The Naked Gun

Yesterday my nephew and I went to a matinee of The Naked Gun because we both needed a laugh.  It definitely delivered because we both had a lot of fun with it.  Lt. Frank Drebin, Jr. (Liam Neeson) engages in some questionable police tactics while investigating a bank robbery so he is pulled from the case by Chief Davis (CCH Pounder), head of the Police Squad, and sent to investigate a fatal car crash involving Simon Davenport (Jason MacDonald).  He accidentally discovers that both cases lead to Richard Cane (Danny Huston), a tech billionaire with a nefarious plan for world dominion using a P.L.O.T. device.  Drebin enlists the help of Davenport's sister Beth (Pamela Anderson) and his sidekick Capt. Ed Hocken, Jr (Paul Walter Hauser) to conduct a sting operation at a WWE match on New Year's Eve.  Hilarity ensues.  Neeson is absolutely brilliant because he delivers all of the comedy with the seriousness and gravitas of his recent action roles and that makes everything even funnier.  Huston looks like he is having a blast as a sneering villain (all that is missing is a mustache for him to twirl) but it is Anderson who is the biggest surprise because she steals every scene she is in as a vampy femme fatale, especially a hilarious montage of a romantic weekend getaway and a jazz performance at a night cub.  There are some fun callbacks to the original series and, even though the pratfalls, word-play, and sight gags didn't always make me or the rest of the audience laugh out loud, I did spend most of the movie chuckling to myself (pay very close attention to the names of everything).  There is definitely enough zany humor to make this a fun time at the movies and I recommend it to fans of slapstick comedies.

Together

I was actually in line for a screening of Together at Sundance but I was really tired and decided to skip it so I could be well rested for the four films I had scheduled the next day (festival fatigue is real).  I knew that it would eventually come to the Broadway and my nephew and I were able to see it there at a matinee yesterday.  It is pretty wild!  Tim (Dave Franco), an aspiring musician, and Millie (Alison Brie), a teacher, are a longtime couple whose relationship now lacks intimacy and connection.  They decide to leave the city and move upstate when Millie is offered a job teaching at a small rural school but, instead of a new start, their relationship further deteriorates when Millie proposes and Tim is unable to commit and when Tim starts to feel like a prisoner without a driver's license.  However, after an usual incident in the forest near their house, they become inexplicably drawn to each other and, over time, they start to become physically fused together (in scenes that escalate in intensity).  As they attempt to figure out what is happening, they must ultimately decide if they really do belong together.  Franco and Brie are a real-life couple so their depiction of two people who have been in a codependent relationship for a long time feels very authentic, especially their petty bickering over things of little consequence.  I was also very impressed by their physical performances, particularly in a scene where they contort their bodies while holding on to various objects in order to keep apart as they are literally pulled together like magnets.  The body horror is not as gory as I was expecting but it is very disturbing and unsettling (it features one of the most uncomfortable sex scenes I have ever seen) and there were moments when I had to look away from the screen.  The practical effects are amazing as is the ominous sound design (the less you know the better) but I do feel like the final sequence is a bit rushed because I wanted to know more about what was actually happening and why.  It is really weird but I liked it and would recommend it to fans of body horror.

Note:  The use of "2 Become 1" by the Spice Girls during a key scene made me laugh out loud!

Sorry, Baby

I really liked quite a few movies at the Sundance Film Festival this year but if I had to pick just one as my favorite it would be Sorry, Baby.  I was happy for the chance to see it again at the Broadway with my nephew last night and I loved it even more upon a second viewing.  Agnes (Eva Victor) lives in an isolated farmhouse with her best friend Lydie (Naomi Ackie) while the two of them attend graduate school at a small New England university.  She and Lydie belong to a cohort, including Natasha (Kelly McCormack), Devin (Cody Reiss), and Logan (Jordan Mendoza), led by literature professor Preston Decker (Louis Cancelmi) and, much to the disappointment of Natasha, she is the obvious favorite.  She enjoys the praise she receives from Decker so, even though it is ill-advised, she meets with him at his house to discuss her thesis after he is forced to stay home with his sick child and he sexually assaults her.  She tries to move on from what she calls the Bad Thing by beginning a casual relationship with her neighbor Gavin (Lucas Hedges) but she can't commit and periodically suffers from panic attacks.  It is only when Lydie, who now lives in New York and is married and pregnant, comes to visit four years later that Agnes, who still lives in the same farmhouse, is teaching at the same university, still has the same rivalry with Natasha, and even has the same office that Decker used, realizes that she is stuck and must finally process what has happened to her.  This is a meditative, but often very funny, character study about surviving a traumatic experience and I found the non-linear timeline to be incredibly compelling (even more so the second time around) because the audience sees the effect before the cause.  This is a stunning debut for Victor (who wrote, directed, and starred) and I was particularly impressed by a powerful scene which features a long tracking shot following Agnes walking to Decker's house, then a shot of the house showing the passage of time, followed by another tracking shot of Agnes leaving the house and walking back to her car.  The direction and performance is absolutely brilliant because you can see that something devastating has happened by just the change in body language alone.  I was also very moved by an intense monologue in which Agnes apologizes to Lydie's baby for being born into a world where bad things happen because it is such a turning point for Agnes (I haven't stopped thinking about it since Sundance).  Finally, I really loved that Lydie simply shows Agnes that she is stuck instead of getting her unstuck because it is so empowering.  I am sure that this will be among my favorite movies of 2025 and I highly recommend it.

