Noises Off at PTC

The first time I saw Noises Off, it was a production at PTC nearly twenty years ago. I have since seen it multiple times (including two productions this year at CPT and Parker Theatre) but I love it and was thrilled to see a new version at PTC last night! It is an absolutely hilarious farce featuring a play-within-a-play called Nothing On starring Dotty Otley (Linda Mugleston) as Mrs. Clackett, Gary Lejeune (Rhett Guter) as Roger Templemain, Brooke Ashton (Olivia Kaufmann) as Vicki, Frederick Fellowes (Terence Archie) as Philip Brent and the Sheikh, Belinda Blair (Sarah Marie Joyce) as Flavia Brent, and Selsdon Mowbray (David Manis) as the Burglar. Lloyd Dallas (Robert Mammana) is the director, Tim Allgood (Kilty Reidy) is the stage manager, and Poppy Norton-Taylor (Avneet Kaur Sanhu) is the assistant stage manager (there is an amusing playbill for Nothing On inside the playbill for this show). Act I takes place during a disastrous dress rehearsal (or is is the technical?) involving the wrong props, a malfunctioning set, missed cues, an actor questioning his character's motivation, an increasingly exasperated director, and a sleep-deprived stage manager. Act II takes place backstage while the show is on tour and features the deteriorating relationships between the actors which results in mayhem as they fight with each other and attempt to sabotage each other's performances. Act III takes place at the end of the run during which Dotty has a complete meltdown on stage and Frederick has an accident backstage causing the rest of the cast to improvise while Brooke performs her lines and blocking as normal. This is such a funny play and this production is one of the best I've seen because I don't think I stopped laughing! There is not a weak link in the cast because they all have brilliant comedic timing and give outstanding physical performances at a frenetic pace, especially in extended sequences involving a lost contact lens, an ax, several bouquets of flowers, a mop and bucket, a telephone cord, sardines on the ground, and several understudies for the same character going on at once. However, I was particularly impressed with Archie, because he spends a good amount of time running around with his pants around his ankles and he becomes progressively more and more injured as the play goes on, and Guter, because he hops up the stairs backstage with his feet tied together and falls down the stairs on stage spectacularly! The two-story pastel-colored set is fantastic and the sheer number of doors (which are frequently slammed very dramatically) is impressive. I also loved the large window because it allows the audience to see what is happening on stage during Act II and backstage during Act III (which adds to the chaotic humor). I had a lot of fun watching this and highly recommend it to anyone who needs a laugh (and who doesn't?) this holiday season! It runs at PTC through December 20 (with matinees on Saturdays) and tickets may be purchased here.

Kill Bill: The Whole Bloody Affair

Yesterday I went with my sister and brother-in-law, the biggest Quentin Tarantino fans in the world, to see Kill Bill: The Whole Bloody Affair, which combines Kill Bill: Volume 1 and Kill Bill: Volume 2 into one movie as Tarantino originally intended, and it was seriously awesome!  A former assassin known as the Bride (Uma Thurman), code name Black Mamba, awakens after a four year coma resulting from a massacre that killed everyone else, including her unborn child, at her wedding rehearsal.  She vows to find and kill Bill (David Carradine), code name Snake Charmer, her jealous former lover and mentor, and four members of his Deadly Viper Assassination Squad, including Vernita Green (Vivica A. Fox), code name Copperhead, O-Ren Ishii (Lucy Liu), code name Cottonmouth, Elle Driver (Daryl Hannah), code name California Mountain Snake, and Budd (Michael Madsen), code name Sidewinder, for betraying her.  This is a brilliant revenge thriller that pays homage to low-budget exploitation films popular in the 1960s and 1970s, particularly martial arts films and spaghetti westerns, and features highly stylized action sequences.  I especially love the fight choreography in the showdown at the House of Blue Leaves in which the Bride battles O-Ren Ishii's second lieutenant Sofia Fatale (Julie Dreyfus), her Japanese schoolgirl bodyguard Gogo Yubari (Chiaki Kuriyama), the entire Yakuza gang she leads known as the Crazy 88, and then the assassin herself with the samurai sword made for her by Hattori Hanzo (Sonny Chiba) while wearing the iconic yellow tracksuit (inspired by the one worn by Bruce Lee in Game of Death) because it is so hilariously hyperviolent with flying limbs and blood gushing everywhere (it is expanded and all of it is shown in glorious color in this version).  I also love the shot composition in the black and white sequence during the massacre at Two Pines (it reminded me of the final shot in The Searchers) and the use of Japanese anime for O-Ren Ishii's backstory (it is also expanded in this version and it is very cool).  All of the music is fantastic but my favorite is "Bang Bang (My Baby Shot Me Down)" by Nancy Sinatra, which is used during the opening credits, because it immediately sets the tone for the Bride's story.  Thurman gives an epic performance as a woman who is seeking vengeance but also trying to reconcile what was done to her because she is equally adept in the action sequences and in the more emotional scenes with Bill.  Finally, I definitely prefer this version over the two-part one because the pacing is much improved, the deletion of one scene makes a later revelation even more powerful, and the expansion of several scenes adds to the context (not to mention the fact that watching this all afternoon was an incredible theatrical experience).  I highly recommend checking this out while it is in theaters (our screening was completely sold out) because it is a total blast!

