My Fair Lady with the Utah Symphony

Last night the Utah Symphony performed a concert version of the stage musical My Fair Lady.  They were joined by Broadway stars Peter Scolari as Professor Henry Higgins (I saw him as the Wizard in Wicked on Broadway), Susan Derry as Eliza Doolittle, Jeff Mattsey as Alfred P. Doolittle, Charlie Tingen as Freddy Eynsford-Hill, and Michelle McConnell and Cree Carrico as the female ensemble.  In a concert setting there is minimal dialogue, limited choreography, and only a few costume changes so the music is allowed to shine.  The orchestra and the performers did an amazing job of bringing the story to life with their interpretation of the score.  Derry has a beautiful voice and I especially enjoyed her renditions of "Just You Wait" and "I Could Have Danced All Night." I also really liked her performance of "The Rain in Spain" with Scolari and I was very moved by his heartfelt version of "I've Grown Accustomed to Her Face."  Finally, I loved Tingen's performance of "On the Street Where You Live" which is my favorite song in the show because I think it is so romantic.  The entire evening was just loverly!

Note:  I've heard a rumor that the Utah Symphony will be performing the musical Singin' in the Rain in concert next season!

Tchaikovsky's "Pathetique"

It seems like it has been such a long time since I've been to Abravanel Hall to hear the Utah Symphony so I was very happy to be there last night for a concert featuring one of my favorite composers!  The orchestra began with the Overture to Tannhauser by Richard Wagner and I absolutely loved it!  This opera is about the temptation and ultimate redemption of a troubadour and the music is incredibly dramatic (I loved the themes played by the brass)!  After this performance I definitely need to put this opera on my list ones I want to see!  Next came a trio of pieces by Hector Berlioz: Sara la baigneuse, Ballade for Three Choruses and Orchestra featuring the Utah Symphony Chorus and the University of Utah Chamber Choir; "La Mort d'Ophelie" from Tristia featuring the women from the aforementioned choruses; and Reverie et caprice for Violin and Orchestra featuring an amazing performance by soloist Philippe Quint.  I loved all of these pieces but I especially enjoyed the second because I am obsessed with the play Hamlet and I could see Ophelia's death scene very clearly as I listened to the beautiful and ethereal music.  After the intermission, the orchestra played Symphony No. 6  ("Pathetique") by Pyotr Ilyich Tchaikovsky.  I love the Russian composers because their music is very emotional and this piece, in particular, is almost unbearably so.  I especially enjoyed the final movement because I think it is so passionate and filled with such longing.  This was the best interpretation of this piece that I have ever heard and I had tears in my eyes at its conclusion!  It was an evening filled with music from three of the best composers from the 19th century romantic era performed beautifully by the Utah Symphony and I loved every minute of it!  I highly recommend getting a ticket to tonight's performance of the same program (go here).

Wicked at the Eccles

I took a little break from the Sundance Film Festival (a full wrap-up is coming soon) to see the musical Wicked with my sister.  When I found out that the Broadway at the Eccles 2018-2019 season would include Wicked as an add-on to the season package, I thought that, since I have seen it so many times, I didn’t need to get a ticket.  Then I realized how sad I would be if I didn't see it while it was in SLC and decided that I had to go.  My sister Kristine had never seen it before so I got a ticket for her and she was so excited!  Even though I have seen it so many times I think I was just as excited as she was.  This show is extremely clever at telling the story of what happened to the Wicked Witch of the West, Glinda the Good, the Wonderful Wizard of Oz, the Wicked Witch of the East, the Cowardly Lion, the Tin Man, and the Scarecrow before Dorothy makes an appearance in Oz.  Not only do I love the story but I also love every single song ("What Is This Feeling?," "I'm Not That Girl," and "As Long As You're Mine" are my favorites), the elaborate costumes, the choreography, and the steampunk set design.  It is such an amazing show!  This particular production featured two of the best actresses I've seen as Glinda (Kara Lindsay) and Elphaba (Jackie Burns).  Lindsay is so funny and is particularly adept at all of the physical comedy in the role, especially in the song "Popular." Every actress I've seen play Glinda has added some little bit of business in "Popular" to make it her own and Lindsay was hysterical with her high kicks!  Burns has an incredibly powerful voice, especially in "Defying Gravity" and "No Good Deed."   She definitely gave me goosebumps!  The rest of the cast is great and I particularly liked Jody Gelb as Madame Morrible (I love all of the character's malapropisms).  This is a production that I highly recommend (even if you have seen it as many times as I have) and it runs at the Eccles Theatre until March 3.  Most shows have sold out but I have noticed tickets on the ArtTix website.

Note:  I ran into my dear friend Karen in the elevator, I saw one of my current students in the lobby, and found one of my colleagues in the English department at intermission (I got her tickets before they went on sale to the public).  I felt really popular!

