The Music Man at CPT

Last night it was so much fun to see a full production of The Music Man at Centerpoint Legacy Theatre (the first for CPT since the pandemic). I really love all of the old classic musicals, especially The Music Man, because they remind me so much of my Grandma Anderson. Every single familiar song made me want to sing along, especially "Ya Got Trouble," "Seventy-Six Trombones," "The Wells Fargo Wagon," and "Gary, Indiana," but I somehow controlled myself! This show tells the well-known story of a traveling salesman who comes to swindle the residents of River City into buying band instruments and uniforms but falls in love with a librarian instead and this production is very well done! I really enjoyed the entire cast! Russell Maxfield is incredibly charismatic and charming as Harold Hill and Mailee Halpin has a beautiful voice as the uptight yet vulnerable Marion, particularly in the songs "Goodnight My Someone," "My White Knight," and "'Till There Was You." Chad Wilkinson is the embodiment of befuddled pomposity as Mayor Shinn ("Not one poop out of you, madame.") and Angela Brown is hilarious with her version of a Grecian Urn as Eulalie MacKecknie Shinn (as a sometime character actress, Eulalie is my dream role). Tyler Bender as Zaneeta, Mayor Shinn's oldest girl, and Brevin Gardner as Tommy Djilas, a boy with reform school written all over him, are amazing dancers who lead a terrific ensemble in the big production numbers (more on them later).  Micah Thornton is adorable as Winthrop, especially when he lisps, while Bridget Maxwell is an absolute hoot as Amaryllis and I laughed out loud during her cross-hand piano piece (I love this young actress because she stole the show as Gloria in HCT's production of Wait Until Dark and again as Lavender in HCT's production of Matilda). The feuding school board members, Nathan Asay, Eric Corrington, Paul Dixon, and Jeffrey Duncan, harmonize beautifully in "Goodnight Ladies," "Sincere," and "Lida Rose" and they are definitely a highlight of the show. The sets are also very well done and I especially liked the two-level library, the interior and exterior of the Paroo house, the fountain in the park, and the footbridge. The energetic choreography is a lot of fun and it is executed very well by the talented cast, particularly in "Seventy-Six Trombones," "Marion the Librarian," and "Shipoopi." I had a smile on my face throughout the entire show because it is just so delightful and I highly recommend it for a bit of nostalgic fun (go here for tickets).

The Secret Garden at CPT

My first show of 2021 was The Secret Garden at CenterPoint Theatre last night and, even though I'm not a big fan of this musical, I really loved this production. CPT chose to perform the shorter Spring version with a very minimal set and projections to keep the cast and crew safe and I think this actually puts the spotlight on the actors who all do a wonderful job! Mary Lennox (Caroline Drake) is orphaned by a cholera outbreak in India and sent to live with her uncle Archibald Craven (Zach Watts) at Misselthwaite Manor in Yorkshire. He has been grieving the death of his wife Lily (Laura Strong), who died in childbirth, for ten years and has closed off his heart, the house, and Lily's garden. Mary receives a cold welcome from the housekeeper Mrs. Medlock (Michelle Clark) and an indifferent one from her uncle. She is lonely and unhappy but is encouraged by a maid named Martha (Jessica Wadley) and her brother Dickon (Alex Young) to play outside and she soon discovers Lily's abandoned garden. She also discovers her cousin Colin (Colin Burke) who has been kept an invalid by Archibald's brother Neville (Russell Maxfield). As Mary brings the garden back to life, she also brings Colin and Archibald back to life. As I previously mentioned, the entire cast is phenomenal but I was especially impressed with Drake as Mary, Young as Dickon, and Burke as Colin. I always prefer the interactions between the children over the interactions between the adults in this show and these young actors are absolutely brilliant in the songs "Wick" and "Come Spirit, Come Charm." I particularly liked Young because his portrayal is so charming and charismatic. My favorite song has always been "Hold On" and Wadley gives a very powerful rendition of it. I also really enjoyed Strong's version of "Come to My Garden" because she has a beautiful voice and her duet of "Lift Me Up" with Burke gave me goosebumps because it is so emotional. Even though the set is very minimal, featuring a series of platforms at various levels, and there are only a few props, such as Mary's skipping rope and Colin's wheelchair, the costumes are quite elaborate, the lighting is dramatic, and the projections of various rooms in the manor and the gardens during the different seasons are very effective. I had a lovely time watching this show and I highly recommend it for the inspirational story of redemption and the stirring performances. It runs on Fridays, Saturdays, and Mondays through January 30 and tickets are $15 for the balcony and $18 for the main floor (go here).

