The Royal Ballet's Swan Lake

Showing live theater, opera, and ballet productions from world-renowned companies, such as the National Theatre, the Bolshoi Ballet, and the Metropolitan Opera, on the big screen has become very popular.  As someone who loves the arts, I have been intrigued by this but I've never had the opportunity to see anything.  When I saw that my favorite ballet, Swan Lake, was going to be screened at a movie theater near me I decided to get a ticket.  It is a brand new production by the Royal Ballet using Tchaikovsky's magnificent score with choreography by Liam Scarlett and sets and costumes by John Macfarlane and it is simply stunning!  In the Prologue, the Princess Odette has been turned into a swan by the evil sorcerer Von Rothbart.  In Act I, Prince Siegfried is celebrating his birthday with his tutor and friends when his mother, the queen, appears and condemns his carefree lifestyle.  She demands that he pick a bride at the ball the following night but he is weary of the responsibilities at court and escapes into the woods to go hunting.  In Act II, Siegfried ends up at a lake and sees a group of swans.  One of them, Odette, turns into a beautiful woman and Siegfried falls in love with her.  Rothbart tries to separate them and she tells Siegfried that she has been cursed and that it will be broken if someone promises to love her.  In Act III, assorted princesses from various lands come to Siegfried's ball and perform for him hoping to become his bride.  Rothbart has disguised his daughter Odile to look like Odette and she beguiles Siegfried into declaring his love to her.  In Act IV, Siegfried finds Odette at the lake and apologizes but the curse cannot be undone.  She chooses to die rather than remain a swan forever.  Siegfried retrieves her lifeless body from the lake in despair.  One change from versions that I have seen that really worked for me was having Rothbart be a member of the court because it gives a bit more motivation for his actions.  A change that I didn’t like as well was having Siegfried survive at the end because I think having him die with Odette is more dramatic.  Marianela Nunez is brilliant in the lead roles.  She is beautiful, graceful, and demure as Odette and sly, seductive, and playful as Odile.  The Pas de Deux with Vadim Muntagirov, a passionate Siegfried, in Act II is hauntingly beautiful as they fall in love and the one in Act IV effectively portrays her heartbreak and his remorse with the choreography.  I loved the set design, especially the opulent palace during Act III.  I felt like I was the Queen sitting in the royal box because the views of the stage were incredible.  I could see every facial expression and that added so much to my enjoyment of the story.  I loved seeing Swan Lake on the big screen and I will definitely be checking out more of these productions in the future.

Note:  I had the chance to see Swan Lake at the Winter Palace in St. Petersburg, Russia and it was one of the greatest experiences of my life.  This was almost as good!

Ballet West's Cinderella

Last night I had the opportunity to see Ballet West's beautiful production of Cinderella and I absolutely loved it! Featuring sumptuous costumes and sets and a marvelous score by Sergei Prokofiev, this ballet tells the well-known story of Cinderella (albeit with a few differences from the Disney version) with choreography by Sir Frederick Ashton. The stepsisters are portrayed, rather hilariously, by men (Adrian Fry and Christopher Sellers) and the scenes of them getting ready for the ball had me laughing out loud! I also really enjoyed the scene where Cinderella (Beckanne Sisk) dances with a broom as a partner. The Fairy Godmother (Katlyn Addison, one of my favorite dancers) has four fairies representing the different seasons give Cinderella gifts before transforming her into a princess complete with a gilded carriage made from a pumpkin. The ball scenes are delightful with more antics from the stepsisters and I was so impressed by the athleticism of the Jester (Joshua Whitehead). I have to admit that Cinderella's entrance to the ball was absolutely magical and gave me goosebumps. The Grand Pas de Deux between Cinderella and the Prince (Chase O'Connell) is incredibly romantic and very moving with intricate choreography that is dazzling to watch. I thought the giant clock looming over the stage was very effective and the scene of Cinderella leaving the ball is quite dramatic. The final scene is lovely with glitter falling as Cinderella and the Prince dance off stage. The whole production is thoroughly entertaining and I think it is the prefect ballet for children because, while it is definitely a classical ballet, there are so many comedic elements, especially involving the stepsisters, and the story is a familiar one. Cinderella runs at Capitol Theatre through February 25 and tickets may be purchased here.