Utah Opera's The Little Prince

Last night I went to see Utah Opera's production of The Little Prince.  I almost didn't get a ticket because I don't usually like modern operas with librettos in English and my only experience with the novella by Antoine de Saint-Exupery, upon which the opera is based, is when I was forced to read it in French when I was a senior in high school (I didn't understand it at all).  I am so glad that I decided to get a ticket any way because I loved it!  The story begins with a Pilot (Jared Bybee) telling a group of school children (Choristers of the Madeleine Choir School) about a drawing of a snake eating an elephant.  Every adult thought it was a hat which proves that adults can't see anything!  Then he tells them of crash landing his plane in the desert and meeting the Little Prince (Nitai Fluchel) who wants a drawing of a sheep to eat all of the bushes, especially the baobab trees, threatening to overtake his planet.  The Prince then recounts his life story on his planet which contains three volcanoes, one active and two dormant, and his beautiful, but vain, Rose (Grace Kahl).  When the Rose treats him badly, the Prince decides to visit other planets.  On the first planet, he meets The King (Tyrell Wilde) who has no subjects and only issues orders that can be followed such as commanding the sun to set.  On the second planet, he meets the Vain Man (Joshua Lindsay) who wants to be the most admired man on an otherwise uninhabited planet.  On the third planet, he meets The Drunkard (Addison Marlor) who drinks to forget his shame over drinking too much.  On the fourth planet, he meets The Businessman (Jesus Vicente Murillo) who fails to see the beauty of the stars by his need to count and catalogue them to prove ownership.  On the fifth planet, he meets The Lamplighter (Addison Marlor) who blindly follows orders to light and extinguish a lamppost every 30 minutes to correspond to day and night on his planet.  The Prince finds all of these adults to be ridiculous (the allegory was lost on me when I read it in French) so he decides to visit Earth and lands in the desert.  He meets a Snake (Joshua Lindsay) who tells him he can send him home any time he wishes.  He sees a rosebush which makes him think his Rose is just ordinary.  Finally, he sees a Fox (Melanie Ashkar) who tells him that you can only see with your heart not your eyes and that spending time with his Rose has made it special.  He decides that he misses his Rose and wants to go back home.  He takes the Pilot to a well to find Water (Melissa Heath) which saves him and makes arrangements with the Snake to return home.  The Pilot is upset but the Prince tells him not to worry that he has died because his body is just a shell that is too heavy to return to his planet.  The Snake strikes, the Prince disappears, and the Pilot repairs his plane.  The story ends with the Pilot telling the children that he can always see the Prince by looking at the stars.  This story of friendship, loneliness, love, and loss is so touching (I definitely need to read it again in English!) and Academy Award-winning composer Rachel Portman's music is incredibly beautiful.  I loved the costumes, especially the king's long train, and the set, which consists of a book-lined study and transforms into hundreds of pages from books to represent the desert.  The Choristers of the Madeleine School Choir, especially Fluchel who is amazing, are so talented and their voices add so much to the story.  It is a magical production and I highly recommend it (go here for tickets).

The Lion in Winter at PTC

Last night I went to see The Lion in Winter, the current production at Pioneer Theater (I will review the final film in my winter break movie marathon tomorrow).  It is Christmas Eve 1183 and King Henry II of England (Esau Pritchett) has summoned his family to spend the holiday together.  This includes his sons Richard (William Connell), Geoffrey (Damian Jermaine Thompson), and John (Austin Reed Alleman) as well as his wife, Eleanor of Aquitaine (Celeste Ciulla), who has spent the past ten years as his prisoner for staging a rebellion against him.  Since King Philip of France (Grayson DeJesus) is pressuring him to wed his sister Alais (Maryam Abdi) to the heir to the throne, Henry uses this opportunity to decide the succession.  He advocates for John simply because he knows that Eleanor wants her favorite son, Richard, to be the next king.  This pits brother against brother as they scheme, manipulate, plot, and form and break alliances.  It is so much fun to watch.  But the real fireworks come in the scenes between Pritchett and Ciulla as they spar with each other.  Their performances are melodramatic and completely over the top but this is really effective because everything they say is a calculated performance for an audience of one.  They have great chemistry together and I found them to be riveting.  The princes are the ultimate pawns in their parents' battle with each other and, while they sometimes come across as caricatures of the oldest (Richard is the leader), middle (Geoffrey is ignored), and youngest (John is petulant) children in a family, they each have their moments of vulnerability. What I liked most about this production is that, while it is set during the 12th century, it still has a contemporary vibe to it with a message that modern audiences can relate to (when Eleanor says, "It's 1183 and we're still barbarians," it got a huge response from the crowd).  This modern aesthetic is reflected in the set and the costume design.  There are the traditional Gothic arches but they have LED lights on top which change colors during scene changes to reflect the mood.  The costumes have medieval silhouettes and include chain mail and cloaks lined with fur but they feature very modern fabrics and colors (John and Geoffrey even wear athletic shoes).  I really enjoyed this play and would recommend it (go here for tickets).