We Need a Lot of Christmas Concert at CPT

For the second weekend in a row I found myself at CenterPoint Theatre for a Christmas-themed program! Last night, twelve incredibly talented performers, including Sterling Allen, Darin J. Beardall, Daylen Bills, Paul Dixon, Emily Erdman, Annie Ferrin, Kyra Furman, Mailee Halpin, Michael Hernandez, Isaac Larsen, Kacee Neff, and Jana Plowman, presented an evening of Christmas songs from Broadway and the silver screen. As someone who absolutely loves hearing Christmas music performed live, I thoroughly enjoyed this concert! The program included "Spirit of the Season" from The Polar Express, "We Need A Little Christmas" from Mame, "It's Beginning to Look A Lot Like Christmas" from Miracle on 34th Street, "12 Days to Christmas" from She Loves Me, "Somewhere In My Memory" from Home Alone, "You're A Mean One, Mr. Grinch" from How The Grinch Stole Christmas, "Snow" from White Christmas, "Silver Bells" from The Lemon Drop Kid, "Christmas Is My Favorite Time Of Year" from Catch Me If You Can, "The Christmas Song" from Jingle All The Way, "One More Sleep 'Til Christmas" and "It Feels Like Christmas" from The Muppet Christmas Carol, "A Christmas Song" from Elf, "New Deal For Christmas" from Annie, "Have Yourself A Merry Little Christmas" from Meet Me In St. Louis, "Happy Holidays" and "Holiday Inn" from Holiday Inn, and "White Christmas" from White Christmas. The stage was decorated like a winter wonderland with pine trees and giant snow flakes, the costumes had a very retro feel with lots of plaid and cardigan sweaters, and every number was creatively staged to mimic its counterpart from the stage and screen with the addition of a few props and a bit of choreography. My favorite numbers were "12 Days to Christmas," which added three tables filled with perfume to represent Maraczek's Parfumerie and manic choreography featuring customers trying to do their last-minute Christmas shopping (I absolutely love this show), "One More Sleep 'Til Christmas" and "It Feels Like Christmas," because they featured puppets (the children sitting in front of me lost their minds when they started singing), and "White Christmas," because it concluded the concert with snow falling on the stage and an audience sing-along just like in the movie (one of my favorites). The entire show had the feel of a performing arts Christmas program at a local high school in a small town where everyone in the community attends and I really loved that. It provided a bit of nostalgic Christmas cheer at a time when we could all really use it! Unfortunately, last night was the final performance of this show.

A Christmas Carol at CPT

Last night I attended another performance of A Christmas Carol and I thoroughly enjoyed it.  CenterPoint Theatre is presenting the musical version of the classic Christmas story with a cast of fifteen actors performing all of the roles, beautiful period costumes, a minimal set, and clever projections. The redemption of the miser Ebeneezer Scrooge (Nick Cash) begins when he is visited by the ghost of his former business partner Jacob Marley (Lee Wright) who tells him that he will also be visited by the Ghosts of Christmas Past (Kristina Boler), Present (Alexander "Xander" Richey), and Future (Julia Loveland-Bradford). These ghosts show Scrooge the true meaning of Christmas with the help of his clerk Bob Cratchit (John Lee Roring), Cratchit's son Tiny Tim (McGuire Bingham), his former employer Mr. Fezziwig (Craig Hovorka), and his nephew Fred (Derek Marsden).  I really enjoyed all of the songs in this show but my favorites are "You Mean More to Be" by Cratchit and Tiny Tim, "Link By Link" by Marley's Ghost, "The Lights of Long Ago" by the Ghost of Christmas Past (Boler has a beautiful voice), and "A Place Called Home" by Scrooge. The choreography for the songs "Mr. Fezziwig's Annual Christmas Ball," "Christmas Together," "Dancing on Your Grave," and "God Bless Us Everyone" is very innovative because these numbers involve the entire cast but the actors are still able to maintain some distance from each other. In addition to the beautiful Victorian costumes (my favorites were those worn by all of the ghosts, especially the Ghost of Christmas Future), all of the actors wear clear protective shields but after a few minutes I didn't even notice them any more. The set consists of a series of black platforms at various levels (much like those used for this show) with projections to represent Scrooge's rooms, the Cratchit house, Fred's house, Fezziwig's warehouse, and the streets of London.  Even though the set is very minimal I thought it was effective.  All of the actors give heartfelt performances but I particularly enjoyed Cash as Scrooge because his transformation is authentic and Bingham as Tiny Tim because he is so adorable. If you are looking for a dose of Christmas cheer this show will definitely give you some and I recommend it for the whole family. It runs on the Barlow Main Stage on Tuesdays, Thursdays, and Saturdays through December 19. Tickets are $18 on the main floor and $15 for the balcony (go here).

