimes, however, I take a chance on something new and it instantly becomes a favorite (like PTC's production of Next to Normal several years ago).  Such was the case last night when I saw PTC's production of Outside Mullingar.  It is simply charming and I loved it!  All I knew before the curtain rose was that it was set in Ireland and I was quite surprised to discover that it was a contemporary play.  Tony Reilly (perennial PTC favorite Max Robinson) and Aoife Muldoon (Sybil Lines) have lived on adjoining cattle and sheep farms for years and, as they are both getting older, they begin to contemplate the future of their farms and whether their children love the land as much as they do.  Since neither Anthony (Tom O'Keefe) nor Rosemary (Amy Bodnar) are married, they worry that there won't be anyone to continue their legacies.  Will Anthony and Rosemary finally realize that they are meant to be together?  It is incredibly moving, especially when Tony tells Anthony how he fell in love with Anthony's mother, and it is often very comedic, especially when Rosemary declares that she has always loved Anthony.  All four actors give wonderful performances and I thought they did a great job with the Irish accent.  I liked the farmhouse sets and I thought the costumes were a lot of fun, particularly the wellies.  This play is very understated and character-driven but I was riveted by the dialogue.  I walked out of the theatre with a smile on my face (as did everyone sitting around me) and I would highly recommend Outside Mullingar for a lovely evening out.  It runs at PTC until Nov. 14.  Go here to purchase tickets.

Big Fish at HCT

Wednesday night I had the chance to see the musical Big Fish at Hale Centre Theatre.  I didn't know anything about the music or story before I saw it but now I can tell you that it is absolutely charming. Will Bloom is exasperated by all of his father's wild stories involving an encounter with a witch, learning how to swim from a mermaid, a friendship with a giant, running away to the circus, and stopping an assassination attempt of a general during the war. When Will learns that his father is dying of cancer, he returns to visit and, after a Wild West confrontation between the two, discovers that his father has been a real hero all along. All of the songs are so uplifting, especially "Be the Hero," and I loved the choreography, costumes, and props featured in the fantastical stories recounted by Edward.  I think the scenes at the circus were my favorite and I just about died when the elephants (wearing pink tutus) appeared at the top of every aisle!  As usual, Kacey Udy has outdone himself with the set design.  There is a river (literally) flowing through the middle of the stage and it is pretty spectacular.  I also loved the use of miniatures to denote various locations such as the witch's haunted house, Auburn University, and the city of Ashton. Both Douglas W. Irey and Jacob Theo Squire are outstanding as Edward and Will Bloom, respectively. Irey portrays Edward's zest for life with an enthusiasm that is palpable and I really enjoyed his facial expressions, especially when he is wooing his future wife Sandra (Amanda Crabb). Squire portrays Will's journey from skepticism to appreciation for his father's stories with heartfelt emotion, particularly in the song "What's Next."  I also really enjoyed Mackenzie Seiler as The Witch.  She has an incredibly powerful voice and her song, "I Know What You Want," just about blew the roof off of the theatre (and received thunderous applause). I highly recommend this delightful show about the reconciliation between a father and son.  It runs at Hale Centre Theatre until Nov. 28 and you can go here for tickets and more information.

Jersey Boys in Las Vegas

Ever since I saw the Midtown Men (the original Broadway cast of Jersey Boys) perform at Abravanel Hall last spring, I have wanted to see Jersey Boys again!  I decided to see the Las Vegas production while I was in Southern Utah over fall break (Las Vegas is about two hours south of St. George) and, once again, I absolutely loved it!  I am fairly certain that I was one of the youngest people in the audience but I knew every single word to every single song and there were many times when I had to stop myself from singing out loud!  The musical tells the true story of how Frankie Valli and the Four Seasons became rock and roll legends from the perspectives of each of the four members. All of the main actors, Graham Fenton as Frankie Valli, Jason Kappus as Bob Gaudio, Jason Martinez as Nick Massi, and Daniel Robert Sullivan as Tommy Devito, are incredible performers who sing and dance just like the Four Seasons.  I loved all of the great music, especially when they performed "Sherry Baby" on American Bandstand, "Dawn (Go Away)" on The Ed Sullivan Show, and "Rag Doll" at their Rock and Roll Hall of Fame induction ceremony.  The staging is incredibly clever.  They would often begin singing a song around a piano then move set pieces to depict recording the song and then they would put on jackets to perform the song on TV or on stage.  As the cameras filmed them, the footage would be projected on screens which I also thought was really clever.  There were three actresses who played multiple parts simply by changing costumes and wigs.  It was all incredibly seamless.  It is a very entertaining show to watch, although there is quite a bit of profanity, and I had such a great time.  After the bows, the cast came out once again to sing "December, 1963 (Oh What a Night)" and the entire crowd danced in the aisles!  It was so much fun and definitely worth the drive to Las Vegas!