Note:  The Lion in Winter is one of the very first plays I saw at the Utah Shakespeare Festival when I was in college.  I was fascinated by Eleanor of Aquitaine, as a character and a historical figure, which prompted me to research her and watch the Academy Award winning movie starring Katharine Hepburn in the role.  Good stuff!

A New Year's Celebration

What better way to ring in the new year than by attending a concert with the Utah Symphony!  Last night (I will resume my winter break movie commentaries tomorrow) my friend Angela and I spent a wonderful evening listening to the orchestra play six dazzling pieces under the baton of guest conductor Xian Zhang (who was quite expressive and fun to watch).  They began with Fanfare for the Uncommon Woman No. 1 by Joan Tower which was quite dramatic because the only musicians on stage were the horns, brass, and percussion.  I really enjoyed the timpani at the end of the piece!  Next came selections from The Sleeping Beauty by Pyotr Ilyich Tchaikovsky which, of course, I absolutely loved.  I really enjoyed the Lilac Fairy's theme (which represents good) and Carabosse's theme (which represents evil) and how they are continually reintroduced as the two of them struggle with each other.  Next, the orchestra played Concerto No. 1 for Violin and Orchestra by Karol Szymanowski with Concertmaster Madeline Adkins as soloist.  I was unfamiliar with this piece but it was quite spectacular!  I was very impressed with Adkins because she not only played with great technical precision but she interpreted the piece with a lot of emotion.  It was a brilliant performance!  After the intermission, the orchestra played a waltz and a polka by Johann Strauss, Jr. and I pictured couples twirling at a New Year's Eve Ball in Vienna during these pieces.  They were so lively and exuberant!  The concert concluded with the Suite from Der Rosenkavalier by Richard Strauss.  This was simply delightful and I especially enjoyed the themes played by the oboe.  It was an amazing night of music and I definitely recommend getting a ticket for tonight's performance of the same program (go here).

Note:  After the performance, I was invited to an after party at the BTG wine bar downtown and Angela came with me.  This is not something I would normally do but it was really quite fun.  I actually mingled with a few people and got to talk to the conductor very briefly (she is adorable).  There were hors d'oevres, desserts, and several different wines served and I felt very sophisticated (I even wore a dress!) partying with the Utah Symphony!

Back Together

During Kyle Korver's first two seasons with the Utah Jazz I had season tickets with my aunt and cousins.  We always had so much fun together at the games!  Now that Korver is back in Utah we decided that it would be fun to get back together for a game so last night we saw the Jazz play the Philadelphia Seventy-Sixers.  It was just like old times!  The Jazz started really well.  Korver had a great first quarter with a nice jumper and a really deep and-one three pointer before the buzzer and ended up leading the team in points.  It was a lot of fun cheering for him.  The Jazz stayed with the Sixers in the second quarter and ended down five points going into the half.  During the second half of the game the Jazz couldn't get anything going.  The Sixers basically had their way with them to win 114-97.  It wasn't a very good game but it was so great being with my aunt and cousins.  We have so many memories of watching Jazz games together!

Miss Bennet: Christmas at Pemberley at PTC

Since I am a huge fan of Jane Austen in general and of Pride and Prejudice in particular, I have been anticipating PTC's current production for months!  Miss Bennet: Christmas at Pemberley takes the beloved characters we know so well and places them in a delightful drawing room comedy that is perfect for the holidays!  Mr. and Mrs. Darcy (Greg Balla and Emily Nash, respectively) invite the entire Bennet family to Pemberley for Christmas.  Mr. and Mrs. Bingley (Logan James Hall and Rachel Clausen, respectively) are expecting a baby imminently, Mrs. Wickham (Jessica Naimy) is lonely and unhappy in her marriage to Mr. Wickham, and Mary Bennet (Elizabeth Ramos) is lamenting the fact that she has been abandoned and forgotten by her sisters at Longbourn.  Mr. Darcy reveals that, since Lady Catherine de Bourgh has recently died, he has invited the new heir to Rosings, Arthur de Bourgh (Jamen Nanthakumar), to Pemberley for Christmas.  He takes an immediately liking to Mary (he likes to read as much as she does) but Mrs. Wickham flirts outrageously with him leading to a misunderstanding involving love letters.  When this is resolved, Catherine de Bourgh's daughter, Anne (Savannah Moffat), arrives declaring herself to be engaged to her cousin.  Can the former Bennet sisters get Mary and Arthur back together?  I thoroughly enjoyed this charming production!  What I liked most is that the characterizations from the novel are completely maintained.  I know these characters intimately and they are immediately recognizable.  My favorite scenes are those when Arthur asks Mr. Darcy and Mr. Bingley for advice on courting a Bennet sister (since they are such experts).  Mr. Darcy suggests writing a letter declaring his feelings and Mr. Bingley suggests that he simply ask Mary if she likes him.  So clever!  The entire cast is outstanding but Nanthakumar and Ramos are hilarious to watch as Arthur and Mary try awkwardly to declare their love to each other.  Balla and Hall are also really fun together as Darcy and Bingley contemplate their status as happily married men.  The set, filled with beautiful Regency furniture and a Christmas tree which is the source of much amusement, and the costumes, in rich and sumptuous fabrics, do much to evoke 19th century England.  Sometimes the action is quite slow but the witty banter is hilarious!  If you are a fan of Pride and Prejudice, this play is sure to delight you.  It runs through Dec. 15 (tickets may be purchased here).