Note:  I have been so impressed with all of the measures that CPT has taken to keep all of their actors and their patrons safe while still providing entertainment for the community.

Broadway Villains in Concert at CPT

Last night I spent a wonderful evening back at Centerpoint Theatre for a show called Broadway Villains in Concert. Like many theatres around the country, CPT has been dramatically affected by Covid-19 but I think they have done a marvelous job with creatively adapting so that they can still provide entertainment for their patrons while keeping everyone safe. Over the summer they held concerts in the parking lot which were so much fun and this month they are presenting another concert on the Barlow Main Stage featuring songs from the best villains in popular Broadway shows. They have many safety protocols in place, including contactless ticketing, socially distant seating, and mandatory masks. The show was a little over an hour without an intermission. The entire company performed "No One Mourns The Wicked" from Wicked, "The Mob Scene" from Beauty and the Beast, "Masquerade" from The Phantom of the Opera, and "Facade" from Jekyll & Hyde which featured dramatic black costumes, innovative choreography to keep the actors physically distant, and a minimal set comprised of different levels. My favorite performance of the evening was from my favorite musical Hamilton. Christian Johnston, a former student of mine, performed "You'll Be Back" as King George III.  I think he did such a great job, even rivaling some of the Georges I've see in Broadway productions! The concert also featured "No Good Deed" from Wicked with Sydney Stephan as Elphaba, "A Little Priest" from Sweeney Todd: The Demon Barber of Fleet Street with Tyler Hanson as Sweeney Todd and Brittany Bullen as Mrs. Lovett, "Dentist!" from Little Shop of Horrors with Craig Williams as Orin Scrivello, DDS, "Poison in my Pocket" from A Gentleman's Guide to Love and Murder with Colton Ward as Monty Navarro, "Stepsisters' Lament" from Cinderella with Kacee Neff and Sydney Stephan as Wicked Stepsisters, "Stars" from Les Miserables with Ricky Parkinson as Javert, "Alive" from Jekyll & Hyde with Ben Lowell as Hyde, "World Burn" from Mean Girls with Karina Gillette as Regina George, "Little Girls" and "Easy Street" from Annie with Camille Crawley as Miss Hannigan, Christian Johnston as Rooster, and Janessa Zech as Lily St. Regis, "The Hammer" from Matilda with Brittany Bullen as Miss Trunchbull, and "Stay with Me" from Into the Woods with Kimberly Holden as the Witch. As I mentioned, all of the actors are wearing black costumes but they each added a little flourish to represent their characters.  I especially loved King George's ermine cape, Elphaba's green eye shadow, and Regina's pink shoes. This show is extremely well done with incredibly talented performers and I really enjoyed it! It runs at CPT on Mondays, Fridays, and Saturdays until October 24.  Tickets are only $12.00 for the balcony and $15.00 for the main floor which makes it a great deal (go here for tickets). I highly recommend this show for the whole family (there were a lot of kids in the audience last night and they were cheering enthusiastically).

Note:  After watching Gillette perform "World Burn," I am so excited to see Mean Girls which is, fingers crossed, coming to the Eccles Theatre next year!