Note:  Jersey Boys is performed at the Paris Las Vegas Hotel & Casino.  It made me wish that I was really in my favorite city!

42nd Street

The Broadway in Utah 2015-2016 season began with 42nd Street and I got to see it last night.  What a fun show!  The story is about a young dancer from Allentown trying to make it big in a brand-new show called Pretty Lady during the Great Depression, but more than that, it is a singing and dancing extravaganza featuring many familiar songs such as "You're Getting To Be a Habit With Me," "I Only Have Eyes For You," "We're in the Money," "Lullaby of Broadway," "About a Quarter to Nine," "Shuffle Off to Buffalo," and "42nd Street."  The young performers are absolutely amazing, many making their debut during this tour, and it almost seems as if their experience performing in this show mirrors that of the characters they play.  All of the big production numbers are completely over-the-top with dazzling choreography and sparkly costumes.  At the beginning of the show, when the curtain slowly rose to reveal row upon row of tap-dancing feet, the entire crowd cheered.  Matthew J. Taylor (Julian Marsh) has a fabulous voice and can really belt it out and Kaitlin Lawrence (Peggy Sawyer) is an incredible dancer and I especially loved her performance in "With Plenty of Money and You."  I definitely recommend this high energy musical for a really fun night out.  It plays at Capitol Theatre through Sunday.

Note:  If you get tickets you might want to go early because parking downtown is really tricky due to Salt Lake Comic Con.

Fiddler on the Roof at PTC

Pioneer Theatre Company chose to open its 2015-2016 season with the classic musical Fiddler on the Roof.  I had the opportunity to see it last night and, in my opinion, they couldn't have picked a better to show to start the season!  Fiddler on the Roof is one of my all-time favorites (I even played Fruma Sarah many years ago) and I loved absolutely everything about this production.  Every song is instantly recognizable ("Tradition," "Matchmaker," "If I Were a Rich Man," "Sunrise, Sunset," "Far From the Home I Love," and "Anatevka.") and I had to try really hard not to sing along!  All of the actors are simply wonderful and I was particularly impressed with Michael Thomas Holmes as Tevye.  His characterization is quite different from other actors I've seen in the role and I loved all of his dialogues with God and his interactions with Golde (Tia Speros).  His rendition of "If I Were a Rich Man" is absolutely hilarious, with most of the audience laughing out loud.  I also thought that Kim Sava (Tzeitel), Nadia Vynnytsky (Hodel), and Mandy McDonell (Chava) had lovely voices and I thoroughly enjoyed "Matchmaker."  The choreography is absolutely incredible!  The Russian dancers in "To Life" and the bottle dancers at the wedding took my breath away and resulted in many cheers and whistles from the audience.  I also thought the choreography involving the Fiddler, who interacted several times with Tevye and then again with Chava during the "Chava Sequence," was quite effective.  The stark set features bare trees and the various houses and shops of Anatevka all appear to be crooked or leaning (emphasizing the precarious nature of their lives as Jews living in Russia).  Even though I have seen Fiddler on the Roof more times that I can count, my attention never once wavered during the entire show and I was completely caught up in the emotion of the story (I had tears streaming down my face during "Sunrise, Sunset").  Trust me, you definitely don't want to miss this beloved classic!  Get your tickets here!

Oklahoma at HCT

Wednesday night I saw Hale Theatre's production of the classic musical Oklahoma!  Every song is instantly recognizable: "Oh, What a Beautiful Morning," "The Surrey With The Fringe On Top," "Kansas City," "People Will Say We're In Love," "The Farmer and the Cowman," and, of course, "Oklahoma!" I've seen this show many, many times and I was quite impressed with what Hale was able to do on such a small and intimate stage. The choreography was absolutely amazing and I especially loved the rope tricks by Will Parker (Jack David Shapiro) in "Kansas City." The Dream Sequence was extremely well done. I think having Laurey (Elise Groves) and Curly (Derek Smith) as children and then adolescents together was very effective at showing their relationship and it was very impressive that Groves and Smith danced their own parts (most productions have a Dream Laurey and Dream Curly). I also think the Dream Sequence was very bold in its depiction of Jud (Jacob Theo Squire).  He is truly menacing and he literally made my skin crawl during this number. I always think Jud is a difficult character. Usually I have some sympathy for him and I feel a little bit unsettled by the exuberant happy ending after his death.  But in this production, I did not like Jud at any point. Director David Tinney made a bold choice to portray Jud as Native American and, at first I didn't like this characterization because it made me feel guilty about not liking him. However, I think Jud is supposed to be a polarizing figure who makes everyone uneasy so, after thinking about it, I feel it was very apt! I also thought it was quite interesting that Tinney chose to have Aunt Eller (Lizanne Chapman) break down in tears alone on the stage following the trial. As I mentioned, I've never been comfortable with such a happy ending after the death of another, however reprehensible that person might be. All of the actors have wonderful voices and seem to have a lot of fun with their characters, particularly Heather McDonald as Ado Annie and Andrew Hansen as Ali Hakim. My only complaint is that I sometimes couldn't hear Aunt Eller but that may have been a technical issue. Set designer Kacey Udy continues to amaze me with what he is able to build on such a small stage. This time he created a full size wooden windmill tower!  Quite impressive!  I would highly recommend this production because it contains all of the familiar and well-loved musical numbers but the story is presented in a completely new way! It runs until Oct. 3 and you can purchase tickets here (but get them quickly because many shows are sold out).