Nate Bargatze at the Delta Center

I have always wanted to see a comedy show (it has been on my bucket list for a very long time) so I was really excited for Nate Bargatze at the Delta Center yesterday.  Comedians are sometimes a hard sell for me because I don't really enjoy crude humor (I think it is extremely lazy) but Bargatze makes me laugh because he is so relatable.  Four different comics opened for him (this really surprised me but I guess it shouldn't have because most music concerts have multiple opening acts) including Julian McCullough, Graham Kay, Keith Alberstadt, and Derrick Stroup.  All four of them, who each performed for about ten minutes, were really funny but I especially enjoyed McCullough, who talked about the Utah Jazz being a young team who will become competitive soon and called out all of the people arriving late (this made me laugh so hard because it is a pet peeve of mine), and Kay, who joked that, because he was getting married for the first time and thinking about starting a family at age 44, he could now finally relate to all of the 20-year-olds in the audience.  Bargatze came to the small circular stage in the center of the arena right after them and he performed for over an hour.  It was so much fun because I don't think I stopped laughing.  He told really humorous stories, in his signature deadpan delivery, about the absurdity of mundane situations including being able to ask AI important questions (such as how many chickens will fit inside a horse), technology in cars today being smarter than he is, teaching his daughter to drive a stick shift, feeling powerful for being able to order food from Door Dash any time he wants, dealing with his parents as they get older, telling his marriage counselor that he is frustrated with his wife for how she orders from the menu at the drive-through, and mining his family's hilarious group chats for comedy.  I particularly loved his bit about cars having opinions because I also sometimes feel like my high-tech car is judging my driving!  All of his jokes really landed with the sold-out crowd and the energy was an absolute blast to experience!  I didn't really know what to expect from a comedy show in a large arena but I had a great time and would definitely consider going again, especially if Bargatze returns to the Delta Center (or Leanne Morgan because she also makes me laugh).