Finding Neverland at the Eccles

A couple of years ago, while on a theatre trip to New York, I was able to see Finding Neverland and I loved it so much!  I loved it just as much after seeing it again last night!  It is a beautiful and heartwarming story of how J.M. Barrie (Jeff Sullivan) comes to write the play Peter Pan after Sylvia Llewellyn Davies (Ruby Gibbs) and her four sons help him find his imagination again.  The music is absolutely wonderful (I listen to the Original Broadway Cast Recording all of the time) and every song is staged brilliantly.  I love how Barrie goes to Kensington Gardens for inspiration in "My Imagination," how he and the Llewellyn Davies brothers become pirates in "Believe," how he turns a dull dinner party into an adventure in "We Own the Night," how the people in his life try to get Barrie to act more sensibly in "Circus of Your Mind,"  how Barrie's alter ego, Captain Hook, encourages him to act boldly in "Live By the Hook," how Barrie's acting troupe reacts to his new play in "The World Is Upside Down," how Barrie and Sylvia play with their shadows in "What You Mean to Me," how Barrie's acting troupe rediscover their inner children in "Play," how the Llewellyn Davies brothers use their imagination in "We're All Made of Stars," how Barrie tries to comfort Peter when he realizes that he will have to grow up in "When Your Feet Don't Touch the Ground," and how Barrie brings the play Peter Pan to Sylvia when she is too ill to attend the premiere in "Neverland" (Reprise).  I think the penultimate scene with Sylvia is one of the most magical bits of stagecraft that I have ever seen and I cried once again.  I really enjoyed Sullivan's performance, but I missed the Scottish accent, and his chemistry with Gibbs, who has a beautiful voice, is palpable.  The acting troupe is completely over the top, and a bit cliched, but they are a lot of fun.  The young actors playing the Llewellyn Davies brothers (they rotate from night to night) are delightful and elicited many cheers from the audience.  It is all so enchanting and the message that you should never take life too seriously really resonates with me.  If you can discover your own inner child I think you will really enjoy this musical which runs at the Eccles Theatre through Sunday, Dec. 9 (go here for tickets).

Bach's Brandenburg Concertos 1 & 2

It has been a really long week and my favorite way to decompress when I am feeling stressed is by attending a Utah Symphony concert.  The program last night was simultaneously soothing and stirring!  The orchestra began with Johann Sebastian Bach's Brandenburg Concertos No. 1 & 2 which are masterpieces of the Baroque era.  Concerto No. 2 featured soloists Mercedes Smith, Flute, James Hall, Oboe, Claude Halter, Violin, and Travis Peterson, Trumpet, who were all amazing but I was especially impressed with Peterson's performance.  I really enjoyed these pieces and I found myself imagining a stately ball scene in a Jane Austen novel and it was just lovely.  In between the two concertos, the orchestra played a contemporary piece called Derive 1 by Pierre Boulez which has an incredibly modern sound created with traditional instruments.  The juxtaposition between this piece and the concertos was really interesting and Maestro Thierry Fischer requested that the audience hold their applause until the end of the final piece to maintain the mood.  After the intermission the orchestra played Symphony No. 3 by Aaron Copland.  I have heard this piece performed live several times and I find it to be very evocative of the American west.  I love the themes played by the woodwinds and, of course, the instantly recognizable fanfare played by the brass, punctuated dramatically by the timpani, is brilliant.  I loved everything about this concert and I highly recommend getting a ticket (go here) to tonight's performance.