The Nutcracker 2017

I am now officially on winter break and I am so excited (and relieved). The past week at school has been extremely stressful and, honestly, I didn't think I would make it! The one thing that got me through the day yesterday was knowing that I would be seeing a performance of The Nutcracker by Ballet West later that night. This is a cherished tradition every Christmas and I was even more excited than usual this year because it is all new! The new production retains everything that I love about this ballet, namely the incomparable score by Tchaikovsky and William Christensen's iconic choreography, and adds some beautiful new sets and costumes. I loved it! The set during the party scene has a very Baroque feel to it with lots of jewel tone colors.  I especially loved the falling snow visible in a picture window behind the tree. I also really liked the special lighting effects when the tree grows in size. The set for the Snow Pas de Deux is like a woodland winter wonderland with the Northern lights in the background.  I particularly liked the effect of viewing this scene through diamond paned windows as Clara and the Nutcracker Prince leave the house. The set for the Land of the Sweets has a very tropical feel with candy hued costumes for the pages and attendants (and monkeys!). The new costumes are incredibly opulent and my favorites were the Waltzing Flowers and the furry mice. I don't think I will ever get tired of seeing this ballet and I eagerly anticipate all of the divertissements offered by the Sugar Plum Fairy to entertain Clara. As ever, my favorites are the Arabian dance because it is so exotic and sensuous and the Russian dance for its sheer athleticism (it received the loudest cheers). I wait through the entire ballet for the Grand Pas de Deux between the Sugar Plum Fairy and her Cavalier. I love this because Tchaikovsky's music here is so incredibly romantic!  The Sugar Plum Fairy was danced by Sayaka Ohtaki last night and she was fantastic. I think she is so classically graceful and she seemed to glide across the stage and whirl through the air. It was a wonderful evening and the perfect start to winter break! I highly recommend seeing this amazing update of a Christmas classic.  It runs at the Capitol Theatre through December 30 and tickets may be purchased here.

Nutcracker 2016

The holidays will be upon us very soon and I am not ready! I spent most of the afternoon yesterday rushing around trying to check some items off my long to-do list and, frankly, I'm a little bit stressed out. Last night, however, I took some time out to enjoy one of my very favorite holiday traditions: a production of The Nutcracker by Ballet West. It was the perfect antidote to my stress because as soon as I heard the first notes of Tchaikovsky's magnificent score, I settled into my seat knowing it would be a lovely evening. I've seen this ballet so many times you might think that it would get old, but it just makes me anticipate every scene even more! I love it when the Christmas tree grows to giant proportions, I love it when the toy nutcracker turns into a handsome prince, I love it when the Snow Queen dances with all of her snowflakes, I love all of the divertissements provided by the Sugar Plum Fairy for Clara's enjoyment (especially the Arabian dance and the Russian dance), and, most of all, I love the Grand Pas de Deux between the Sugar Plum Fairy and her Cavalier because it is so incredibly romantic. I got to see someone new dance the role of the Sugar Plum Fairy last night, Sayaka Ohtaki, and she was absolutely beautiful and danced the role magnificently. The entire production is magical, from Tchaikovsky's incomparable music, to William Christensen's classic choreography, to the stunning sets and opulent costumes. If The Nutcracker has ever been one of your holiday traditions, I suggest that you try to see one of the remaining performances (go here for tickets) to bid a fond farewell to the current production. In 2017, Ballet West will debut a whole new production complete with new sets, costumes, and special effects, which is exciting but also a little bit bittersweet. I have certainly enjoyed the current production for a very long time and I especially enjoyed it last night!

Note:  My friend's daughter performed as one of the Ladies in Waiting last night.  It was so fun to be able to see her and she did a wonderful job!