The Fantastic Four: First Steps

My nephew and I finally had a chance to see The Fantastic Four: First Steps last night and I really enjoyed it.  On Earth 828, Reed Richards (Pedro Pascal), his wife Sue Storm (Vanessa Kirby), his brother-in-law Johnny Storm (Joseph Quinn), and his best friend Ben Grimm (Ebon Moss-Bachrach) travel to space in 1960 and experience a cosmic anomaly that gives them superhuman abilities.  They become Mister Fantastic, Invisible Woman, Human Torch, and The Thing, respectively, and use their powers to protect Earth.  Four years later, Reed and Sue announce that they are expecting a much longed for child when the Silver Surfer (Julia Garner), a herald for a world-eating cosmic being known as Galactus (Ralph Ineson), appears to announce that Earth has been targeted for destruction.  The Fantastic Four return to space to negotiate with Galactus and learn that he is willing to spare Earth if they give him the child Reed and Sue are expecting because he believes that the child will have immense abilities.  Reed and Sue consider it to be a price too high to pay but face backlash for choosing their child over the fate of Earth.  Will the Fantastic Four find another way to stop Galactus?  I liked that narrative foregoes the origin story and jumps right into the action and, as someone who does not know much about the Fantastic Four as characters (I haven't seen any of the previous movies), I found it very easy to understand each of their arcs and motivations without it.  I also liked that the story is a simple one about the importance of family and that it is very self-contained.  I absolutely loved the 1960s retro-futuristic aesthetic in the production design, especially with the technology and the spaceship, the costumes, and the score by Michael Giacchino.  The action sequences are great and I particularly liked all of the cool visuals in the space battle and the climactic battle.  Finally, the performances are both fun (a scene involving a car seat in the Fantasticar made me laugh out loud) and poignant with opportunities for every character to have a moment of reckoning.  My favorite was that of Kirby as a fierce mother willing to do whatever is necessary in order to protect her child and I loved her chemistry with Pascal.  I was also strangely moved by Moss-Bachrach's motion capture performance (he has some wonderful scenes with Natasha Lyonne who plays a teacher in his old neighborhood).  Admittedly, the bar is a bit low with recent MCU projects but, between this and Thunderbolts*, my interest has been reignited and I am actually looking forward to Avengers: Doomsday (there is a mid-credits scene teasing the appearance of Victor von Doom/ Doctor Doom).

Eddington

My nephew and I are fans of Ari Aster so we were both excited to see Eddington at the Broadway last night.  I can certainly understand why this has divided critics but I found it to be incredibly thought-provoking.  In the small town of Eddington, New Mexico at the beginning of the COVID-19 pandemic, the sheriff Joe Cross (Joaquin Phoenix) clashes with the mayor Ted Garcia (Pedro Pascal) over the latter's implementation of a lockdown and enforcement of a mask mandate.  Cross views Garcia's policies as a violation of personal choice (as an asthmatic he finds it difficult to breathe while wearing a mask) and eventually decides to run against him in his bid for re-election.  Soon, Garcia's son Eric (Matt Gomez Hidalka) becomes involved in a series of Black Lives Matter protests which creates havoc for the sheriff's department and Cross makes an allegation about the possible misconduct of Garcia towards his wife Louise (Emma Stone).  This contributes to the escalation of tensions between the sheriff and the mayor leading Cross to take matters into his own hands with unexpected consequences for all involved (the final scenes are quite satirical and had the audience laughing out loud, albeit uncomfortably).  There is a lot of social commentary to unpack beyond the obvious, including perceived government control, performative social justice, the spread of misinformation and conspiracy theories, and the rise of dubious internet celebrities (I wish Austin Butler's character had been explored more fully), and I sometimes found the narrative to be very bloated and messy (Aster could use an editor).  However, he very effectively portrays the anxiety, confusion, mistrust, and division felt during this period through the changing relationship between Cross and Garcia.  I was particularly struck by the juxtaposition between an early scene in which they confront each other on the street but maintain civility and a later scene in which they challenge each other at a fundraiser and come to blows. I also enjoyed the use of the neo-Western genre to tell the story, particularly the climax which literally features a gunfight in the town square!  Phoenix is absolutely brilliant in this role because he is increasingly ridiculous as he unravels before our eyes.  Pascal is also very good but some of the other big name actors do not have much to do (particularly Stone and Austin).  Aster does not offer much in the way of explanations or solutions but I honestly have not been able to stop thinking about this movie.  I recommend it with the caveat that it will definitely not appeal to everyone.