Bernstein's Candide

I ended a really fun week of culture and the arts last night with a semi-staged version of Leonard Bernstein's opera Candide performed in collaboration with the Utah Symphony and Utah Opera.  I sometimes teach the satirical novella by Voltaire, upon which this opera is based, to my seniors so I have been looking forward to this since the 2018-2019 season was announced.  It was absolutely delightful and I laughed out loud more times than I can count!  Candide (Jonathan Johnson) is an illegitimate young man living in Westphalia with his uncle, the Baron Thunder-ten-Tronck and his son, Maximilian (Mark Diamond), daughter, Cunegonde (Amy Owens), and an accommodating serving girl named Paquette (Alecks Romano).  The four young people are taught by an eminent philosopher, Dr. Pangloss (Hugh Russell), that life equals happiness.  When Candide falls in love with Cunegonde, the Baron disapproves and banishes him.  Candide then wanders around the world, including Bulgaria where he is pressed into service in the army, Lisbon where he faces the Spanish Inquisition, Paris where he inadvertently kills two men, Spain where he flees arrest, Uruguay where he inadvertently kills Maximilian, El Dorado where he discovers golden sheep, Suriname where he buys a leaky boat, and Venice where is is reunited with everyone.  While he is having his adventures, he wonders why all of these bad things keep happening to him when life is happiness.  He finally realizes that life is just life and settles down with Cunegonde to grow his garden.  The music in this opera is beautiful and I especially enjoyed "The Best of All Possible Worlds," "It Must Be So," "Glitter and Be Gay," "My Love," "Universal Good," and "Make Our Garden Grow."  Both Johnson and Owens are spectacular and I also really enjoyed the Utah Opera Chorus who provide much of the comedy.  This performance is absolutely hilarious and my favorite bit of business is when Candide borrows Maestro Thierry Fischer's baton to use in a sword fight!  The costumes are fabulous and the staging is incredibly innovative for such a small space.  I thoroughly enjoyed myself and I highly recommend getting a ticket to tonight's performance (go here).

Note:  I really enjoy watching the principal timpanist (translation: I have a small crush on him).  At this performance an adorable older lady sitting in front of me turned and asked me if she was obstructing my view by leaning forward slightly.  When I said no, she went on to say that her favorite member of the orchestra plays the timpani and since he was in the corner of the stage she couldn't see him without leaning forward.  I laughed and said that I liked him, too!  She mentioned, while blushing, that she had met him and that he was just so charming.  I told her that we could swoon together!

Come From Away at the Eccles

When the Broadway at the Eccles 2018-2019 season was announced, Come From Away was the show I was most excited to see and I have been eagerly anticipating it ever since.  I got to see it last night and I basically cried through the whole thing, except when I was laughing hysterically.  After the attacks of 9/11, U.S. airspace is restricted and 38 international flights have to be diverted to the airport in the tiny town of Gander, Newfoundland, Canada.  The nearly 7,000 stranded passengers almost double the population of Gander but the townspeople willingly do everything they can to provide them with food, clothing, shelter, and comfort.  The story is told through the perspectives of the townspeople and several stranded passengers with an outstanding ensemble cast of twelve who seamlessly play multiple roles.  The narrative is incredibly moving and explores how the people of Gander learn of the attacks, the confusion of the passengers on the planes who have no idea what is going on, the determination of of the townspeople to do whatever is necessary to help, the desperation of the passengers to learn the fate of loved ones (especially the mother who cannot locate her son who is a firefighter in NYC), the growing paranoia over a Muslim passenger, and the acknowledgement that things will never be the same.  There are quite a few moments of levity, such as when a woman sneaks on board a plane to take care of the animals left behind (including a pregnant monkey) and when several passengers take part in a ceremony to become honorary Newfoundlanders (it involves a fair amount of alcohol and a codfish).  One romance begins and another one falls apart under the strain but everyone is forever changed by the experience.  I loved all of the songs but my very favorites are "Prayer" because it beautifully incorporates elements from multiple religions and "Something's Missing" because it brilliantly captures that hollow feeling I remember in the days after the attack.  This musical evokes so many emotions, about 9/11, about the power of community, about the indomitable human spirit, but the strongest for me was a nostalgia for Canada, the land of my birth.  Every cultural reference brought tears to my eyes, especially the Tim Hortons sign ("Everything starts and ends at Tim Hortons!").  This is a show that will restore your faith in humanity and entertain you at the same time.  Don't miss it!