Ballet West's Romeo and Juliet

Last night I saw Ballet West's beautiful production of Romeo and Juliet at Capitol Theatre. The story is based on the well known Shakespearean tragedy and features music composed by Sergei Prokofiev and choreography by John Cranko. I loved it! Even though Romeo and Juliet is not my favorite play, Prokofiev's dramatic score gave me goosebumps, especially during the Capulets' ball, and the choreography is absolutely riveting. The ensemble scenes in the marketplace are athletic, playful, and so much fun to watch; the sword fights between the Capulets and the Montagues are tense and passionate; and the three central pas de deux between Romeo and Juliet are incredibly romantic and I frequently found myself holding my breath, especially during the balcony scene and the bedroom scene. I was very impressed with the principal cast. One of the most powerful moments on stage is when Lady Capulet (Katlyn Addison) mourns over the body of Tybalt (Ronald Tilton) and climbs on to his funeral bier. Addison (who has become one of my favorite dancers because she reminds me of my niece, Tashena) gives an incredible performance filled with palpable despair. I also enjoyed Christopher Sellars' performance as Mercutio (he was greeted with thunderous applause during the final bows) because he is so charismatic. I loved it when he kisses a peasant girl as he lays dying. Rex Tilton, as Romeo, and Sayaka Ohtaki, as Juliet, dance their roles beautifully. Their pas de deux are quite acrobatic but they make them look effortless, graceful, and very emotional. This was one of the most ambitious Ballet West productions I've seen (with 75 cast members, 250 costumes, a 50-piece orchestra, and several elaborate sets) and it was quite impressive! I thought it was absolutely lovely!  Unfortunately, the run ended last night but you can go here to see upcoming Ballet West performances.

Ballet West's The Nutcracker

Seeing a performance of The Nutcracker is a cherished holiday tradition for me and I look forward to it all year. It simply wouldn't be Christmas without it.  I saw the beloved classic last night and I think I enjoyed it even more than I usually do! This year marks the 60th Anniversary (I haven't been attending for that long) of William Christensen's brilliant choreography set to the incomparable score by Peter Ilyich Tchaikovsky so there was definitely a degree of nostalgia as I watched all of the familiar scenes. Yet, there was also an unexpected thrill of excitement because I got to see some new interpretations (I am so used to Christopher Ruud and Christiana Bennett performing the Sugar Plum Fairy and her Cavalier, either individually or together) of some iconic roles.  The Grand Pas de Deux performed by the Sugar Plum Fairy and her Cavalier is my favorite moment in the entire ballet (I think Tchaikovsky's music for this scene is the most romantic in the entire classical cannon) and I thought Emily Adams and Rex Tilton danced it beautifully.  It gave me goosebumps!  Even though I have seen this ballet countless times, I still get caught up in the excitement of the party scene as the Christmas tree is unveiled for the children, I marvel at the transformation of the nutcracker into a handsome prince, and I take delight in the various divertissements arranged by the Sugar Plum Fairy for Clara and the prince (especially the Arabian variation and the Russian variation). It was a lovely evening made even more so by a large group of teenagers sitting near me who were absolutely enchanted by it.  If you haven't experienced this holiday tradition for yourself, I highly encourage you to do so.  Go here for tickets.  The Nutcracker runs at Capitol Theatre until Dec. 27.

Note:  This year Ballet West cast Katlyn Addison as the first African-American Sugar Plum Fairy in the organization's history. I was thrilled by this news because my niece is a dancer and she might play the Sugar Plum Fairy some day!  I wish that I could have seen her!