I Know What You Did Last Summer

I enjoyed the legacy sequels in the Halloween and Scream horror franchises so I decided to see I Know What You Did Last Summer yesterday.  Unfortunately, I did not enjoy this one.  A group of friends, including Danica Richards (Madelyn Cline), Ava Brucks (Chase Sui Wonders), Milo Griffin (Jonah Hauer-King), Teddy Spencer (Tyriq Withers), and Stevie Ward (Sarah Pidgeon), who recently left rehab, decide to take a drive to see the Fourth of July fireworks after celebrating the engagement of Danica and Teddy in Southport, North Carolina.  While goofing off in the middle of the road, they inadvertently cause an accident when a truck swerves into a guard rail to avoid hitting them.  They try to get the driver, Sam Cooper, out of the truck but it ultimately falls into the water below.  Ava wants to call the police but the rest of them are scared of the possible consequences so Teddy swears them all to secrecy and has his father Grant (Billy Campbell), a wealthy politician, cover up the accident.  The group reunites a year later to celebrate Danica's engagement to her new fiance Wyatt (Joshua Orpin) but they panic when she receives a card with the message, "I know what you did last summer."  After Wyatt is brutally killed by a fisherman with a hook, the group eventually learns of a similar massacre in Southport 30 years ago and they seek out survivors Julie James (Jennifer Love Hewitt), now a psychology professor specializing in trauma, and Ray Bronson (Freddie Prinze, Jr.), the owner of a bar in Southport, to learn how to stop the fisherman before they become his next victims.  The dialogue is incredibly cringe-worthy and the acting is abysmal but I actually liked the story until a twist in the final fifteen minutes completely derails it (the motivation for what a certain character does makes absolutely no sense).  The kill sequences are surprisingly bland with very little tension or suspense and the tone is all over the place (it is not funny enough to be campy or scary enough to be a thriller).  I wasn't a huge fan of the original but I was still very disappointed by this and recommend giving it a miss.

Superman

Superman has always been my favorite comic book character so James Gunn's new reboot was my most anticipated movie of the summer.  I had the chance to see it at a Thursday preview with my nephew and sister last night and, while it is a bit messy, I absolutely loved it!  Clark Kent/ Superman (David Corenswet) acts without the authority of the U.S. government to stop the invasion of Jarhanpur by Borovia, a neighboring country and U.S. ally, in order to save lives but many, including Lois Lane (Rachel Brosnahan), his girlfriend and colleague at the Daily Planet, question his motives.  Tech billionaire Lex Luthor (Nicholas Hoult), who is jealous of Superman's notoriety, uses this incident and a previously unheard message from his Kryptonian parents to turn public opinion against Superman and he takes steps to destroy him in a perceived attempt to keep people safe.  I think the narrative is really bloated because it includes Luthor's allies Ultraman (also played by David Corenswet) and Angela Spica/ The Engineer (Maria Gabriela de Faria), the Justice Gang members Michael Holt/ Mister Terrific (Edi Gathegi), Guy Gardner/ Green Lantern (Nathan Fillion), Kendra Saunders/ Hawkgirl (Isabela Merced), and eventually Rex Mason/ Metamorpho (Anthony Carrigan) who help Superman save the people of Jarhanpur, as well as Clark Kent's Daily Planet colleagues Jimmy Olsen (Skyler Gisondo), Perry White (Wendell Pierce), Steve Lombard (Beck Bennett), and Cat Grant (Mikaela Hoover) who work to discredit Luthor.  I also think the story is very convoluted with lots of plot holes, especially Luthor's use of nanotechnology and pocket dimensions.  However, it hardly matters because this movie is incredibly entertaining with all of the fun and goofy non-stop action Gunn is known for (I especially enjoyed the battle against a kaiju).  In my opinion, the characterization for Superman is very true to the comic books.  I love that he is kind and strives to do what is right to protect the innocent (at one point he saves a squirrel), even when it is difficult, and I think his old-fashioned naivete is very refreshing.  I also love his character arc as an outsider who ultimately finds his strength in his humanity (the juxtaposition between the scenes with his Kryptonian parents and his Earth parents at the Fortress of Solitude is very powerful).  Corenswet (especially), Brosnahan, and Hoult are absolutely fantastic and I think Gisondo is the perfect Jimmy Olson but Gathegi steals every scene he is in as Mister Terrific (I hope to see more of him in future DCU projects) and Superman's dog Krypto is adorable.  As much as I love the direction Zack Snyder took the character, I think this is a great reset for the DCU and I am excited for what is to come!

Note:  There is a mid-credits scene and an end-credits scene.