Ballet West's Jewels

I usually prefer more traditional full-length ballets but I was very intrigued by the premise of Ballet West's current production, Jewels, which includes three pieces choreographed by George Balanchine each featuring a gemstone that embodies a particular theme.  I decided to get a ticket and I thoroughly enjoyed myself last night.  The first piece is Emeralds and features the music of Gabriel Faure.  It is meant to evoke the elegance, romance, and intrigue of 18th century France.  The main choreography features a central couple, Christopher Ruud and Arolyn Williams, gliding through intricate patterns performed by a female ensemble and it is stunning.  Ruud is one of my favorite dancers in the company and I was thrilled that he was in a featured role last night.  He is an amazing dancer and the pas de deux with Williams is so graceful.  The second piece is Rubies and features the music of Igor Stravinsky.  It is meant to evoke the Jazz Age in America in the 1920s and the choreography is whimsical and playful.  There is a featured couple, Christopher Sellars and Katherine Lawrence, a female soloist, Olivia Gusti, along with a male and female ensemble who all use their bodies to create unique and innovate shapes.  The speed and intensity keeps increasing until the dramatic conclusion.  The final piece, Diamonds, is probably my favorite because it features the music of Peter Ilyich Tchaikovsky and evokes the grandeur of imperial Russia.  The choreography is very traditional and classical and features an incredibly romantic pas de deux between Rex Tilton and Emily Adams (he kisses her hand at the end of it!).  There is also a section which features a male ensemble performing athletic leaps and spins and it is spectacular! The ballet continues with a staggering number of couples dancing on stage and it brought to mind what I imagine a stately ball at the Winter Palace in St. Petersburg would be like.  I loved it!  The green, red, and white costumes sparkle with emeralds, rubies, and diamonds and the minimal set features a chandelier which is reconfigured for each ballet with the appropriate colored lights.  It is a beautiful production and I highly recommend getting a ticket (go here) for one of the four remaining performances.

Sweeney Todd: The Demon Barber of Fleet Street at PTC

I have never seen the musical Sweeney Todd: The Demon Barber of Fleet Street before (or the movie version, either) but, since I am a huge fan of Stephen Sondheim, I have been looking forward to Pioneer Theatre's production for a long time!  I finally had the chance to see it last night and it is incredible!  It is one of the darkest musicals I've ever seen so, of course, I loved it!  Sweeney Todd (Kevin Earley) is a Victorian-era barber who has just returned to London after 15 years of exile in Australia.  When he learns the fate of his wife and daughter, he immediately wants to get revenge on Judge Turpin (Joe Dellger), the man who ruined his life.  He goes back to his former rooms above the pie shop run by Mrs. Lovett (Anne Tolpegin) to discover that she has kept all of his barbering tools.  He decides to set up shop and lure the judge in for a shave so he can slit his throat.  However, the judge eludes him and he vows vengeance on the whole human race.  He begins to kill all of his customers and Mrs. Lovett uses the bodies in her meat pies!  Eventually, his quest for revenge turns to madness.  As with all Stephen Sondheim musicals, the music is absolutely brilliant and the songs have an almost operatic quality. Both Earley and Tolpegin have fantastic voices and really bring these despicable characters to life in a way that is both comedic and tragic.  I especially enjoyed Tolpegin's renditions of "The Worst Pies in London" and "By The Sea" and I laughed out loud when the two of them sang "A Little Priest."  I also really liked "The Ballad of Sweeney Todd" and all of its many reprises sung by the ensemble because the various Londoners reminded me a bit of a Greek chorus.  The set is amazing with two rusted cogwheels in the center of the stage to represent the industrialization of London.  I also loved the barber chair which sent Sweeney's victims to the bakehouse in the basement.  The use of fog and lighting added much to the spooky atmosphere and the special effects, especially all of the blood as Sweeney slit his victim's throats, were great.  The show is gruesome but it is so much fun and I highly recommend it (go here for tickets).

Note:  If you have a rush pass plan to get there early.  The line was one of the longest I've seen for a PTC show!

Ghostbusters in Concert

This week I have been really sick, which in and of itself is not very pleasant, but the bad thing is that I had a lot of plans which all had to be cancelled.  I was especially bummed about missing the Josh Groban concert!  Luckily, I felt much better yesterday and, since I made it through a day of school, I was able to go to the movie Ghostbusters with the score played live by the Utah Symphony.  It was so much fun!  I love the Utah Symphony Films in Concert series and this movie was especially appropriate for Halloween.  I remember loving this movie when I saw it on the big screen during its first run and, while some of the special effects are a little bit dated, it is still comedy gold.  Bill Murray, Dan Aykroyd, and Harold Ramis play Peter Venkman, Raymond Stantz, and Egon Spengler, respectively.  They are paranormal psychologists who have recently been fired from Columbia University and, as a result, decide to form the Ghostbusters, a firm which hunts, captures, and disposes of ghosts.  A cellist named Dana Barrett (Sigourney Weaver) hires them and they discover that her apartment building is a gateway for a supernatural being known as Grozer.  Both Dana and her nerdy neighbor Louis (Rick Moranis) are possessed by Grozer's Gatekeeper and Keymaster and, when an officious EPA officer (William Atherton) shuts down the Ghostbusters and releases all of the ghosts back into the city, Grozer appears.  It takes the form of whatever they choose and Ray inadvertently chooses the Stay Puft Marshmallow Man (the crowd cheered when he appeared on screen) and an epic battle ensues.  The score, composed by Elmer Bernstein, is absolutely dazzling and the symphony performed it brilliantly.  I think hearing the music performed live adds so much to the experience of watching the movie and I highly recommend getting a ticket to tonight's screening (go here for tickets and enter the promo code STAYPUFT for a $5 discount on each ticket).

