I have been looking forward to Bonnie & Clyde at PTC ever since the 2023-2024 season was announced so I braved the wind driving to and the snow driving from the theater to see a matinee yesterday. It was worth it because I really loved this show (I had never seen it before). A young Bonnie Parker (Elisabeth Wilkins) wants to be a star on the big screen just like Clara Bow while Clyde Barrow (Daniel Michael Sorokine) spends his youth yearning for the excitement of being an outlaw like Billy the Kid. When they meet during the height of the Great Depression, Bonnie (Alanna Saunders) is a waitress and Clyde (Michael William Nigro) is an escaped convict but they both want to leave West Dallas. They fall in love and Bonnie is drawn into Clyde's life of crime, first when she helps him escape from prison again and then when they go on the run in her 1931 roadster. They become heroes to those who have suffered during the depression and, as their fame grows, they escalate from robbery to murder which gets the attention of retired Texas Ranger Frank Hamer (Daniel Simons). As they become more and more reckless and involve Clyde's brother Buck (Dan DeLuca) and his wife Blanche (Gina Milo), their adventure comes to an inevitable end when their car is ambushed on a Louisiana road. The story takes a long time to get going in the first act and then seems a bit rushed in the second act but I still found it to be very compelling, particularly the juxtaposition between the relationship between Bonnie and Clyde and that of Buck and Blanche. The music in this show is fantastic with a blues, gospel, and rockabilly sound. I especially loved "Picture Show" as Bonnie dreams of being on the screen, "This World Will Remember Me" as Clyde dreams of being an outlaw, "God's Arms Are Always Open" as a Preacher (Christian Brailsford) and Blanche try to get Buck to give up his life of crime, "You Love Who You Love" as Bonnie and Blanche realize that they can't help loving the Barrow brothers, "Raise A Little Hell" as Clyde plots to break out of prison, "Made in America" as the people express their desperation over their circumstances, and "Dyin' Ain't So Bad" as Bonnie consoles herself with the knowledge that she and Clyde have lived life on their terms. Both Saunders and Nigro have beautiful voices and give incredible performances that just about blow the roof off the theater. They are matched by the performances of DeLuca and Milo, especially when the four of them sing together. I also really liked Ben Jacoby as Ted Hinton, a policeman who is interested in Bonnie, because exhibits so much longing in the song "You Can Do Better Than Him." This show features one of my favorite sets at PTC because it is so unique. The backdrop is a three-story structure made of corrugated metal (it looks like the kind of bleak structure that would exist during the Great Depression) which features the mugshots of Bonnie, Clyde, Buck, and Blanche as well as a giant marquee (it looks like the front of a movie theater) that lights up to show the various locations in the show. The action takes place in front of the backdrop with the addition of a few minimal props (I loved the roadster) as well as within an area inside that represents the couple's hideout. The lighting design is moody and atmospheric with sepia tones that turn into a dramatic splash of red during the scenes involving violence. The period costumes also feature sepia tones but Bonnie's become more colorful the more notorious she becomes. The story itself could have been more cohesive but I loved every aspect of this production and I highly recommend it (the audience at my performance was the largest I've seen at PTC this season). It runs through March 9 and tickets may be purchased here.
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