Peter and the Starcatcher at CPT

Last night I got to see Peter and the Starcatcher, one of my favorite shows, at Centerpoint Legacy Theatre and it was so much fun!  This play tells the story of how a lonely and mistreated orphan boy becomes Peter Pan.  We learn how he gets his magical powers, how he arrives in Neverland, and how the inept pirate Black Stache becomes his arch-nemesis Captain Hook. What I absolutely love about this show is that it takes place on a minimal set and uses everyday objects as props so it requires you to use your imagination just like the lost boys. You must be willing to believe ("Clap if you believe") that stars fall from the sky and give people magical powers, such as turning the male ensemble into dancing mermaids. There were people around me who didn't quite understand what was going on but I think the script is so clever and I was laughing out loud from beginning to end! The entire cast is fantastic with many of the actors playing multiple roles. I particularly enjoyed Jason Shumate as Peter Pan because his characterization was a lot angrier than I have seen before and I think it really worked. I always love the character of Molly Astor because she is such a strong and independent girl but I think Emma Kate Leishman imbued her with a bit of vulnerability and she had great chemistry with Shumate. I also really enjoyed Logan Stacey as the alteration-loving Mrs. Bumbrake because he was completely over-the-top! However, as always, my very favorite character is Black Stache (a misunderstood poet at heart who only wants to find a hero to defeat so that he can become a memorable villain) and Brandon Green stole the show with his incredibly flamboyant antics! He brought a lot of physicality to the role and I especially loved it every time he would roll himself on to a different level of the stage. His facial expressions were absolutely hilarious (I was sitting on the font row) and his ad-libbed remarks had me laughing so hard (sometimes I was the only one laughing). The minimal set consisted of several pieces which could be moved around to become various locations on two different ships as well as various locations on an island, the costumes were very clever (especially the aforementioned mermaid costumes), and the props were a lot of fun (particularly the life-preservers and lanterns used to represent the crocodile). It amazes me to think that CPT is a community theatre with a minimal budget because this is one of the best productions of Peter and the Starcatcher that I have ever seen. I highly recommend getting a ticket (go here) to this clever and imaginative show.

Holiday Inn at CPT

Last night I went to see Christian Johnston, one of my former students, in a lead role in the musical Holiday Inn at CPT. I was very impressed with his performance and I thoroughly enjoyed the show!  Jim Hardy (Rich Adams), Lila Dixon (Allison Hogge), and Ted Hanover (Johnston) are a song and dance trio who play the occasional engagement in New York City.  Jim is in love with Lila and, when he proposes one night, she accepts him.  However, when she finds out that he has purchased a large farm in Connecticut and intends to leave show business, she decides to break the engagement and continue the act with Ted as a duo.  When Jim moves to the farm, he discovers that it is incredibly run down and that he owes the back taxes but he soon meets the former owner, Linda (Lindsea Garside), and Louise (Brittany Bullen), a fix-it-lady, and they begin renovating.  When Jim learns that Linda was once a performer in New York, he decides to turn the large farmhouse into a hotel and performance venue that is only open on holidays.  He writes a show for Linda and his former back-up dancers to perform on New Year's Eve.  When Lila decides to leave the act, a drunken Ted comes to visit Jim and stumbles into the number with Linda. When Ted sobers up, he is determined to find out who he danced with to make her his new partner but Jim has fallen in love with Linda and doesn't want to lose her to show business so he contrives to keep them apart. Chaos ensues! This is an old-fashioned musical filled with wonderful songs by Irving Berlin and fabulous tap dancing! I really loved the big song and dance numbers performed at the inn to commemorate the various holidays including "Happy Holidays," "Let's Start the New Year Right," "Cheek to Cheek," "Easter Parade," "Let's Say It With Firecrackers," and "Song of Freedom."  Johnston, Garside, and the male and female ensemble are terrific dancers and the holiday themed costumes and decorations are a lot of fun!  I also really enjoyed the popular songs "Blue Skies" and "White Christmas."  This is the kind of musical that will definitely put a smile on your face and give you a good dose of holiday cheer.  It runs at CPT through December 21 (go here for tickets).