Note:  As an added bonus, the guest conductor was Peter Bernstein, the son of the composer who also contributed to the score.

Thriller 2018

I have not been doing very well with my fall bucket list because I have only checked off two items!  Now that I am on fall break I'm sure that I can get a few more items checked off during the long weekend.  I started with ODT's production of Thriller last night.  This Halloween-themed dance extravaganza is one of my very favorite holiday traditions and I have been looking forward to it all month!  Even though I have seen most of the dances more times than I can count I really love the the old favorites including the undead cavorting in a graveyard to Michael Jackson’s iconic song “Thriller,” a breakdancing mummy and his maidens in “Curse of the Mummy,” a Pas de Deux gone horribly wrong in “Frankenstein & Frankenstein,” tap dancing skeletons in "Dem Bones," a trio of chainsaw wielding Jasons in "Jason Jam," scarecrows that are not what they seem in "Children of the Corn," a coven of witches seeking vengeance from beyond the grave in "Salem's Mass," demonic dolls in "Chucky-Rama," acrobatic vampires in "Lost Boys," and doomed Irish dancers in "River of Blood Dance."  I eagerly anticipate every dance, especially the opening number, "Salem's Mass," and "Lost Boys."  This year there were several new numbers performed by the dancers in Odyssey 2.  My favorite was a high-flying Harry Potter in "Dementor's Kiss."  Like last year, there were several numbers in between the dances performed by the artists from Aeris Aerial Arts.  They were all very cool but my favorite was "Full Moon" featuring seven aerialists performing on a giant spinning globe.  I didn't really like the comedy act of Giggle Girl because she was super annoying (where is Bubbles the Clown?) but I loved everything else and I had so much fun at this show!  It just wouldn't be Halloween without it!  This show runs at Kingsbury Hall and many other venues throughout Utah and Idaho until Oct. 30 (go here for tickets and information).

Note:  If you go to the show and see any of the undead roaming about, do not make eye contact!  Trust me on this!

Waitress at the Eccles

A few years ago my friend Esther and I went on a quick theatre trip to NYC.  I chose to see the revival of She Loves Me and Esther picked Waitress.  I wasn't really that keen on seeing Waitress but I am so glad that Esther picked it because I ended up loving it!  The original Broadway cast, especially Jessie Meuller, was outstanding and the song "She Used To Be Mine" brought me to tears!  Needless to say I was really excited for the chance to see it again at the Eccles Theatre last night and I loved it just as much as the Broadway production.  It tells the story of how Jenna (Desi Oakley, in her final performance in the role) uses baking to cope with her dead-end job as a waitress in a diner and her unhappy marriage to an abusive husband (Nick Bailey).  When she learns that she is pregnant, and then begins an affair with her gynecologist (Bryan Fenkart), she expresses her hopes, dreams, fears, and frustrations through the names of the pies she bakes each morning for the diner: Deep Shit Blueberry Pie, Berry the Bullshit Pie, A Little Wild Wild Berry Pie, In the Dark Chocolate Pie, etc.  Whenever she is overwhelmed everything freezes and she tells the audience the ingredients for her latest pie, always beginning with "Sugar, Butter, Flour."  In the end, the ingredient she needs is courage!  The songs, written by Sara Bareilles, are fabulous and I especially like "What's Inside," "Opening Up," and "It Only Takes a Taste" because, while they are about baking, they are also metaphors for life!  So clever!  My favorite song is, of course, "She Used To Be Mine" and Oakley performed it with so much passion that I had tears once again!  While I did cry, I also laughed and laughed in many parts of the show, particularly "Never Ever Getting Rid of Me" and "Bad Idea" because the choreography is absolutely hilarious!   It is also really fun to see the live band playing in the diner and to watch the cast actually make the pies on stage!  I really enjoyed watching this show again and I highly recommend it!  Waitress runs at the Eccles Theatre until Sunday and tickets may be purchased here.