Ballet West's Almost Tango

Last night I went to a thrilling performance of three ballets featuring the amazing dancers of Ballet West. The first ballet was Square Dance which I really enjoyed because I found it to be highly amusing. While the choreography, costumes, and music (various selections from Vivaldi) were very classical, all of the steps were prompted by a caller on stage, who just happened to be Ballet West Artistic Director Adam Sklute!  He was absolutely hilarious because he made the traditional ballet steps sound as if they were being performed at a hoedown.  My very favorite phrase was, "Make your feet go whackety-whack!"  I also really liked, "Watch her twirl. Watch her whirl. My but she's a pretty girl." The solo performed by Rex Tilton was wonderful (he is very easy on the eyes, too). The next ballet was Almost Tango and it was my favorite of the three. The choreography was very innovative, the lighting was dramatic, and the performances were sensuous.  I absolutely loved all of the music in this piece but I also thought it was striking when there were interludes of dancing without music. One of the main soloists was Christiana Bennett. She has been one of my very favorite members of Ballet West for years and she is retiring after this season. I am really happy that I got to see her dance so beautifully one last time. The final ballet was In the Middle, Somewhat Elevated.  The music in this piece was very industrial and rhythmic, sometimes even jarring, and I thought the choreography was incredibly athletic.  It almost seemed like a spontaneous dance-off in a club. The performances were outstanding, especially the featured soloists. If you don't already know this, let me tell you now that Christopher Ruud is amazing!  His performances are always riveting and whenever he is on the stage it is difficult for me to see any other dancer but him.  I thoroughly enjoyed all of these ballets and I recommend that you get a ticket to one of the few remaining performances (go here), especially if you want to see Christiana Bennett one last time!

Ballet West's Swan Lake

Last night I attended Ballet West's production of Swan Lake.  I almost didn't go because I thought nothing could compare to the performance I saw of this ballet in Russia.  While seeing such a quintessentially Russian ballet performed in the Winter Palace in St. Petersburg will always be one of the most magical experiences of my life, I'm really glad I got to see Ballet West's version.  It was absolutely wonderful! Prince Siegfried goes into the woods to hunt and aims his bow at a swan who becomes a beautiful woman named Odette.  She explains that she is a swan by day and a woman at night because she is under the spell of an evil sorcerer, the Baron von Rothbert. Only true love can break the spell but, as the sun comes up, Odette reverts back to a swan and Siegfried returns home to celebrate his birthday with a grand ball.  Many princesses vie for his attention because he must marry to inherit the throne.  He ignores them, thinking only of Odette.  Suddenly, Rothbert enters the ballroom with his daughter Odile, who looks exactly like Odette.  Thinking that she is Odette, Siegfried declares his love to Odile.  When Rotherbert reveals his treachery, Siegfried rushes to Odette to beg forgiveness which she grants.  They eventually find a way to defeat Rothbert and end the spell in a very dramatic ending.  Beau Pearson, as Siegfried, and Christiana Bennett (one of my favorite Ballet West dancers), as Odette/Odile, danced their roles beautifully and I especially loved their Pas de Deux. I also really enjoyed the Swan Maidens because they were so synchronized with very elaborate formations and the Hungarian dance at Siegfried's ball because it was very dramatic. The score by Tchaikovsky is absolutely exquisite!  The music during the Pas de Deux between Odette and Siegfried is incredibly romantic (right up there with the Pas de Deux between the Sugar Plum Fairy and her Cavalier in The Nutcracker).  I think all of Tchaikovsky's music is so beautiful and emotional and the choreography of this ballet really suits this particular piece!  The costumes are gorgeous and the sets are quite spectacular, especially the ballroom (I loved the chandeliers).  It was such an amazing production (one of Ballet West's best, in my opinion) and I definitely recommend getting a ticket to one of the few remaining performances. Go here for tickets and information.

Note:  Taylor Swift used costumes from Ballet West's production of Swan Lake in the video for "Shake It Off."