The Hunchback of Notre Dame at CPT

The first time I saw The Hunchback of Notre Dame, I fell in love with both the story about a group of outcasts who take refuge in Notre Dame Cathedral and the beautiful music!  I was very impressed with HCT's production so I was really looking forward to CPT's version. I got to see it last night and, once again, I loved everything about it! Quasimodo (Christian Lackman) has been hidden by his master Frollo (Daniel Frederickson) in the bell tower of Notre Dame Cathedral all of his life because of his deformity. He wonders what it would be like to leave the cathedral and decides that he will be safe on the streets of Paris during the Feast of Fools. He is eventually crowned the King of the Fools but when the crowd turns on him the gypsy Esmeralda (Becca Burdick) rescues him. She also catches the eye of the captain of the cathedral guard Phoebus de Martin (Spencer McCoy) who falls in love with her and she bewitches Frollo who becomes obsessed with possessing her. When Esmeralda rejects Frollo, he orders Phoebus to arrest her.  When Phoebus refuses they both become fugitives who are aided by Quasimodo until the final confrontation in the bell tower. The four main leads are outstanding! My favorite song in the show is "God Help the Outcasts" and Burdick sings it so beautifully; Frederickson's version of "Hellfire" is incredibly dramatic and powerful (it is also staged brilliantly);  Lackman's rendition of "Heaven's Light" brought tears to my eyes; and McCoy is so romantic when he sings "Someday" with Burdick.  The talented ensemble also does an excellent job narrating the story in "The Bells of Notre Dame" and its multiple reprises.  One of my favorite aspects of this show is the use of gargoyles (Jacob Grossenbach, Loren Atwater, Kylee Turner, and Azia Moeai) as characters who help and inspire Quasimodo, especially in "Made of Stone."  The choreography is very energetic and engaging, particularly when the gypsies dance in "Rhythm of the Tambourine" and "Topsy Turvy."  The set is spectacular with large moving pieces that instantly transform the stage into the bell tower of the cathedral, the town square in front of the cathedral, and the Court of Miracles.  I especially loved the rose window of the cathedral and the the giant bells above the stage that would "ring" when needed.  Everything about this production is fabulous;  in fact, it is one of the best productions I've seen at CPT.  I highly recommend seeing this beautiful story come to life for yourself (go here for tickets).

The 25th Annual Putnam County Spelling Bee at CPT

Last night I had so much fun at CPT's production of The 25th Annual Putnam County Spelling Bee. I really love this show because, not only is it absolutely hilarious, it is unexpectedly poignant (I have seen the Broadway touring company and a fabulous production at PTC several years ago) and CPT did a great job with it. The spelling bee is moderated by Rona Lisa Peretti (Alexandra Rae Kalaher), the best realtor in Putnam County and a past spelling champion who frequently reflects on her experience ("My Favorite Moment of the Bee"). She is aided by Vice Principal Douglas Panch (Brandon Green) who is returning after a five year absence due to an unspecified incident. His main function is to give the definitions of the words and use them in highly amusing sentences ("The Spelling Rules"). Mindy Mahoney (Katelyn Johnson), an ex-con doing her required community service, hands out juice boxes to the losing contestants ("The Prayer of the Comfort Counselor"). The first contestant is Chip Tolentino (Jake Heywood), a baseball player defending his title as champion of the bee last year who spends most of his time flirting with a girl in the audience ("My Unfortunate Distraction"). The second contestant is Logainne SchwartzandGrubenniere (Savanna Hansen), the president of the gay/straight alliance in her elementary school who wants desperately to please her two fathers who have been coaching her for this moment for years ("Woe is Me"). The third contestant is Leaf Coneybear (Trevor Hansen), a home-schooled free spirit who makes his own clothes and is at the bee because the winner and first runner-up had to attend a bat mizvah ("I'm Not That Smart"). The fourth contestant is William Barfee (Aaron Linford), an uptight asthmatic who had to pull out of last year's bee because of an allergic reaction. He frequently has to remind the moderators how to pronounce his name (it's Bar-FAY) and uses an innovative method to help him spell ("Magic Foot"). The fifth contestant is Marcy Park (Emily Woods), a transfer student at Our Lady of Intermittent Sorrows Parochial School who placed ninth at last year's national spelling bee.  She is an overachiever who skipped two grades ("I Speak Six Languages") but now just wants to have a little fun. The sixth contestant is Olive Ostrovsky (Taneesa Wright), who hasn't yet paid the entrance fee because her mother is at an ashram in India and her father has not claimed the seat that she has been saving for him ("The I Love You Song").  Which of these six painfully awkward misfits will be crowned the winner? I really loved everything about this show: the cast, the set, the costumes, the choreography, and the random audience members who participated in the bee (they were responsible for many of the funniest moments). Several of the people around me said that they didn't know anything about this show before they came but they ended up loving it! I highly recommend getting a ticket (go here) to this delightful show.