Jurassic World Rebirth

After suffering through Jurassic World: Dominion, I vowed that I would never see another movie in the franchise but the trailer for Jurassic World Rebirth looked really intriguing to me (it actually featured dinosaurs!) so I went to see it last night with my sister.  There are definitely some flaws but I think it is one of the best sequels to the original movie and I enjoyed it.  The Earth's environment proves to be inhospitable to the dinosaurs so most of them have either died or relocated to tropical areas near the Equator.  Martin Krebs (Rupert Friend), a representative of the pharmaceutical company ParkerGenix, recruits covert operatives Zora Bennett (Scarlett Johansson) and Duncan Kincaid (Mahershala Ali) as well as paleontologist Dr. Henry Loomis (Jonathan Bailey) to retrieve DNA samples from the three largest species of dinosaurs for use in a drug that could potentially prevent coronary disease.  The group is tracking a Mosasaurus in the Atlantic Ocean when they are called to rescue the Delgado family, including Reuben (Manuel Garcia-Rulfo), his daughters Teresa (Luna Blaise) and Isabella (Audrina Miranda), and Teresa's ne'er-do-well boyfriend Xavier Dobbs (David Iacono), after their boat is destroyed by a Mosasaurus.  The team is able to rescue the Delgados and retrieve a sample but they are also attacked and shipwrecked on an island that was once used as a secret research facility for creating mutant dinosaurs.  Chaos ensues as they attempt to collect the remaining samples and evade the terrifying new dinosaurs created in the lab.  The cast does a great job and, even though the story follows the same beats as all of the other movies in the franchise, I liked the new characters.  The action sequences with the dinosaurs are spectacular!  The scenes showing the Delgados being chased by a Tyrannosaurus rex down a river in an inflatable raft and the team as they are confronted by a Distortus rex when trying to leave the island are absolutely terrifying but I also really felt the awe exhibited by Loomis and Bennett when they encounter a Titanosaurus and the Aquilops befriended by Isabella provides a bit of comic relief.  The biggest problem I had is the pacing because in between all of the dinosaurs there is a lot of dialogue in which the characters learn very important lessons (such as big pharma is bad and Xavier is actually good) and my mind would sometimes wander.  This is not quite as good as the original but is so much better than its predecessor and I recommend it as a fun summer blockbuster.

M3GAN 2.0

My nephew and I had a lot of fun with M3GAN so we were really excited to see the sequel, M3GAN 2.0, last night.  Unfortunately, I found the switch in genre from horror to action thriller to be disappointing.  Cady (Violet McGraw) is still traumatized by the events leading to the destruction of her AI robot M3GAN (Model 3 Generative Android) and her aunt Gemma (Allison Williams), inspired by her boyfriend Christian (Aristotle Athari), has become an advocate for the regulation of AI technology.  However, M3GAN's technology is surreptitiously used by a defense contractor to create a military-grade robot named AMELIA (Autonomous Military Engagement Logistics and Infiltration Android).  When AMELIA (Ivanna Sakhno) becomes self-aware and goes rogue, Gemma and her coworkers, Cole (Brian Jordan Alvarez) and Tess (Jen Van Epps), are persuaded to rebuild M3GAN to make her faster and stronger so she can stop AMELIA from attempting an AI takeover.  There are endless exposition dumps, convoluted plot twists (you may want to take notes to keep them all straight), derivative action sequences, and cringe-worthy dialogue before the long anticipated show-down between M3GAN and AMELIA culminates in a muddled message about working together with AI to solve the world's problems.  We get the requisite dance break and a song from M3GAN (this time she sings "This Woman's Work" by Kate Bush) but they are ridiculous and random rather than campy and my nephew and I gave each other several looks of incredulity.  M3GAN (portrayed by Amie Donald and voiced by Jenna Davis) is no longer scary and, as a result, she is no longer interesting but she is still better than the rest of the cast whose performances are surprisingly bland (except for a brief appearance by the always hilarious Jemaine Clement as a corrupt tech billionaire).  The premise is intriguing and I even enjoyed the initial setup with AMELIA going rogue but the execution is flat without the horror elements that made the first movie so iconic.  This is not the upgrade I was hoping for and I suggest waiting for it to stream.

F1

Last night my nephew and I went to an early access IMAX screening of F1 and it is an adrenaline rush from beginning to end!  Sonny Hayes (Brad Pitt) is a nomadic driver for hire after a promising career in Formula 1 racing was cut short by a near fatal crash.  Ruben Cervantes (Javier Bardem), a friend and former F1 driver who now owns APXGB, lures him out of retirement to mentor Joshua Pearce (Damson Idris), the hotshot prodigy who drives for him, in order to stave off calls from his board of directors to sell the team.  Without winning any points all season, APXGB has just nine races to improve their record but Sonny and Joshua immediately clash over training methods and racing strategy and get off to a disastrous start.  However, with help from Kate McKenna (Kerry Condon), an innovative technical director with something to prove, they eventually start to respect each other and work together to foil the plans of Peter Banning (Tobias Menzies), a duplicitous board member, during the final race of the year.  The story follows similar sports movie tropes (an experienced veteran looking for redemption and a cocky and arrogant rookie eager to make his mark join forces as underdogs who ultimately triumph) but it is also full of heart and the relationship that develops between Sonny and Joshua is very touching (I loved seeing Joshua slowly incorporate all of Sonny's training methods).  I do not know anything about F1 racing and, honestly, I have never really understood the appeal but I found the behind the scenes look at the sport to be fascinating, especially all of the strategy involved (although I suspect that some of the methods used by Sonny to disrupt the races in order to give himself an advantage are a bit far-fetched).  The racing sequences are exhilarating and incredibly immersive (seeing the track from the perspectives of the drivers is really intense).  It is also impressive that the actors actually drive the cars with footage from real races and that many current F1 drivers make cameos (the only driver I recognized was Lewis Hamilton but my nephew recognized a lot of them including the actual coach, or principal, of Scuderia Ferrari).  The propulsive score by Hans Zimmer adds tension to these thrilling scenes and the needle drops are fantastic (when a movie starts with "Whole Lotta Love" by Led Zeppelin you know it is going to be awesome).  Finally, Pitt brings his movie star charisma to the role and Idris is a movie star in the making.  This movie is the definition of a summer blockbuster and I had so much fun watching it with my nephew!  Go see it in IMAX!