Leaping Russians and a Sugar Plum Fairy

Last night I attended Ballet West's production of The Nutcracker. This is such a beautiful production (in fact, it is so amazing that Ballet West recently performed five sold-out shows in Washington, D.C. at the Kennedy Center for Performing Arts) and it is one of my very favorite Christmas traditions. I look forward to it every year! No matter how many times I see it, I always feel like a child again anticipating those well-known opening notes of Tchaikovsky's magnificent Overture. I am just as excited as the children in the party scene as they await the unveiling of the Christmas tree and I marvel as the toy nutcracker is transformed into a handsome prince in the first act.  In the second act, Clara and her prince travel to the land of the Sugar Plum Fairy and I definitely enjoy the divertissements she arranges for their pleasure.  I love the Arabian dance, but my favorite is the Russian dance for the sheer athleticism of it!  The Grand Pas de Deux between the Sugar Plum Fairy and her Cavalier gives me goosebumps every time and, tonight, Emily Adams and Beau Pearson danced it beautifully.  I absolutely love Tchaikovsky's score for this dance!  I think it is one of the most romantic pieces of music in the classical cannon and William Christensen's original choreography really complements it!  I love everything about this ballet and it was such a wonderful way to start my Christmas vacation.  The Nutcracker will be performed at Capitol Theatre until Dec. 31 (with matinee and evening performances excluding Christmas Day) and I highly recommend it. Go here for information and to purchase tickets.  Whether it is your first time or, like me, you've been going for years, you're sure to be enchanted by this holiday classic!

Don't forget to enter the giveaway for a pair of tickets to see the Utah Symphony New Year's Eve weekend.

Ballet West's Giselle

Last night I saw the classic ballet Giselle beautifully re-staged by Ballet West Artistic Director Adam Sklute.  I absolutely loved it! Giselle is a young peasant girl who meets a handsome man named Loy (who is really Albrecht, the Duke of Silesia, in disguise).  She falls in love with him much to the dismay of Hilarion, a peasant boy who loves her.  Loy leaves when he hears the horns of a hunting party but Hilarion discovers his true identity when he finds his sword.  The hunting party is comprised of the Duke of Courland and his daughter, Bathilde, who becomes fond of Giselle. They speak of love and confess that they are both engaged (it turns out that they are engaged to the same man).  Later, Loy returns and Hilarion confronts him with his sword. Giselle, upon learning the truth, goes mad and takes her own life.  When Albrecht visits Giselle's grave, he is confronted by the Wilis, the spirits of young maidens who were betrayed before their wedding day and seek revenge against those who deceived them. The Wilis force Albrecht to dance until he dies but Giselle forgives him which frees him from the spell.  I was thrilled when I learned that Christopher Ruud, my favorite Ballet West dancer, was dancing the role of Albrecht and Christiana Bennett, another favorite, was dancing the role of Myrthe, the Queen of the Wilis.  Giselle was danced by Arolyn Williams and she was amazing!  I loved the scene where Loy (Albrecht) woos Giselle.  The business with the flower to determine if Loy loves her is really sweet.  The Pas de Deux between Albrecht and Giselle's ghost is incredibly tender and beautiful (as is all the music for this ballet).  I loved the woodland scenery and costumes.  Most of the corps is costumed in rustic browns and greens while Giselle and Albrecht are in light blue.  It is a striking contrast.  The Wilis are all in white with a touch of green, making them seem otherworldly. The whole effect is quite beautiful.  The new staging is lovely and I highly recommend this production. Unfortunately, there are only two performances left:  an evening performance tonight (Sat) and a matinee tomorrow (Sun).  Go here for tickets and information.

Note:  I overheard a girl sitting near me say that her dream was to go to Russia and see a ballet.  I think that is a pretty good dream to have.

Ballet West's The Rite of Spring

Last week I went to see a performance by Ballet West and it was absolutely wonderful!  The first ballet was called Forgotten Land and it was based on a painting by Edvard Munch, who is one of my favorites.  It featured music by Benjamin Britten which, to me, was almost reminiscent of howling wind.  There were several couples dressed monochromatically in red, white, gray, and black.  They danced in front of a large backdrop showing a stark landscape of ice, which I thought was very effective in evoking a mood of desolation.  The choreography was very innovative and this was definitely my favorite piece of the night.  The second ballet was called Divertimento No. 15 and it featured the music of Mozart.  It was a more traditional ballet with the dancers wearing tutus.  The choreography was very elegant.  The final ballet was a world premiere called The Rite of Spring featuring the music of Igor Stravinsky.  This piece was amazing!  The choreography was almost primitive and every movement embodied the music completely.  A large vessel above the stage slowly rotated to splash water on the dancers at the end of the piece.  It was very dramatic!  I really enjoyed the entire performance.