My Fair Lady at CPT

Last night I went with my Mom and both of my sisters to see My Fair Lady at CenterPoint Theatre and all four of us had so much fun (especially my Mom). This production is loverly! When Professor Henry Higgins (Andrew Heyward) and Colonel Pickering (Kevin Burtenshaw) encounter a flower girl named Eliza Doolittle (Sarah Jane Watts) outside Covent Garden,  Higgins boasts that he could pass her off as a Duchess at the Embassy Ball within six months by teaching her to speak properly! Even though Eliza is a success at the Embassy Ball, she becomes a true lady when Higgins treats her like one. I was really impressed with the cast of this show. I am always amazed at the caliber of the talent that CPT is able to recruit because it is a community theatre and the actors are all volunteers. Watts is a delightful Eliza and her renditions of "Just You Wait," "Show Me," and "Without You" are feisty while "Wouldn't It Be Loverly" and "I Could Have Danced All Night" are incredibly joyful. I loved Heyward's characterization of the curmudgeonly Higgins. His inflections are hilarious, especially in "Why Can't The English?," "I'm an Ordinary Man," and "A Hymn to Him." His version of "I've Grown Accustomed to Her Face" is so poignant that it brought a tear to my eye. My favorite actor in this show was Christian Lackman as Freddy Eynsford-Hill because he has a beautiful voice but he is also so funny. I always think that "On the Street Where You Live" is incredibly romantic but Lackman is absolutely twitterpated. His facial expressions made me laugh out loud. The choreography is a lot of fun, especially in "With a Little Bit of Luck" and "Get Me to the Church," and I loved it when Eliza dips Freddy in "Show Me." The set for Higgins' study is pretty spectacular, particularly the spiral staircase to the second level. Finally, the costumes are amazing! The black and white gowns in the "Ascot Gavotte" are quite elaborate and Eliza's gown at the Embassy Ball is simply stunning. Every aspect of this production is superb and I highly recommend it (go here to purchase tickets) but it closes on Saturday so you need to hurry!

Note: I have had lots of opportunities to see My Fair Lady this year!  I saw the Academy Award-winning film adaptation as part of the TCM Big Screen Classics series and I saw the concert version performed by the Utah Symphony.

Chitty Chitty Bang Bang at CPT

I have a distinct memory of watching the movie Chitty Chitty Bang Bang with my sisters at one of the PTA summer movies when I was in elementary school (do they still have this program at elementary schools?) so I thought it would be fun to see it performed by CenterPoint Theatre last night. It was just delightful! The Potts children, Jeremy (Preston Spencer) and Jemima (Kaylee Call), love playing with their favorite car, which happened to win the Grand Prix back in the day, at a junk yard. When it is sold for scrap metal they beg their father, an eccentric inventor named Caractacus Potts (Ryan Zaugg), to buy it instead. Caractacus raises the money through a series of inventions such as a candy making machine and a hair cutting machine. He restores the car and, renaming it Chitty Chitty Bang Bang, takes the children and Truly Scrumptious (Alisa Woodbrey) to the seaside for a picnic where they discover that the car can float and fly. Two Vulgarian spies (Clark Bullen and Kannon Servoss) see this and want to steal it for the Baron and Baroness Bomburst (Mark Gurney and Jessica Love, respectively) who love toys. They kidnap Grandpa Potts (David Nielsen) so the family take Chitty to Vulgaria to rescue him and banish the Baron and Baroness. This production is not quite as polished as some of the others I have seen at CPT but the reason why I like community theatre is because it is so quirky. Everyone involved gave it their all and there were several highlights. Spencer and Call are adorable as the Potts children, especially in "Truly Scrumptious." I also really enjoyed the children's ensemble and "Teamwork" is definitely the best of the big song and dance numbers. Bullen and Servoss are hilarious as the Vulgarian spies and I loved watching their facial expressions and their physical comedy. The set pieces are a lot of fun, particularly the breakfast making machine, and it is really clever how they are able to make Chitty fly! However, the very best part of this show is Zaugg's performance as Caractacus because he has a lovely voice. The songs "You Too" and "Hushabye Mountain" are absolutely beautiful. I enjoyed this show and I recommend it, especially for children (go here for information and tickets).