Note:  When I bought my season tickets last year, I had no idea that this show would fall on the first day of school.  It was a long day...

The Wizard of Oz at Sundance

One of my favorite summer traditions is going to the Sundance Mountain Resort to see a musical performed in conjunction with Utah Valley University.  Marilyn and I have seen The Sound of Music, Seven Brides for Seven Brothers, Annie Get Your Gun, Fiddler on the Roof, and Saturday night we added The Wizard of Oz to that list.  It was an absolutely beautiful night up in the mountains, with just a hint of fall in the air.  I really can't explain why I love watching performances outside under the stars but it makes me so happy!  This production of The Wizard of Oz is so charming.  I was actually singing along until Marilyn gave me "the look" but then, just a few minutes later, I caught her singing so I took that as free reign to continue!   Just like in the movie, all of the scenery and costumes in the first act are in very muted tones and then there is a color explosion once Dorothy (Hannah Pyper) gets to Oz.  I think this is the most ambitious set I've ever seen at Sundance, with a yellow brick road on a turntable that is most effective.  The costumes are phenomenal!  I especially loved the Munchkins because the actors are on their knees and their costumes featured legs which could be manipulated.  So funny!  The Scarecrow (Cleveland McKay Nicoll), Tin Man (Maxwell Higbee) and the Cowardly Lion (Wade Robert Johnson) are all fabulous dancers and the choreography is very innovative, particularly in the scene with the poppies.  Pyper has an excellent voice and does a great job with the role of Dorothy.  I thoroughly enjoyed myself and would definitely recommend getting tickets (go here for tickets and more information).  The show runs until August 15 at the Sundance Resort.

The Book of Mormon

Thursday night I had the opportunity to see the musical The Book of Mormon.  I have wanted to see it for a long time and it certainly didn't disappoint.  It is the funniest show I have ever seen!  Two Mormon missionaries, Elder Price (Billy Harrigan Tighe) and Elder Cunningham (A.J. Holmes), are sent to a remote village in northern Uganda to convert the natives to the church.  However, the natives are much more concerned about famine, poverty, AIDS, and a violent overlord than in hearing their message.  The devout Elder Price is discouraged and wishes that he had been called on a mission to Orlando but Elder Cunningham, who has never read the Book Of Mormon "because it is just so boring," starts embellishing the message with references to Star Wars, Star Trek, and Lord of the Rings to make it relevant to their lives.  He begins to convert the natives after he baptizes Nabulungi (Alexandra Ncube), the chief's daughter who dreams of a better life in Salt Lake City.  The elders eventually get in trouble for their false teachings but they realize that they have made the lives of the natives better and eventually convert the overlord.  The musical numbers and choreography are absolutely incredible and I especially loved the songs "You and Me (But Mostly Me)," "Turn It Off," "Man Up," "Baptize Me," and "I Am Africa."  The crowd cheered during the song "Sal Tlay Ka Siti."  In fact, the crowd laughed and cheered throughout the entire show because many of the lines are just hilarious!  I was laughing so hard that I had tears coming out of my eyes.  The line that got the biggest laugh is when one of the villagers tells Nabulungi that Salt Lake City isn't a real place because it's just a metaphor!  There is a lot of swearing in this show and many people might be offended by the subject matter, but if you understand going in that it is a satire, you will have a really fun night out.  The Book of Mormon is sold out for its entire run at Capitol Theatre but you can line up 2 1/2 hours before the show each night to be entered into a lottery for 20 available tickets.  It's worth the effort!

Note:  I have never seen a more enthusiastic crowd for a show in SLC, Wicked and Lion King included.  The energy in the crowd was palpable and it made watching the show so much fun!