Elio

Last night I spontaneously decided to see Elio and I loved the dazzling animation and the touching message.  Elio Solis (Yonas Kibreab) is sent to live with his aunt Olga (Zoe Saldana), an Air Force Major, after the death of his parents but he feels like he has interrupted her dream of becoming an astronaut and that she would be better off without him.  He is also bullied by the other kids on the Air Force base because of his obsession with life in space and he feels very lonely.  Elio overhears an analyst named Gunther Melmac (Brendan Hunt) tell Olga that a message has been received in response to the Voyager 1 space probe and he contrives to answer it which results in his abduction by an alien ship.  He is thrilled when he is welcomed to the Communiverse, an intergalactic organization where aliens share information about their home planets, as a candidate to be the Earth's ambassador.  However, he must first prove himself so he volunteers to negotiate with Lord Grigon (Brad Garrett), a warlord who is threatening the Communiverse.  He tries various methods to appease Grigon but they fail so he decides to use his more peaceful son Glordon (Remy Edgerly) as a bargaining chip.  Eventually, Elio and Glordon bond with each other because they both feel alone and misunderstood but will they ever find where they really belong?  This is absolutely adorable and I loved the world-building for the Communiverse and the character design for all of the aliens because everything is so colorful and luminous.  I especially loved Glordon as a character because he is incredibly endearing.  My favorite moments are when clones are made of Elio and Glordon to take their places and both Olga and Grigon realize the switch and prefer the originals (I enjoyed Olga and Grigon's character arcs as parents who are overwhelmed and make mistakes but learn that the most important thing is to show acceptance and love for Elio and Glordon).  The message that you are never alone is a powerful one the comparison between searching for life in space and searching for connection on Earth really works.  I enjoyed this a lot more than I thought I would and highly recommend it.

28 Years Later

I took my nephew to 28 Years Later at the Broadway last night and, as a fan of the first two movies in the franchise, I was excited to see it.  Even though it is very different from what I was expecting, I really loved the exploration of how to live in the midst of death.  Twenty-eight years after the spread of the rage virus, the UK is still heavily quarantined and survivors have been left to fend for themselves.  A group of these survivors, including Jamie (Aaron Taylor-Johnson), his wife Isla (Jodie Comer), who suffers from a mysterious illness that causes hallucinations, and his 12-year-old son Spike (Alfie Williams), have found refuge on an isolated island separated from the mainland by a fortified causeway that is only accessible during low tide.  Jamie takes Spike to the mainland to initiate him in hunting the infected but they soon become overrun by a large group that has mutated to become stronger and faster and they are forced to take shelter in the attic of an abandoned cottage.  Spike sees a large bonfire in the distance and, when they return to the island, he learns that it was most likely lit by Dr. Kelson (Ralph Fiennes), an eccentric who burns the bodies of the dead in a ritual of remembrance.  Spike is disillusioned by Jamie's exaggeration of their exploits on the mainland and by his behavior towards Isla so he decides to take her in search of Kelson so he can cure her.  The main narrative is bookended by Jimmy (Rocco Haynes as a child and Jack O'Connell as an adult) who survives an attack by the infected and then reappears twenty-eight years later with his cult to help Spike fight another group that has mutated.  Jimmy provides the chaos I was expecting but I loved the more meditative (relatively speaking) hero's journey taken by Spike as he learns how to reconcile himself to death (and new life) and become what his father pretends to be.  I also really enjoyed a montage showing images of war throughout the years accompanied by Rudyard Kipling's poem "Boots" read by Taylor Holmes (which is used very effectively in the trailer) because it establishes the idea that people have always had to survive the consequences of savagery.  Fiennes gives an incredibly moving performance but I was most impressed by Williams and I am very much looking forward to the continuation of Spike's story in the sequel(s).  I recommend this to fans of the franchise who are willing to set aside their expectations because it is definitely more haunting than frightening but I think it is brilliant.

Materialists

I loved Past Lives so much I named it as my favorite movie of 2023 so I was very eager to see what writer/director Celine Song would do next.  My nephew and I saw her latest movie, Materialists, last night as part of our double feature at the Broadway and, while it doesn't quite have the same emotional impact as Past Lives, I really enjoyed it.  Lucy (Dakota Johnson) is a successful New York City matchmaker responsible for nine marriages using her own unique algorithm for compatibility.  At the wedding of one of her clients, she meets the groom's brother Harry (Pedro Pascal) and, because he is tall, handsome, charming, well educated, and incredibly wealthy, he fits the algorithm for her perfect match.  However, she also encounters her ex-boyfriend John (Chris Evans), a struggling actor working as a waiter for the company catering the wedding.  The two of them split five years earlier because of their incompatible attitudes towards money but they still clearly have feelings for each other.  Harry, who believes that Lucy is also the perfect match for him, pursues her with extravagant dates but she contrives to find ways to keep in contact with John.  Eventually, she must decide if she belongs with the one who is perfect for her based on what she thinks she wants or the one she loves in spite of his imperfections.  There is also a subplot involving one of Lucy's clients (Zoe Winters) who has a terrifying experience with a man who is matched to her using the surface-level specifications in Lucy's algorithm and this ultimately helps her make her decision.  As with Past Lives, Song explores what it means to find your soul mate but this time love miraculously overcomes all complications (which is certainly less heartbreaking but also feels a bit unearned).  Nevertheless, I loved the witty banter between the characters and the honest, if sometimes harsh, observations about dating and marriage.  I also loved the performances.  Johnson is hit or miss with me because I think she is the kind of actress who needs a good director to pull a good performance out of her and this is one of her best.  Pascal is incredibly charming and Evans is endearing (one of the things that makes this so compelling is that it is entirely plausible that she could end up with either of them).  This may not be as strong as Past Lives (how could it be?) but I definitely liked it and would recommend it.