Lend Me A Tenor at CPT

Last night I had the chance to see Lend Me A Tenor, the current production at CenterPoint Theatre, and it was so much fun.  Henry Saunders (Michael Hohl), the general manager of the Cleveland Grand Opera Company, has invited the world-renowned tenor Tito Merelli (Dale Boam) to perform for one night only. He asks his assistant Max (Michael Gardner) to get Merelli to the opera house on time but, when Merelli is indisposed, he has to take drastic action. Add a jealous wife (Holly Reid), an ambitious diva (Kati Paul), a love-struck daughter (Katie Plott), a ditsy opera guild president (Laura Krummenacher), and an opera loving bellhop (Holden Smith) and hilarity ensues. It took a little while for this show to get going but, once it did, it was full of physical comedy and mistaken identity that had the audience howling with laughter. I especially enjoyed a scene where both Tito and Max, who is impersonating Tito, are entertaining women in the hotel suite and then the women inadvertently end up with different Titos. The set, which features a hotel sitting room and bedroom with a connecting door (which are both visible to the audience), is fantastic and really adds to the action as Tito and Max run in and out while slamming doors. The costumes are also a lot of fun, especially the opera guild president's dress ("You look like the Chrysler building!") and the costume Tito (and Max!) wears as Othello. The cast has great comedic timing, particularly Gardner who has great facial expressions as the overwrought Max. As an opera fan, I really enjoyed the arias used at the end of scenes because the subject mimics the action. I'm sure most audience members didn't catch on but I laughed out loud when Mozart's "Lacrimosa" played after Tito is presumed dead!  I recommend this hilarious show for a fun night out (go here for tickets).

Elf The Musical at CPT

Yesterday I went to see a matinee of Elf The Musical at CPT and it was so much fun. This show tells the story of Buddy (Ben Heder), who has been raised as an elf at the North Pole after crawling into Santa's bag when he was a baby. After discovering that he is really a human instead of an elf, he decides to travel to New York City to find his Dad (Andrew Gemperline) and ends up giving Christmas cheer to his new family, his girlfriend Jovie (Niki Waite), and all of New York City. The singing and dancing in this show is fantastic and I especially liked the choreography in "Sparklejollytwinklejingley" as Buddy helps the tap dancing Macy's employees decorate the store for Santa and "A Christmas Song" as Buddy takes Jovie ice skating in front of Rockefeller Plaza (on a rink that was so realistic it actually looked like the actors were skating). Santa Claus (Randy Honaker) narrates the story as if he were reading a Christmas book to the audience and I liked the use of a giant book with projections illustrating different scenes. The costumes worn by the elves, including Buddy, at the North Pole are colorful and whimsical and Santa's suit is incredibly elaborate (in contrast, I found the costumes worn by the New Yorkers to be rather bland and sometimes ill-fitting). Heder is really charming in the lead role, giving Buddy an innocence that is really heartwarming. I also really liked Waite as Jovie because she gives her a bit of vulnerability.  It is an adorable show and you would have to be a cotton headed ninny muggins not to enjoy it.  Unfortunately, the run ended yesterday but you can go here for CPT's 2019 season which begins with Lend Me a Tenor.

Ragtime at CPT

Last night my Mom and I went to see my niece Tashena perform in the ensemble in Ragtime at CenterPoint Legacy Theatre. Of course I thought she was amazing! I really like this musical and seeing Tashena perform made it even more memorable. Ragtime tells the story of America at the turn of the 20th Century. Mother (Annie Ferrin) is the matriarch of an upper-class family living in the suburb of New Rochelle. Everything changes when Father (Dan Frederickson) leaves on a voyage to the North Pole forcing her to make decisions for the first time in her life. Tateh (Shelby Ferrin) is an Eastern European Jew who brings his daughter to America for a better life. Coalhouse Walker, Jr. (Timothy Drisdom) is a Harlem piano player looking for justice after the death of his fiance Sarah (Olivia Lusk).  Their stories converge along with those of the most notable figures of the day: the illusionist Harry Houdini (Nick Morris), a showgirl named Evelyn Nesbitt (Janessa Zech) who gets caught up in the Crime of the Century, the African-American leader Booker T. Washington (Everett Spencer), the financier J.P. Morgan (Rob Severinson), the inventor of the Model-T Henry Ford (Brett Sloan), and the anarchist Emma Goldman (Katelyn Johnson). Through it all ragtime music is used as a metaphor for the changes taking place in American life before World War I and it is a compelling story filled with wonderful songs. My favorite songs in this show have always been "Sarah Brown Eyes" and "Back to Before" and they were performed beautifully last night but "Till We Reach That Day" was especially beautiful and very affecting. I also really loved "Gettin' Ready Rag" because the choreography is spectacular and my niece can really dance!  It was so much fun for my Mom and I to watch her in that number! This is a big and complicated show so I really appreciated the understated sets, which mimicked industrial iron girders, as they could be configured and reconfigured very quickly. I was especially struck by the iron gate which held the immigrants back as they entered America from Ellis Island in "A Shtetl in Amereke" because it is very dramatic.  The entire cast is outstanding but Drisdom as Coalhouse and Ferrin as Mother are particularly strong. I highly recommend this show (and not just because my niece is in it) which runs until Oct. 27.  You can purchase tickets here (if you want to see my niece, she is in the T H S cast).