A Christmas Carol at Parker Theatre 2025

Last year I saw five productions of A Christmas Carol and, honestly, it turned into a chore to get through all of them. This year I decided that I only wanted to see one so that I could really enjoy it (I also wanted to have more time to spend with my family) and I picked Parker Theatre's version because it is my favorite (it is so atmospheric and dramatic). I had the chance to see it last night and I think I made the right decision because I loved every minute of it! This tells the familiar story of how Ebenezer Scrooge (Mark Knowles) is redeemed after the ghost of his partner Jacob Marley (Stuart Mitchell) arranges for him to be visited by the Ghosts of Christmas Past (Helene Parker), Present (David Hansen), and Future (Helene Parker). However, there are many original elements specific to this particular production that make it my favorite. I love that Marley is shown haunting Scrooge at their counting house and other locations before he appears to him in his bed chamber because it is so foreboding. I love that many of the characters Scrooge interacts with in the present, such as a poor child singing carols (Eloise Hohl), his nephew Fred (Truman Schipper), and his clerk Bob Cratchit (Chris Last), appear to him as if in a dream when he interacts with characters from his past, including his younger self (Tristan Curtis), his sister Fan (Samara Douros), and his employer Mr. Fezziwig (Jim Dale), respectively, to soften his heart because it gives depth and meaning to his eventual redemption. I love the romantic dance between the young Ebenezer (Spencer Hohl) and Belle (Isabelle Purdie) because it provides a sharp contrast to the later scene when she releases him from their betrothal. I also love how Scrooge learns the truth by opening his coffin in the cemetery because it is incredibly dramatic (especially when chains emerge from the coffin to claim him). The sets are much more minimal than other productions I've seen (Scrooge's counting house and bed chamber are the most elaborate) but I love the use of scrims, projections, fog, and atmospheric lighting and sound design to create an otherworldly mood. It was fun to see many in the cast reprise the same roles from previous productions and, while I loved every performance, I was most impressed by Knowles, because his gradual transformation from the bitter old miser at the beginning of the show to the more lighthearted character we see at the end is brilliantly conveyed through facial expressions and body language, and by Hansen, because I found his sudden change from a jolly spirit who brings the joy of the season to Scrooge to one who accuses him of ignoring his fellow man to be absolutely devastating (especially since his delivery is very quiet). Seeing A Christmas Carol has always been an important tradition for me and I am so glad that I picked this production to celebrate the season this year! I highly recommend getting a ticket (go here) for one of the performances on Fridays and Saturdays (or on Monday, Tuesday, and Wednesday during the final week) through December 24.

'Twas the Night Before at the Eccles

I really enjoyed the Cirque du Soleil shows that I have seen (Mystere and Love in Las Vegas) so I was excited to see their first ever Christmas show, 'Twas the Night Before, last night at the Eccles Theatre. As expected, it is a dazzling spectacle that is sure to give you a big dose of Christmas cheer! Isabella (Elodie Sanna) and her Father (William Borges) always read "A Visit From Saint Nicholas" by Clement C. Moore together but this year she feels that she has outgrown the tradition and even rejects the bicycle he gives her as a present. Then a winter storm separates them and they are transported by mischievous elves into a magical world inspired by the poem and brought to life by whimsical aerialists, jugglers, and acrobats. They are eventually reunited by Santa Claus (Chris Aguirre Aceituno) and his reindeer with a new sense of joy and wonder for the holiday. The stage features a glittering backdrop of tinsel and lights with a large ramp (which I thought would be used more) connecting an upper level to the main level. The show also includes really fun remixes of traditional Christmas songs (my favorite was "O Come, O Come, Emmanuel" performed by a cello during an aerial routine) with choreography that is perfectly in sync with the beat. The performances are nothing short of amazing and there were multiple times when I wondered how the cast members were able to execute such impressive stunts (the audience broke out into spontaneous applause in the middle of almost every number). The highlight for me was when a group, including Shih-Rong Huang, Yi-Fang Chen, Yu-Hui Teng, and Shih-Wei Huang, toss illuminated diabolos, or spinning tops on wires, across the stage and into the audience because it looks so cool (I have no idea how they were able to catch them on the wires). I also loved seeing an aerialist (Victoria Baudry-McPherson) spin on a rotating hotel cart, a group of reindeer (Aaron Blomme, Esteban Masco, David Tanner, Lucas Costa De Souza, Mohamed Conte, Changzheng Xu, and Shane William Minerich) jump and perform somersaults through impossibly high rings, and Isabella balance on a moving bicycle. This show is not quite as immersive as the ones I have seen in Las Vegas (which are performed in the round) but it is a lot of fun and it is perfect for families during this holiday season. It runs at the Eccles Theatre through December 14 with multiple shows on Saturdays and Sundays (go here for tickets).