The Life of Chuck

Last night my nephew and I had a double feature at the Broadway starting with The Life of Chuck.  I absolutely loved this and I find it even more meaningful the more I think about it!  In Act One, Charles "Chuck" Krantz (Cody Flanagan as a 7-year-old, Benjamin Pajak as an 11-year-old, and Jacob Tremblay as a 17-year-old) spends his formative years with his accountant grandfather (Mark Hamill) and free-spirited grandmother (Mia Sara) and becomes involved with an extracurricular dance club run by the gym teacher (Samantha Sloyan).  In Act Two, Chuck (Tom Hiddleston) demonstrates how the people in his life have influenced him during an encounter with a busker (Taylor Gordon) and a woman reeling from a recent breakup (Annalise Basso).  In Act Three, a high school teacher (Chiwetel Ejiofor), a nurse (Karen Gillan), and a mortician (Carl Lumbly) discover the influence Chuck has had on them at the end of his life.  This is told in reverse chronological order with narration from Nick Offerman and an elaborate conceit in Act Three that is both brilliant and thought-provoking (I haven't read the novella by Stephen King, upon which this is based, so I gasped out loud when I finally realized what was going on).  I loved all the recurring images that tie the three different acts together, especially the use of Walt Whitman's poem "Song of Myself" (which eventually provides a powerful message).  I also really loved Hiddleston's performance (he's got some serious moves) but I was really surprised by how little screen time he actually has.  In fact, I was surprised by the number of people who essentially have cameos (my favorites involve David Dastmalchian because his is very amusing and Matthew Lillard because his is incredibly profound) but this serves to emphasize the tremendous impact that one ordinary person can have in a lifetime.  This is a moving, and surprisingly optimistic, exploration of existence and I cannot recommend it enough!

How to Train Your Dragon

Yesterday I went to a matinee of How to Train Your Dragon and, as a fan of the animated movie, I was a bit nervous about this live action remake but I really enjoyed it.  The Vikings on the island of Berk are regularly attacked by dragons but Hiccup Horrendous Haddock III (Mason Thames), the son of the chief Stoick the Vast (Gerard Butler), is deemed too weak to fight them.  He is apprenticed to the blacksmith Gobber the Belch (Nick Frost), instead, but he wants his father to be proud of him so he makes a mechanical device which he uses to shoot down the rare Night Fury dragon during an attack.  When he discovers that the dragon was only wounded, he can't bring himself to kill him and sets him free.  He eventually befriends the dragon, naming him Toothless because of his retractable teeth, and makes a prosthetic for his wounded tail fin so he can fly again.  Hiccup ultimately discovers that everything the Vikings know about the dragons is wrong and that they must join together to face an even bigger threat.  The visuals are absolutely gorgeous and I especially loved the breathtaking scenes where Hiccup rides Toothless through the clouds, in between rock formations, into the ocean waves, and then to the Northern Lights with Astrid Hofferson (Nico Parker), his rival turned ally. The cast is fantastic and I love that Thames and Parker as well as the dragon-fighting recruits, including Julian Dennison as Fishlegs Ingerman, Gabriel Howell as Snotlout Jorgenson, Bronwyn James as Ruffnut Thorston, and Harry Trevaldwyn as Tuffnut Thorston, embody the key traits of their characters, even if they don't look exactly like their animated counterparts, while adding a little spark to make them fresh.  The rendering of Toothless is extremely well done.  He is very obviously a reptile but he is still recognizable as the adorable character we know and he is able to show emotions, unlike the photorealistic versions of animals in other live action remakes (I am looking at you The Lion King).  The scene where Toothless begins to trust Hiccup is incredibly affecting and I admit that I had a few tears in my eyes when he is captured and restrained.  Finally, the score is epic (John Powell embellished the themes from his score of the original movie) and I loved all of the booming brass and percussion during the action sequences as well the strings and piano in the quieter moments.  My only complaint is that, because it is an almost shot-for-shot recreation of the original, it is not quite as compelling as it could be (since I knew everything that was going to happen my mind started to wander during the third act).  I do, however, think this is one of the best live action remakes I have seen and would definitely recommend it.