Ode to Joy

If you were not at Abravanel Hall last night you definitely missed out on a magnificent performance!  The orchestra began with a new piece by Andrew Norman, Composer-in-Association with the Utah Symphony, called Suspend.  The composer was there to introduce the piece which was commissioned by pianist Emanuel Ax.  He explained that he wanted the piece to represent the freedom that comes from solitude and that theme really resonated with me because I crave solitude.  Soloist Jason Hardink began by softly playing notes, seemingly at random, and then continued in an almost improvisational manner.  Different sections of the orchestra gradually joined in as the piece escaped from the pianist's mind to become a composition.  The piece ended as it began with the just the pianist, alone once again, playing a few random notes.  I was fascinated by the percussion section because they used bows on different percussion instruments instead of mallets (I'm sure there is a proper term for this) and the effect was quite otherworldly.  I really loved it.  After the intermission the orchestra was joined by the Utah Symphony Chorus, the Choirs of the University of Utah, and soloists Joelle Harvey, Kirsten Chavez, Issachah Savage, and Patrick Carfizzi for Beethoven's Symphony No. 9 "Ode to Joy."  This piece is simply amazing and it was performed brilliantly!  I loved the timpani in the first movement, the jaunty theme played by the woodwinds in the second movement, and the beautiful melody played by the strings in the third movement.  Then the stirring and life-affirming fourth movement just blew me away.  The instantly recognizable theme began softly with the cellos and then it was repeated, in turn, by different sections of the orchestra and, finally, by the soloists and the choirs.  I was absolutely overcome!  During the thunderous standing ovation the little old lady next to me turned and said, "I don't think you have really lived if you haven't heard that played live!"  I agree wholeheartedly and suggest you get a ticket (go here) to hear it when it is performed again tonight!

Bernstein on Broadway

Last night, in honor of Leonard Bernstein's 100th birthday, the Utah Symphony performed a concert featuring the music of Bernstein with guest conductor Teddy Abrams and Broadway star Morgan James.  Bernstein's music is so evocative and exuberant and James has such a powerful voice that she seemed capable of blowing the roof off Abravanel Hall so, as you can imagine, this concert was absolutely wonderful.  The orchestra began with the Overture to West Side Story and then James gave a lovely performance of "Tonight" from the same show.  She continued with several selections from On the Town including "I Can Cook Too," "Some Other Time," and "Ain't Got No Tears Left" while the orchestra played "Times Square 1944" which was a lot of fun.  Then she sang "A Simple Song" from Bernstein's Mass which I really loved.  After the intermission, the orchestra played the Overture to Bernstein's operetta Candide (the orchestra will play this in its entirety in November).  James, then, sang several songs from Peter Pan, a piece I was unfamiliar with, including "Dream with Me" and "My House" which were lovely.  The concert concluded with a rousing rendition of "Glitter and Be Gay" from Candide which brought the audience to its feet!  For the encore, she performed an incredible version of "Somewhere" from West Side Story.  I enjoyed this performance so much!  My favorite moment was when James sang "Some Other Time" because it was so plaintive and nostalgic.  If you are a fan of Leonard Bernstein I highly recommend getting a ticket (go here) to this concert which will be performed again tonight!

Maroon 5 at the Vivint Arena

When I learned that Maroon 5 would be returning to SLC this fall, I had a stern talk with myself and decided that I probably didn’t need to see them again.  However, as the date of the concert approached, I felt really sad that I wouldn’t be there.  I love Maroon 5 and they always put on such a great show so, in a fit of madness, I got a ticket!  Best decision ever!  Aside from some parking issues downtown, it was a fantastic night.  Their 90 minute set included some songs from their latest album, Red Pill Blues, including "What Lovers Do," "Cold," "Don't Wanna Know," and "Wait."  They also performed a fun cover of Michael Jackson's "Rock With You" complete with a gigantic disco ball.  But most of the night was devoted to the hits and they played them one after the other to the delight of the crowd.  These included "Payphone," "This Love," "Misery," "Sunday Morning," "Animals," "One More Night," "Love Somebody," and "Moves Like Jagger."  My favorite moment came midway through the show when they played "Harder to Breathe."  I became a huge fan of Maroon 5 the very first time I heard this song on the radio so hearing it live is always amazing!  For the encore they played "Girls Like You," from the new album, with a cool intro and outro of "Forever Young" by Alphaville.  Then they played acoustic versions of "Lost Stars" and "She Will Be Loved" which were incredible!  They ended the show with a rousing rendition of "Sugar."  I always love Maroon 5 concerts because Adam Levine is such a showman!  With a guitar strung on his back and frequently dragging a microphone stand, he would strut along the V-shaped runway into the audience like he owned the Vivint Arena!  It was an incredibly high energy performance and I was very impressed with how great he sounds live!  I loved this concert and I am so glad that I caved in and bought a ticket!

Note:  The best part is that I didn't have to get up at the crack of dawn for school the next day!