The Pirates of Penzance at CPT

Last night I had the chance to see the Gilbert & Sullivan comic operetta The Pirates of Penzance at the CenterPoint Theatre and it was so much fun. Frederic (Alan Smith) has reached his 21st birthday and wishes to leave the group of pirates to whom he has been mistakenly apprenticed. After leaving the pirates Frederic meets a Major-General (Jason Wadsworth) and his daughters, takes a fancy to his youngest daughter Mabel (Sarah Jane Watts), and enlists the Sergeant of Police (Matthew Stokes) and his constables to exterminate the pirates. Chaos ensues! I thoroughly enjoyed every aspect of this production, beginning with the lead actors. Smith is incredibly engaging as Frederic and, not only does he have a fantastic voice, but he has great comedic timing. I especially enjoyed his interactions with his nurse Ruth (Charline Grigg) when he tries to find out if she is beautiful when compared with other women. Watts has an amazing voice as Mabel, especially in "Poor wand'ring one," and I loved all of her funny facial expressions. Wadsworth is hilarious in "I am the very model of a modern Major-General" and I liked the funny interludes where he forgets what he is talking about. Monte Garcia, as the Pirate King, also has a very strong voice and great comedic timing, especially when he finds out that the Major-General is an orphan. The pirates, daughters, and constables are excellent and each of them have distinct personalities which make them fun to watch. The costumes are superb!  I loved the steampunk elements in the pirates' costumes, the colorfully quirky dresses worn by the daughters, the elaborate medals worn by the Major-General (even with his nightshirt), and the knee socks worn by the constables.  The set design, which reminded me of a vaudeville stage, is very effective. I particularly liked the two set pieces on either side of the stage which represented action at sea and characters running to and from the Major-General's castle.  Hurrah for this entertaining production which runs until September 1 (go here for tickets and information).

Note:  If you see this show, pay very close attention to the supertitles!

Crazy For You at CPT

Since moving to Bountiful three years ago I have become a huge fan of CenterPoint Theatre. Last night I had the chance to see their production of Crazy For You, a wonderful musical featuring the music of George and Ira Gershwin and lots of tap dancing! Who could ask for anything more? Bobby Child (Fred Lee) just wants to dance for the Zangler Follies but he has a fiance, Irene (Hailey Weeks), who has been waiting five years to get married and a mother who wants him to work at the family bank. He is sent by the bank to Deadrock Nevada to foreclose on a theatre owned by Polly Baker (Landry Thomas) and her father Everett (Shane Casteel). Instead, he immediately falls in love with Polly and comes up with a plan to save her theatre by producing a show. Polly doesn't want anything to do with him so he decides to impersonate Bela Zangler (Adam West) and brings the Zangler Follies to Deadrock. The show comes together until both Irene and the real Bela Zangler come to town! I loved all of the classic Gershwin songs: "Shall We Dance," "Someone to Watch Over Me," "Embraceable You," "I Got Rhythm," "They Can't Take That Away From Me," and "But Not For Me." The choreography is spectacular, especially in "I Can't Be Bothered Now," "Slap That Bass," and "Nice Work If You Can Get It." I also loved all of the physical comedy in "What Causes That." All of the ensemble are great dancers and perform with a lot of energy. The leads, Lee and Thomas, are both incredibly talented with strong voices and impressive tap dancing skills. Lee, especially, is very charismatic and the two of them have a lot of chemistry. I am always really blown away by the costumes and sets for CenterPoint Theatre and this show is no exception! I highly recommend this fun and energetic show which runs through July 14 (tickets may be purchased here).

Note:  One of my former students was in the ensemble and he was fantastic! I didn't know that he could tap!