The Phoenician Scheme

I am a big fan of Wes Anderson (I think The Grand Budapest Hotel is a masterpiece) so I took my nephew to see The Phoenician Scheme at the Broadway last night.  Those who are not already fans of Anderson's quirky and idiosyncratic style will probably not enjoy this but I absolutely loved it!  Wealthy business tycoon Anatole "Zsa Zsa" Korda (Benicio del Toro) has a near death experience during the latest of several assassination attempts on his life in which he is forced to defend his worthiness to enter heaven.  Shaken, he decides to make contact with his estranged daughter Liesl (Mia Threapleton), a novitiate nun, and proceed with a plan to improve the infrastructure of Phoenicia.  However, Agent Excalibur (Rupert Friend) and a consortium of other government agents from around the world attempt to disrupt his plan by manipulating the cost of building supplies.  Korda enlists Liesl and Bjorn Lund (Michael Cera), a Norwegian etymologist acting as his tutor, to accompany him as he meets with all of his business partners in order to coerce them into covering the gap in funding.  These include Prince Farouk (Riz Ahmed), the crown prince of Phoenicia, Leland (Tom Hanks) and Reagan (Bryan Cranston), brothers from Sacramento, Marseilles Bob (Mathieu Amalric), a gangster and nightclub owner, Marty (Jeffrey Wright), a fast talking businessman from Newark, Hilda Sussman-Korda (Scarlett Johansson), his second cousin, and Nubar (Benedict Cumberbatch), his estranged half-brother.  Along the way, Korda survives an attack by a revolutionary guerrilla (Richard Ayoade), several more assassination attempts, and an attack by Nubar before deciding to fund the scheme himself, which will bankrupt him, in order to retire and live a simple life with Liesl.  I listed the usual characteristics of a Wes Anderson movie (a specific color palette to denote a mood, symmetrical shot composition, stylized production design, long tracking shots, elaborate title cards, deadpan delivery, an ensemble cast with recurring actors, and melancholy themes about dysfunctional families) for my nephew and he said he found all of them!  However, I found this to be one of Anderson's most philosophical movies with an incredibly touching redemption arc (I loved the black and white scenes in heaven with a hilarious cameo by Bill Murray as God).  I loved the relationship that develops between Korda and Liesl as he slowly realizes how amoral his business practices are and she comes to understand that he loves her the only way he knows how (Threapleton's performance is brilliant).  This is really funny but, as always, the humor is subtle and I was sometimes the only one in the audience laughing (a lot of the comedy comes from Cera's performance and I propose that he be in every future Wes Anderson movie).  I thoroughly enjoyed this (The Grand Budapest Hotel is still my favorite but this is one of his best) and recommend it to fans of the director.

Dangerous Animals

Last night I went to a late screening of Dangerous Animals and it is a very intense mash-up of the survival and serial killer genres.  Zephyr (Hassie Harrison) is a free spirited surfer in Australia on the run from a difficult past.  She hooks up with Moses (Josh Heuston) after helping him jump-start his car but leaves early the next morning without saying goodbye.  She plans to surf that morning but is abducted by Tucker (Jai Courtney), an eccentric boat captain who survived a shark attack as a child, and is taken aboard his boat.  She discovers another tourist (Ella Newton) being held captive and is horrified when Tucker lowers her into a group of circling sharks that have been lured to the boat by chum.  Tucker films her being devoured by the sharks and adds the VHS tape to a large collection of similar tapes.  Meanwhile, Moses attempts to find Zephyr so he can surf with her and becomes alarmed when he sees her van being towed.  Zephyr realizes that she will be next and takes extreme measures to escape while Moses continues to try to find her.  However, they both have more to fear from Tucker than the sharks.  The tension is almost unbearable and I was on the edge of my seat holding my breath every time Zephyr gets away only to be captured once again by Tucker (which happens so many times).  The action sequences are very dynamic because Zephyr is forced to use whatever is at hand, including the broken handle of a bucket, a grappling hook, and a harpoon, to fight with and the booming score adds to the frenzy.  The underwater cinematography featuring the sharks is equal parts terrifying and mesmerizing.  Courtney is incredibly unsettling (I knew immediately that the tourists who hire him for a cage dive were in danger before they even got on the boat) and I think he should play the villain more often while Harrison gives a ferocious performance that is easy to cheer for.  This is a lot better than I was expecting and I recommend it as a fun, but grisly, summer movie.

Ballerina

I am a huge fan of the John Wick franchise so I have been looking forward to the latest installment, Ballerina, for what seems like a really long time.  I went to see it with my nephew last night and I think it is a great addition to the series.  A young Eve Macarro (Victoria Comte) witnesses the death of her father Javier (David Castaneda) by assassins bearing the mark of a cult led by the Chancellor (Gabriel Byrne).  He wants her back after her father fled the cult to give her a normal life but Winston Scott (Ian McShane) finds her and takes her to the Ruska Roma where the Director (Anjelica Huston) trains her as a ballerina and an assassin.  Twelve years later, while working as an assassin, Eve (Ana de Armas) recognizes the mark on her victim and wants revenge.  She asks the Director for information but she refuses to help her because the Ruska Roma has a truce with the cult.  She then turns to Winston and he leads her to an assassin named Daniel Pine (Norman Reedus) who is on the run from the cult and has claimed sanctuary at the Prague Continental.  When she confronts Pine, she finds an even greater motivation for finding the Chancellor.  She eventually tracks him to the village of Hallstatt in the mountains of Austria and, when she proves difficult to capture, the Chancellor threatens war with the Ruska Roma so the Director sends John Wick (Keanu Reeves) to stop her.  I really enjoyed Eve's character arc because, even though it seems to be her fate to become an assassin, she still has a choice about whether to destroy or protect (two sides of the same coin) and I think this is portrayed very well through Eve's interactions with Pine's daughter Ella (Ava McCarthy).  The narrative does take a while to get going because it includes Eve's backstory and training, which go on a bit too long in my opinion, but once Eve sets out on her quest for revenge it is so much fun to watch!  As you would expect from an entry in the John Wick franchise, there are some epic and innovative action sequences in which Eve must improvise in order to compensate for her small stature.  My favorites include the use of a pick axe in a nightclub made of ice, a fight involving dinner plates in a restaurant, and a duel between a flamethrower and a firehose in the village.  I think Ana de Armas does a great job with the fight choreography (I really liked her in No Time To Die) and I also liked her performance in the more emotional moments.  Reeves doesn't have much to do but it was fun to see him return as John Wick (it was also fun to see some of the other returning characters but it was bittersweet to see Lance Reddick play Charon for the final time).  This does not feature the same dynamic cinematography or dazzling locations as the other movies in the franchise but I enjoyed it and would definitely be interested in seeing a sequel.

Karate Kid: Legends

My sister and I are fans of the original movie (it was incredibly popular the summer after my sophomore year in high school) and my nephew is a big fan of the reboot so we obviously had to see the latest installment in the franchise, Karate Kid: Legends, together last night.  I think it is a lot of fun and all three of us really liked it.  Li Fong (Ben Wang) has been secretly studying kung fu with his great-uncle Mr. Han (Jackie Chan) in Beijing but his mother (Ming-Na Wen) forbids him to continue because her son and Li's older brother was killed by an opponent after a tournament.  She takes a job in New York to get Li away from kung fu and hires a tutor (Wyatt Oleff) to encourage him to focus on his studies, instead.  However, he soon befriends Mia Lipani (Sadie Stanley) and her father Victor (Joshua Jackson) and learns that he owes a great deal of money to a loan shark named O'Shea (Tim Rozon) who owns a dojo.  He also runs afoul of Mia's ex-boyfriend Conor Day (Aramis Knight), a karate prodigy who trains with O'Shea.  Li eventually decides to enter the Five Boroughs Tournament, an epic mixed martial arts competition, so he can give the prize money to Victor and so he can confront his demons over his brother's death.  Mr. Han comes to New York to help train him and he also enlists Daniel LaRusso (Ralph Macchio) to train him in karate.  Li makes it to the finals but he has to fight Conor, who has bested him in several skirmishes, and it all comes down to the "dragon," a flying kick that he learned from his brother.  The story follows the exact same formula beat for beat as the previous movies and the outcome of the tournament is a foregone conclusion but Wang is so appealing in the role that he is easy to cheer for.  There are some emotional themes but, for the most part, the tone is light and the action moves very quickly with dynamic and colorful titles and a bombastic score.  I loved all of the fight sequences, especially when Li becomes the mentor in Victor's attempt to make a boxing comeback, when Han and Daniel try to demonstrate who has the best moves with Li as their unwitting victim, and Li's final stand-up-and-cheer move in the tournament.  I also enjoyed all of the callbacks to the previous movies, especially a fun reference at the end.  Fans of the franchise will definitely have a great time with this (audiences seem to be enjoying it more than the critics).

Jane Austen Wrecked My Life

Last night I went back to the Broadway to see Jane Austen Wrecked My Life.  I am not a big fan of romantic comedies but if Jane Austen is in the title I will be seated and I really enjoyed this.  Agathe (Camille Rutherford) is a struggling writer in Paris who has put her life on hold after a traumatic car accident that took the lives of her parents several years ago.  Her best friend Felix (Pablo Pauly) wants to give her a spark so he sends some of her previous work to the Jane Austen Residency run by descendants of the author in England and she is accepted.  Felix convinces a reluctant Agathe to go and, because she is secretly in love with him, she spontaneously kisses him as she leaves and sends him a provocative text when she arrives which confuses him.  She soon meets Oliver (Charlie Anson), the arrogant son of the proprietors, and they take an immediate dislike to each other.  However, she is still unable to write so she spends most of her time with Oliver and develops feelings for him before Felix arrives to surprise her.  She eventually realizes that she needs to resolve the trauma in her life before she can write or decide which man is meant for her.  This is a slow burn but it is so charming that it will win you over.  The cinematography is gorgeous and I enjoyed all of the locations, especially Shakespeare and Company where Agathe works.  I loved the scene where Agathe compares herself to Anne Elliot in Persuasion because she is letting life pass her by and Felix to Henry Crawford in Mansfield Park because he is a cad who is unwilling to commit (I also loved that Oliver is obviously modeled on Mr. Darcy in Pride and Prejudice).  There are lots of other moments that put a smile on my face but I definitely swooned during the Regency costume ball when Agathe dances with Felix and then with Oliver because it is so apparent who she belongs with (I wrote a paper in college about the importance of dancing in Jane Austen's works).  Rutherford and Anson are very appealing and have tremendous chemistry but I really appreciate that this focuses just as much on Agathe's journey to find herself as a writer as it does on finding a romantic partner.  This is a lot more subtle and thoughtful than Austenland and The Jane Austen Book Club but it is a lot of fun and I recommend it.